I will be in an airplane on Oscar night. This will be the first time I will not be watching at least part of the Oscar ceremony. That many others will not be watching, for a starkly different reason, is already well-known to anyone with any access at all to the media.
I have nothing startlingly original to say about the controversy--which, since I'm a 60-year-old white guy, should surprise nobody. So I will make these points:
1. It is strange, to say the least, that there have been no black nominees in the two years since "12 Years a Slave" won Best Picture. (The many egregious omissions include--but are not limited to--Ryan Coogler, Michael B. Jordan, David Oyelowo, Ava DuVernay, Carmen Ejogo, Idris Elba, and F. Gary Gray, just to mention some great talents who have never been nominated for an Oscar in any year.)
2. As many commentators have pointed out, the #OscarsSoWhite phenomenon is emblematic of a larger, and sadly ancient, malaise in American society. Ann Hornaday made an astute observation in the Washington Post: "(A)s a microcosm of a disproportionately white and male industry, its (the Academy's) members not only fail to hire and promote filmmakers who don't fit their own description, they also literally don't see them--or, more crucially, their work." I hope the Academy's moves to diversify its membership and expand the number of nominees in acting categories will alleviate the problem. But how many other industries face similar problems?
3. The funniest and most trenchant commentary I have seen on this issue was the segment on the Feb. 21 episode of Last Week Tonight with John Oliver: "Hollywood Whitewashing: How is THIS Still a Thing?" It is available both On Demand and on YouTube, and it is wonderful.
That said, all the performances I have seen among the actors who WERE nominated are eminently deserving of their nominations. Ever since the Academy extended the number of nominations for Best Picture, I have felt the same should be done for the Best Actor, Actress, Supporting Actor and Supporting Actress categories. There is never such a thing as the five best performances in a year, or even ten. In any case, every precaution should be taken to ensure that excellent performances aren't ignored because a bunch of old white guys don't bother to see them.
As for the nominations themselves, it seems apparent that Leonardo DiCaprio, Brie Larson and Sylvester Stallone should have started rehearsing their acceptance speeches long before this. (DiCaprio and Stallone should have had the opportunity to make acceptance speeches years ago, but those are other stories altogether.) Best Picture, Best Director and Best Supporting Actress are much harder to read, with several plausible winners in each category. Alicia Vikander, Kate Winslet and Rooney Mara seem to be in a photo finish for Best Supporting Actress, while the Best Picture race seems to be a toss-up between four films: The Revenant, Spotlight, The Big Short and Mad Max: Fury Road. Alejandro G. Inarritu seems likely, though not certain, to win the Best Director Oscar for the second year in a row; there also seems to be a lot of sentiment for George Miller. I'm old-fashioned, and I want to see the director of my favorite film of the year win the award, which for me is Tom McCarthy and Spotlight.
In any case, I'm sure Chris Rock will have lots of fun holding the Academy's feet to the fire when he hosts the Oscar ceremony tomorrow night. I'm sure the same will be true of his brother Tony, hosting the All Def Movie Awards, organized by Russell Simmons, the same night. Too bad I'll miss them.