Andrew Kinsman Solo Show - 'Fragile'
Private View 27th June 6 - 9pm
Open 28th June - 13th July 2013
Andrew Kinsman is one of those fortunate people who are very talented indeed practioners in more than one art form. As well as being a hugely accomplished artistwith a burgeoning career, he is also a very successful saxophonist, performing with some very big names such as Noel Gallagher and Kasabian.
However recently Andrew has been devoting the bulk of his time to his painting in the build up to his first solo show at Signal and also in response to an extremely prestigious commission from the Royal Mail. The brief for this commission was to paint a large group portrait of the 'Dream Team' to celebrate the 150th anniversary of the Football Association. The individual players were then featured in a set of commemorative stamps, which were released in May 2013. This has led to a lot of media attention and press interviews for the artist, proving to be an ideal springboard for his first major solo show in London.
The new show is called 'Fragile' and finds the artist exploring a theme that has fascinated him for some time - the painting of bubbles. As well as the technical challenges posed for the painter, Kinsman sees the potent symbolism represented by the beauty and the momentary existence of bubbles, as echoing our own 'fragile' lives. To set the scene for the body of work the artists says - I felt that to have a chance of capturing some worthwhile moments, I would need to escape from my everyday environment. The bubble itself seemed to convey a sense of escapism and ephemeral beauty, so rather than having my subjects visit my studio for a series of formulated images, I decided to relocate to Paris. This relocation helped the artist dislocate from familiar patterns in his own life and seek out a new poetry and meaning in his painting.
In this new body of work, Kinsman's photorealist style has moved away from the purely representational. A wide variety of settings have been used, which creates a richly textured backdrop for the portraits. Some of them have the spontaneous feel of a chance encounter, while others imply a more intense relationship between model and artist. Weaving their delicate way through all the pieces, are the ever-present bubbles.
Please contact us for more information.
Rochelle Marsh
Rochelle@AbstractPR.com
www.signalgallery.com

The visual imagery he uses to expresses his feelings about this complex situation we find ourselves in is overloaded with apparently random detail. The effect is seductive nearly to the point of no return. But as the artist says 'what ever you invent has implications with teeth. I don't even pretend to know what to do about it, it's a mess and all I seem to be able to do is make pictures about it. It's like sketching a train crash'. 
Heggie's first full symphonic work, Ahab Symphony expands on ideas he first explored in his critically acclaimed opera Moby-Dick, with text from Melville's novel as well as W.H. Auden's poem "Herman Melville." The work was commissioned by the College of Music and the Institute for the Advancement of the Arts, and written for the UNT Symphony Orchestra, conducted by David Itkin; the Grand Chorus, directed by Jerry McCoy; and Croft, professor of vocal studies at UNT. The commission was part of Heggie's artist-in-residence award from UNT in 2010-11.