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Scene4 Magazine | Lessons Learned with Nathan Thomas | March 2006
Brecht and Meyerhold | I've asked two esteemed new-thinkers to spend some time with us. In many ways their past work remains newer than tomorrow morning, possessing a freshness that even some productions done in the next year won't have.�| Scene4 Magazine-January 2013
Nathan Thomas | Scene4 | Abel and Able | OK.� From the time of Abel and Cain, we�ve had murder. And from the time of Abel and Cain, we�ve had stories with violence.�So, what do we do with that? | Scene4 Magazine-February 2013
Nathan Thomas | Scene4 | I Like The Quiet | On a Thursday I taught three courses and then rehearsed the Storm Scene from King Lear that evening.� I could barely croak by the end.� I�ve had laryngitis before, but not like this.� It felt different. | Scene4 Magazine-March 2013
Nathan Thomas | Scene4 | Failure | I made a huge mistake.� In the summer of 1984 I worked to build a summer theatre program in a small tourist town in the southwest.� In the summer of 1983 I�d mounted four shows with variable success.� I decided that in the summer of 1984 we needed to grow to six shows.�| Scene4 Magazine-December 2012
Nathan Thomas | Scene4 | Endings | To be an American as I write feels like being at the end of a long marathon.�At the end one man left standing.�Our election season lurches to a close.�| Scene4 Magazine-November 2012
Nathan Thomas | Scene4 | Why Do They Muck Around With Shakespeare? | I sympathize with theatre critics who write for dead-tree publications.�Where the dead-tree critic has the discipline of precise column inches, I have the pleasure of writing as little or as much as I need.�| Scene4 Magazine-July 2012
Nathan Thomas | Scene4 | Lies and Damn Lies | My summer has been typified by a night a few weeks ago in which my beautiful daughter was visited by the Dark Angel of the Projectile Vomit that made Sir Ian Holmes� explosive scene in Alien look mild by comparison.�| Scene4 Magazine-September 2012
Nathan Thomas | Scene4 | Motivation | We need to attract the brightest and best to the teaching profession.�But we�re not to use money or the promise of job stability to attract the brightest and best.�| Scene4 Magazine-October 2012
Nathan Thomas | Scene4 | On Turning 50 | I don�t know why it�s such a big deal.� Thirty-seven was bigger than forty.� Forty-nine was nothing.� But hitting the big �five-oh� this month looms large. | Scene4 Magazine-April 2013
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