July 6, 2014

George Carlin

George's list got really expanded way beyond 7 dirty words. With political correctness it's probably in the 100s. And George didn't die, he faked a heart attack and ran away to a hill somewhere, maybe Montecito, California or New Jersey. No, as George would say, fuck that! As a hip cartoonist, Elliot rules!

Brother Bone

view Elliot Feldman's cartoon

Belly of the Beast

Les Marcott strikes a teling chord at the end of his article,concerning Norman Mailer: "...the folly of believing that sinners and criminals could invariably be saved by art... ." It can be powerfully applied to history and today: the folly of believing that humanity itself could be saved by art.

Ben Straithorne

read Les Marcott's article

Convicts and Cons

I've read about some of these men and besides Carter, I really think the artists themselves were conned by the Cons. They don't call them "cons" for their ability to tell the truth. It's their ability to lie, and lie with a straight face that fools many people. Many of these guys practice conning people, and some consider it an art form. Think of all the serial killers marrying beautiful women and keeping their commissary money full. Charles Manson still gets marriage proposals and he must be near 80.

Kenneth Sibbett

read Les Marcott's article

July 2, 2014

Sometimes Moral Rightness Can Kill You

I appreciate Mike Ballard's factual framing (Stein hated FDR's 'New Deal' and praised Marshall Petain's  Vichy government) around the provocative title "Gertrude Stein and Moral Rightness."

As to Pound and Stein being of the same ilk--yes they were both Modernist poets and geniuses with right-wing views and you could say both were cock sure of themselves like willful children. However, Stein was a Jew living in Nazi occupied France trying to survive. Initially the French people supported Petain because he was a World War I hero. Stein participated in WWI and was given a medal for her service. By the end of WWII, Stein and her right-winged neighbors no longer supported Petain and they were all participating in the resistance.

Pound, an anti-Semite exercising his American right to free speech, had a radio show in Italy where he lived all during the war. He promoted the authoritarian regime of Mussolini and was paid for these broadcasts by the Italian Ministry of Popular Culture. People who knew Pound said the payment didn't matter to him, he would have said the same thing without the money. 

Let's put it this way, sometimes moral rightness can get you killed. In wartime, people tend to bend the rules. Did Pound's behavior look like a survival tactic?  And Stein, bending the rules was always an agenda with her. I believe she was politically naïve. A lot of geniuses, including Stein and Pound, have done things that do not sit well with ordinary folks.

Karren Alenier

read Karren Alenier's article

The Death Penalty

(Miles David) Moore's portrait of Ruth and Judd's "cinematic afterlife" is a stirring, well-written article, particularly the note about the "tabloid sensationalism" in showing a photo of Snyder's exceution on the front page of a newspaper. I would suggest that there should be more of this today. We should see actual photos of the so-called "humane" lethal-injection executions, even videos. The Death Penalty has been proven not to be a deterrent, which is why it has been discarded in most civilized countries. Are State executions "cruel and unusual" punishment? If they are then they should be public events shown in all their gory detail and then maybe, just maybe they may prove to have some deterring impact on crime. They used to be staged like circuses in England, France and even the USA. Ever wonder why they stopped doing that?

Barry Hazellof

read Miles David Moore's article

July 1, 2014

Gertrude Stein, right-wing intellectual...

Artist and precursor to the Heideggerian, post modern fascination for identity politics, she hated FDR's 'New Deal' and praised Marshall Petain's  Vichy government. Pound was of her ilk, politics and talent. Perhaps, this is what is meant by the title:  "Gertrude Stein and Moral Rightness".

Mike Ballard

read Karren Alenier's article

On this Stein, you have built

Karren, Once again you have done your excellent poet's synthesis of Stein facts and Stein words! Another just tribute in this centenary year of TENDER BUTTONS.

Hans Gallas

read Karren Alenier's article

June 9, 2014

War and Peace

William James aside, I would point you to the late, lamented Christopher Hitchens, a liberal often radical left-winger, a great warrior for "peace in our time", who supported the Iraq invasion and war. He cajoled and warned that the fundamentalist Islamic jihad is unlike any other terror in history in that it has no political goals, only the destruction of all modern civilization and the return to the time of the 7th century caliphate. He argued that regardless of the concocted premise under which the Cheney-Rumsfeld cabal promoted the Iraq war it was a necessity (perhaps too late) to stem the inevitability of the mindless Islamist radicals acquiring nuclear weapons. As he said (and so did Harry Truman and others), anyone who is willing to destroy himself as he destroys you is a threat beyond the evolution of history.
And he was right!

Louis Laird

read Michael Bettencourt's column

Riding Shotgun With Courtney Joyner

Excellent article, filled with interesting stuff I knew nothing about, the best kind. I have to read this book now. It reminds me of the movie with Yul Brynner in 1973 called Westworld. Brynner was a robot and it is the only western I've ever liked that had anything "Supernatural" about it. But Yul Brynner was an icon. I don't think anyone else could have pulled it off.

Kenneth Sibbett

read Les Marcott's column

June 7, 2014

Art and the City

Many thanks to Renate Stendhal for her colorful and picaresque writing about my beloved Barcelona. I question, however, some of her feminist allusions to flamenco music and dance. Flamenco is more than 'man versus woman'. It's roots are Gypsy and it's heart is both the King and the Bull, both of which are now under attack in Spain by the mindlessness of the younger generations.

Tomas Enzopeña

read Renate Stendhal's article

re: Rock&roll is dead? Come on.

If rock&roll is 'the greatest American music ever with the greatest musicians ever" then American music is dead! White anglo-saxon music that is. Rock is at the bottom of the heap that defines the great art of music -- drummers who can't keep time, singers who can't keep pitch or demumble lyrics, guitar players who strum the strings and have noithing to say unlike most jazz guitarists. As for songwriting in the world of pop, the American songbook closed its covers 40 years ago. Millingham must believe that Eric Clapton is a great guitarist and Bob Dylan is "the" poet of the 20th century. Pity that. Rock is not music, it's a scene, it's a video-game to wave hands in the air and pretend that you and I are the awkward, bouncing, gurgling performers on the stage, on the screen. The final burial rites of pop music is rap--can't sing like most of us? then grunt and moan in a drudging monotone and call it poetry. Rock isn't dead music, it was never music, alive or dead.

Michael Aptrow

read the prior letter

read Patrick Walsh's column

Happy Eating

"The pleasure of it all is to eat when we're hungry and to eat when we're not." Julia Child would have loved this, especially: "Food is a very happy thing." Mr. Meiselman's journey from Copenhagen to Hanoi is a delightful culinary tale. He should write a cook book. Julia did.

Rosebeth Moore

read Arthur Meiselman's column

June 2, 2014

Shelley

The beauty of Martin Burke's libretto is that it reads like music. The words flow into the ears as well as the eyes. Beautiful. Is it an opera or ballet yet? It is a composer's dream.

Arian delGado

read Martin Burke's writing

Aux Barricades!

David Wiley's piece Aux Barricades! (January 2014) is but another example of his outstanding and continuing genius. I am privileged to be his friend and to have shared the adventure with him of my own writing and art. Bravo!

sondra olson

see David Wiley's art

Awesome!

So talented you are, Elliot!

Stacy Payne

see Elliot Feldman's cartoon

Everyone will be Hitler

Great cartoon! Right on the nose and in the gut, Elliot. Hard to laugh at it but important to laugh at it. Thanks for the laugh sad as it is.

Sam

see Elliot Feldman's cartoon

June 1, 2014

Rock&roll is dead? Come on.

(Patrick) Walsh is so wrong. Rock&roll is fucking alive! It's the greatest American music ever with the greatest musicians ever. It's everything that the United States is, the heart and soul, all through the world. The old music is dead. Walsh is dead and if he listens hard and dances harder, maybe I'll say "long live Walsh"!

Danny Millingham

read Patrick Walsh's column

The world's wealth

You and your fellow producers are creating the world's wealth.  Of course, you don't own most of it; you work for wages.  Still, you are what you let eat at your soul.  You are a member of a capitalist commodity culture. Your life's creativity is bought and sold on the labour market and you buy what your class produces.  And so it goes within the totality of today.

Mike Ballard

read Arthur Meiselman's column 

Peace in our time...

Peace can't come about in a society of conflicting class interests.  War began with class rule and will end with the establishment of a classless society by the people. Until that time arrives, a time when the people themselves choose to establish common ownership of the land and the collective product of their labour, administered in free association, war will be a constant amongst the members of the human race.

Mike Ballard

read Michael Bettencourt's column

May 5, 2014

Neuroself or is it Selfneurosis?

As the writer (Michael Bettencourt) says: "...giving thanks for finding a way to win the losing battle against my demons". That's the ticket isn't it? His poignant and initimately self-perceptive look at himself is an often blocked way for all of us to look at ourselves. Thanks for opening the window and letting us see with our eyes open.

Sasha Lauren

read Michael Bettencourt's column

A Writer's Life

I love this cartoon. It's the story of my life, funny, insane, depressing, reality. The artist (Elliot Feldman) makes us all brothers, and sisters, if you will.

Sasha Lauren

view Elliot Feldman's cartoon

May 2, 2014

Dan's a fine fellow

Thanks for this enlightening review of Dan Crafts life and work.  I'm sending it on to my friends and acquaintances who haven't had the pleasure of meeting and knowing him in person.

Mike Ballard

read Carla Maria Verdino-Süllwold's article

In Defense of Melody

Daniel Crafts is a magnificent composer, and I'm delighted to see him getting this long-overdue recognition. It has been a great privilege to write lyrics for his music and to have my poetry set by him. In particular, he has inspired some of my best work--the Spider Woman song for "From a Distant Mesa" that he commissioned from me. I hope that his steadfast determination in combination with his brilliance helps change the whole direction of modern classical music.

Adam Cornford

read Carla Maria Verdino-Süllwold's article

May 1, 2014

Ralph Fiennes

Excellent review of the work and status of this top of his form actor. Not only an actor that audiences love to hate, but also one audiences love to love. I have seen Mr. Fiennes in some second rate films but I have never seen him give a second rate performance.

Barry Morrics

read Miles David Moore's review

April 7, 2014

Not so modest

Arthur Meiselman's proposal in "And In The Beginning..." (April 2014) is far from modest. Raucously humorous, yes, but at the same time disturbingly insightful. My modifications are: out with men, if I can join the women. Or better yet, merge! Not neutral, omni-sexual, or poly-sexual, or inter-sexual which we already have. Eliminate child-bearing? Is that even a question? Here's to test-tube babies and the medium that nurtures them.

Michael Aptrow

read Arthur Meiselman's article

re: Yeats and Politics

I think that, today, W.B. Yeats would finally follow in the footsteps of Shaw and Joyce and head over the not-so emerald hills of the Irish republic to a more "sober" place to rest.

Everett Brody

read the prior letter
read Patrick Walsh's article

Jon Rendell's Humor

With his usual remarkable photography (April 2014), Jon Rendell smiles and smirks at gender and genders and the silly and often astonishing rendition of human perception as it strives to understand why the universe doesn't revolve around us. Thanks for the mirror, Jon.

Mark Moore

view Jon Rendell's photography

Gender?

I for one believe that gender is misapplied to human beings based on physical differences and is a persistent promotion of racism. In this fine issue of Scene4 (April 2014), (Michael) Bettencourt and (Arthur) Meiselman both shine their lights brightly on this ugly distortion that has plagued the entire history of life. There is only one gender - human.

Petra Dischban

read Michael Bettencourt's article
read Arthur Meiselman's article

April 6, 2014

Arts&Gender

This is a great issue (April 2014), an unusual 360 degree perspective of how far we've come and how little we've accomplished. I was especially taken with Michael Bettencourt's "Magic Towel" article. It's instructive and enlightening and should be twittered relentlessly. It's a tale for our times.

Rachel Tyler Dormath

read Michael Bettencourt's article

Sillywood

I would guess that Elliot Feldman's stinging cartoon (April 2014) comes out of a long acquaintance with LaLaLand. The faces are oh so familiar, the words oh so stupid, the attitude oh so much 'attitude'. Dismal but very funny.

Lou Laird

view Elliot Feldman's cartoon

Observations

Nathan Thomas' exploration of men in a women's world (April 2014) not only strikes a chord and a hurrah for bald men but for all men, and boys, who plumb the mysteries of how and why women costume themselves and the resentment they encounter when they affect an answer. I have yet to feel comfortable "shopping", "wandering" in a women's lingerie department. The silent accusations thrown at me by the darts of raised eyebrows loudly resonate as: "he's looking for an enticing gift for his girlfriend, but it's really to dress her up in his latest fantasy;" "he's a cross-dresser shopping for his latest affectation;" "he's a pervert looking for handjob gloves;" "he's his wife's mama's boy." Even if Mr. Thomas wore a large badge that proclaimed him as "Costumer for Such&Such Production" he'd never escape the little stabs in his back. Used to be a time when store detectives would usher a man out of women's lingerie unless he were accompanied by a woman and even then they watched for any deviant looks on his face. Today, women are liberated and men are too, I think, maybe.

Paul Kevlin

read Nathan Thomas' article

March 18, 2014

Renate Stendhal/Monsieur Ambivalence

Every writer needs at least one intelligent reader, and as the publisher of 'Monsieur Ambivalence' by Thomas Fuller, I was overjoyed how thoroughly you 'got' the book, a book that requires some pretty special equipment to get. I'm trying to reach Tom Fuller, a recluse, with the news...I'm sure he'll be extremely pleased.

Brooks Roddan

read Renate Stendhal's article

March 7, 2014

Shirley Temple

This is a nice tribute to Shirley Temple. She was a super-star in her time, an amazing thing since there was no social media then and no internet. It's interesting that she grew up to be a not so good actor as a teen-ager and worse as an adult. Probably why she retired early. It seems to be a common occurrence with many famous child stars.

Pauline Warkowski

read Kathi Wolfe's column

Monsieur Bivalence

I buy it. Nicely done. What a body of work. 10 years you say? More like a lifetime. I hope you'll keep adding to it for another 10 years. Now for that book that Scene4 should publish and you should sell. I'll buy it.

Judy Moritz

see Renate Stendhal's archive

March 6, 2014

Monsieur Ambivalence

A rare treat, Judy Moritz, to read your comment. I thank you for making me laugh as I am the type of writer who would rather do anything than be selling anything! But as you so kindly suggest, I'll give it a try. How about a peek at my brand-new Scene4 Archive? 10 years of blissful and sometimes hilarious collaboration with the excellent Arthur Meiselman. All now in neat categories, with dates and easy one-click access... You'll find it at the bottom of my March article, Monsieur Ambivalence. There, I've done it. Are you buying it?

Renate Stendhal

read Renate Stendhal's review

Ms Renaud, Ms Welty, Ms McCullers & Mr. Capote on a Summer Day

After reading the first few sentences of Ms Renaud's evocative story "Summer Day," I was transported to a white veranda where I was joined by the author, Eudora Welty, Carson McCullers and Truman Capote. The magical word choices, the descriptive passages, the names of the characters, and the setting all carry on in such a genuine way, the story-telling tradition of the guests on that veranda.

Thank you for this beautiful, poetic story, which through its simplicity, is truly epic!

Hans Gallas

read Harriet Halliday Renaud's story

Bettencourt and Thomas

Try as I may and try as I might, I can't get over the feeling that both Mr. Bettencourt and Mr. Thomas are 'sweet' cynics. Cynics after their years in the theater and sweet to be in Scene4. It's a refreshing encore but only when you're in the mood.

Stanley Bergas

read Michael Bettencourt's column
read Nathan Thomas' column

Unusual Mix

David Wiley and Kandinsky-an unusual mix and yet an exceedingly interesting one. Wiley is still alive and they both live through their paintings. Beautiful, thanks.

Flo Pierman

read David Wiley's article

March 4, 2014

A true writer speaking

Beautiful and archetypal, your story of how writing started early in life, and stayed with you. Mine started just like that, with a poem at age 6 that stated (in German and in rhymes) "I want to see everything, everything, and never be against." Against what? Mystery... All of writing is a mystery. Mine ran into a nasty teacher at age 10 who detested my passion of seeing and saying everything. It went underground, surfacing again over early paintings of Kandinsky. Maybe that's part of the reason why Scene4 is my magazine of choice: writing paired with art and exquisite design. Yours is a unique vision of bringing writing into the world -- and keeping it there. A labor of love for all of us to enjoy.

Renate Stendhal

read Arthur Meiselman's column

Lawrence

Enigma or not, Lawrence triumphed where everyone else failed and he nearly pulled off the "birth of a nation" without being part of a gang that wanted in when they were out. Right man, right time always is a winner.

Michael Aptrow

read Patrick Walsh's column

Postcards from NOLA

This is New Orleans as I remember it and as I know it now. Katrina, the politicians, and Bobby Jindal can't destroy it. Jon Rendell's photographs are wonderful. N'awlins should make him its official photographer.

Richard Venoitre

view Jon Rendell's photography

March 3, 2014

Good Night, Sweet Prince

Thanks to Griselda Steiner and Scene4 for the moving and intimate view of Phillip Seymour Hoffman. He was truly a Prince and many of the eulogies and tributes didn't quite bring him back to us. Yours did. Very special. Thank you.

Andria Jacobs

read Griselda Steiner's article

What's In A Name?

Your January Special Issue, Arts&Politics, was a great bit of timely and absorbing publishing. You should have have titled this issue: "Arts&Politics-2". Maybe you should change the name of the magazine to "Arts&Politics - Scene 4" and then Scene 5 and Scene 6, etc. It's what's happening isn't it?

Michael Aptrow

On Lawrence

I'm not sure I agree with the previous writer. Lawrence was an enigma and some of his core principles were counter-productive. Lean captured this beautifully in his film. I don't think we can afford the Lawrences of this world any more, even though they are still very active in South America and Africa. Lawrence and his thinking flourished in the days of the British empire and those days are thankfully gone, maybe.

B. Kendell

read Patrick Walsh's column

March 2, 2014

Talent Wasted

Here in Sri Lanka we look forward to Scene4 each month it comes. This month it comes with sadness. The place that Phillip Seymour Hoffman lived and the startle-drawing by Mr. Feldman. It is a problem isn't it, a terrible problem. Here it is a tragedy also. Thank you for showing it all.

Harsha

see Elliot Feldman's cartoon
read Griselda Steiner's article

Monsieur Ambivalence

Pascal and Fuller - what a combination and (Ms) Stendhal once again puts her keen eye and vibrant pen to full force. She could sell me anything. P.S. to Scene4: You sold me (Ms) Stendhal why don't you sell the book too?

Judy Moritz

read Renate Stendhal's article

A Writer's Writer

Dear Arthur, I would like the name of your "ghost" writer. Anyone who can pour out the kind of prose that waves under your banner belongs on my side of the media fence. We'll pay him double and then some. Lay you odds he's not from this planet just like your "bard" Will.

Lou Laird

read Arthur Meiselman's column

Jerry Hadley

I remember Jerry Hadley so well and his beautiful singing. Why oh why did he leave us? Ms Süllwold writes so beautifully and even restraining herself she breaks my heart. Thank you Scene4 Magazine for publishing this wonderful tribute.

Molly Trincicz

read Carla Maria Verdino-Süllwold's article

On Lawrence

Thank you Mr. Walsh. Yours is a very perceptive and informative view of the brilliance of Lawrence. Well written. And mixed with your military experiences it offers a clear and present view of the danger and mess we have gotten ourselves into. You should be in the Pentagon hammering your treatise on the wall. They need voices like yours.

Thomas M. Donaldson

read Patrick Walsh's column

February 19, 2014

A Great Cartoon

Mr. Feldman not only captures the crisis in Detroit he strikes at the state of arts in the U.S. as well. The "Reznicks" have been purchasing art like this for decades. That's why Andy Warhol is so much more valuable dead than he was alive. He and all the rest of the "match my decor" artists are a perfect match for all the smartphone and touchpad users with empty minds and empty souls.

Maris Lynn Astor

see Elliot Feldman's cartoon

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