Entries from THE DRESSING tagged with 'Capital Fringe'

Lucretia Borgia and Romancing the Chairs

Leah Englund Brick's interpretation of Gertrude Stein's 1938 play Lucretia Borgia uses shadow puppets and chairs to deliver Stein's reflexive portrait of a woman who is having an identity crisis. In the forum of the Capital Fringe at the Atlas Performing Arts Center seen July 18, 2014, Brick and Small Batch Theatre Company with support from Towson University presented a 55-minute work of physical theater, which the Dresser thinks is a good way to ground the psychological ruminations of the least read Modernist. While Stein's play calls for five characters and a crowd (Brick's play uses placards during the puppet...

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