Mr. White, Mr. Elliott and Mr. Finlay
The past week has brought more sad news. The rock-and-roll world continues to reel from a succession of losses, the latest being Maurice White, leader and creative genius of the best funk band ever, Earth, Wind & Fire. And comedy lost a quirky giant in Bob Elliott, purveyor of deadpan surrealist humor first with his late partner, Ray Goulding, and later with his son, Chris Elliott.
The loss that hit me the hardest, however, was Frank Finlay. Finlay had a long and incredibly varied career; the Internet Movie Database lists 137 credits for Finlay, including an Oscar-nominated performance as Iago opposite Olivier's Othello; Casanova in a scandalous (for its time) miniseries; and a much-cherished Porthos in Richard Lester's version of "The Three Musketeers." Finlay is also one of the few actors who played both Hitler (in a TV movie) and a Holocaust victim (in "The Pianist").
However, there is one performance by Finlay that remains one of my all-time favorites: that of Marley's Ghost in the 1984 version of "A Christmas Carol," His face and costume a ghostly, sodden gray, Finlay made the most of his five minutes of screen time, conveying both the physical and spiritual torture of Marley with the grand panache that only a master of British Rep can bring off. There are few screen actors who have ever matched the declamatory anguish with which Finlay told Scott's Scrooge of the chain he had already forged for himself when Marley entered the Great Beyond. "You have labored on it since!" Finlay says, his face bearing the stamp of unspeakable horror. "IT IS A PONDEROUS CHAIN!"
Versatile and commanding, Frank Finlay brought distinction to every role he played. We can all trust that his afterlife will be infinitely happier than that of Jacob Marley.