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      <title>Scene4 Magazine | Qué Pasa</title>
      <link>http://www.scene4.com/quepasa/</link>
      <description>QUÉ PASA—Notices, announcements and coming attractions. 

To post a new article or a comment to an existing article, click on the &quot;Post A New Article&quot; link on the right sidebar. </description>
      <language>en</language>
      <copyright>Copyright 2008</copyright>
      <lastBuildDate>Sun, 20 Jul 2008 14:33:23 -0800</lastBuildDate>
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         <title>LA Playwright Sinner Living with MS Captures FringeNYC </title>
         <description><![CDATA[Theatre Revelation Presents 2 by Sinner: Unburthen (To My Soul's Delight!) & If Water Were Present It Would Be Called Drowning premieres at FringeNYC 2008!!!  New York, NY,July 14, 2008 -- Theatre Revelation is proud to present "2 by Sinner: Unburthen (To My Soul's Delight!) & If Water Were Present It Would Be Called Drowning" as part of the 11th annual New York International Fringe Festival - Fringe NYC. This is Theatre Revelation's first time performing in New York and the world premiere of both works being performed together, will be playing at The Connelly Theatre 220 East 4th Street, New York, NY 10009 on Friday, August, 08, 2008 at 5:00- 6:00 PM, Tuesday, August, 12, 2008 at 7:00 - 8:00PM, Saturday, August, 16, 2008 at 10:0011:00PM, Tuesday, August, 19, 2008 at 3:00 - 4:00PM and Saturday, August, 23 at 5:00- 6:00PM.Tickets are $15 and can purchased at www.FringeNYC.org . 
Sinner describes he works as "A two-actor diptych that is a modern take on Adam and Eve, trapped in various forms of a deteriorating Garden of Eden. First presented as Brother and Sister (after all, Eve was "created" from Adam's rib; doesn't that make them related?) in stylized white face, part gothic kabuki, part slapstick vaudeville, living in their own isolated apocalyptic playground, the siblings play, bicker, sing and dance as frantically as they can to ward off their own psychological endgame. The second piece explores the couple as Husband and Wife, with the wife's subconscious attempts to liberate herself from the classic "Doll's House" Syndrome. She short circuits before us while delivering a monologue, sharing her fantastical sexual yearnings and interior life while disconcerting voice-overs and music cues bombard her as her husband snores." 
The show is written and directed by Los Angeles native John Sinner, who is the Producing Artistic Director of Theatre Revelation. 
ReviewPlays.com wrote in April 2006 - "John Sinner has been one of the prominent exponents of surrealistic theatre in Los Angeles... Sinner is the kind of playwright that goes for the throat-" 
John is a gay artist living with multiple sclerosis, who has had work performed at REDCAT at Disney Hall, amongst others. Both works star Los Angeles Bay area native Betsy Moore and John Sinner, in the modern Eve and Adam roles. Matt Richter, the former Tech Director at Highways Performance Space in Santa Monica is the Lighting and Sound Designer. 
Theatre Revelation is a non-profit, 501 (c)(3) theatrical production company whose artistic mission is to create, nurture and produce new theatrical works that focus on the original, inventive and experimental, in order to reveal and illuminate our human existence within the community and world at large. For Ticket info: 212.279.4488  For more info please visit: <a href="http://www.fringenyc.org">www.fringenyc.org</a>, <a href="http://www.TheatreRevelation.com">www.TheatreRevelation.com</a>, <a href="http://www.myspace.com/johnsinnerny">www.myspace.com/johnsinnerny</a>  For Media Interviews for John Sinner  Contact : Sheryl Mandel Integrity Publicity New York, NY 718-352-5976 -  <a href="mailto:ssshekkie@aol.com">ssshekkie@aol.com </a>, <a href="http://www.myspace.com/integritypr">www.myspace.com/integritypr</a>.]]></description>
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         <pubDate>Sun, 20 Jul 2008 14:33:23 -0800</pubDate>
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         <title>Nature Interrupted</title>
         <description><![CDATA[The Chelsea Art Museum, Home of the Miotte Foundation, is proud to present <em>Nature Interrupted</em>. The urgent and imperative message to restore health to the environment must be conveyed in every possible form of media and communication, and more so in art, for it is one of the most powerful languages humans have ever created.  Even in prehistoric times, peoples sought to transform the environment, through their cave paintings, megaliths and stone circles--seeking ways to connect with the force of nature. From those early beginnings, artists have been profoundly influenced by the images, colors, patterns, structures and systems of nature around them.  At various times of turbulent change in our history, such as in Hellenistic Greece, medieval Japan, and Europe at the time of the great political and industrial revolutions, new art forms have emerged in order to address the changing relationship between nature and society.  From the turn of the new millennium, world concern over environmental issues such as pollution and global warming, species depletion, new genetic technologies, sustainability and global pandemics has increased. Artists, in turn, are responding by answering collective cultural needs and developing active and practical roles in environmental and social issues.  In this exhibition, Nature Interrupted, eleven artists show very diverse aspects of their concern. They may focus on a rare species in danger of extinction, such as the eagle in Osmo Rauhala's captivating video images, or the preservation of trees threatened by decease, as in Joan Backes's paintings of tree bark, which could, in the future, become a points of reference to a species no longer in existence. Another metaphor is Katie Holten's artificial tree made of refuse such as recycled cardboard, wire, newspaper, and black tape. The emblem of a tree in distress is a perfect symbol for the environmental crisis we are experiencing. Anya Gallaccio's installation Like We Never Met (2003) includes a series of doors with flowers pressed behind glass. Over the course of the exhibition, the flowers blacken and decay, highlighting the opposition between the instability of the natural materials and the permanence of the cast objects.  Dannielle Tegeder's drawings depict a certain geometric growth as in the constructions of ants' colonies or mole hills - it is up to the viewer's imagination to decide whether Tegeder's "city" is above or under the ground. Soazic Guezennec transfers the African jungle to a suburban surrounding, embellishing it with colorful billboard images resembling a tree house, giraffe or field of orchids.  Soazic Guezennec's installation shows a tent, an umbrella and a mosquito net painted with Africa's tropical flora and fauna, yet covered with holes and rips and no longer useful and protective. These objects are a metaphor for environmental problems such as dirty water, acid rains and pollution that destroy Africa's natural environment.   Alexis Rockman in his series of paintings "American Icons" shows an apocalyptic vision of American national monuments such as the U.S. Capitol and Mount Rushmore. Even such bastions of frivolity and greed as Hollywood suffer the same leveling fate when it comes to the status-blind and whimsical response of our planet. Equally the drawings in Helen Brough's series "Cataclysmic Hypotheses" generate imaginary visions of iconic contemporary architecture that will eventually become ruins. These drawings serve as a translation of vague unconscious dreams of catastrophes mixed with the haunting recollections of disasters seen in film, television, newspapers or on the web. The installation by Jade Townsend prompts us to reconsider our current vision of an "ideal" and "successful" life - in the wake of increasingly common violent natural disasters that can instantly obliterate all we have striven to achieve in a lifetime. Jon Brumit focuses on corn as an evolving instrument for litigation and intellectual property issues. By way of critique of the current corporate influence over food production, his sound installation using recycled plastic bags and counterfeit corn resembles sonic architecture and violent instruments more than anything remotely edible. Chus Garcia-Fraile in her photographs and videos inserts escalators and other examples of modern technology into pristine jungles and landscapes - a vision that is disturbing and enchanting at the same time. Is that the future of nature - will it be saved or destroyed by modern technology?  Artists in the show: Joan Backes (USA), Jon Brumit (USA), Helen Brough (England), Anya Gallaccio (England), Chus Garcia-Fraile (Spain), Katie Holten (Ireland), Soazic Guezennec (France), Osmo Rauhala (Finland), Alexis Rockman (USA), Dannielle Tegeder (USA), Jade Townsend (USA).  Image: Anya Gallaccio, Like We've Never Met, 2003. Found mahoghany glazed doors two parts each. 231.5 x 68.5 cm. Courtesy Lehman Maupin Gallery. 
The Chelsea Art Museum 556 West 22nd Street (at Eleventh Avenue) New York, NY 10011  Tue-Sat 11am-6pm, Thurs 11am-8pm   <a href="http://www.chelseaartmuseum.org">www.chelseaartmuseum.org </a>
Contact:
Nicollette Ramirez
212.255.0719 x108
<a href="mailto:nicollette@chelseaartmuseum.org">nicollette@chelseaartmuseum.org</a>]]></description>
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         <pubDate>Sun, 13 Jul 2008 10:33:51 -0800</pubDate>
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         <title>METRO&apos;s Far Flung Perceptions  </title>
         <description><![CDATA[Pointillism Jazz Consort will assemble from different parts of the world just days prior to their opening performance in "METRO: in the state of mind "at the Capital Fringe in Washington DC on July 10, 2008.  But can a group that is spread from Texas to Ohio to New York to London to D.C. effectively prepare for such an unusual theatre project?   (and, moreover, a project which requires a seamless blending of individual perceptions in a strong ensemble piece?) Impossible, you say!  Nope - even the choreography can be learned in different cities at the same time.  The minimalist music score is created in Akron by composer, Ron Hazelett and rehearsed in D.C. The costume design is conceptualized by Andy Jordan in New York by watching performers in rehearsal from disparate parts of the globe.  But, HOW can this be?!! Modern technology is bringing these artists together through scheduled internet conferences and webcam rehearsals in their different time zones.   In this way these professionals (dancers, actors, This ensemble embodies the very essence of the company's name: Pointillism.  The painting technique of combining dots of pure color which then become blended in the viewer's eye perfectly reflects the way this dance company functions.  "Individual expression is very evident in each of us.  And when we blend those expressions together in a single vision - POW!  It's pretty intense stuff," comments Chace Coulter, an active collaborator in Pointillism Jazz Consort for the past two seasons.  Experimental theatre usually refers to the performance, rather than the rehearsal process.  But, in METRO even the rehearsal process has an element of experimental boundary stretching.  Interestingly, this living art piece looks at modern technology and how it affects us daily. As Pointillism explores the perceptions of the information age, it is clear that without electronic technology this project would not be possible.  The concept for "Metro: in the state of mind" was hatched eight years ago by co-creators, Ron Hazelett and Suzanne Winland, and finally comes together with this most diversely gifted cast.  The show runs from July 10 - 13 and July 19-20 in the Baldacchino @ Fort Fringe at 607 NY Ave NW, Washington DC.  You may stretch your perception even further by visiting the project website at <a href="http://metrostateofmind.org">http://metrostateofmind.org</a> Tickets can be bought either through a link on that site or by calling the Capital Fringe Festival office at 202.737.7230 ]]></description>
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         <pubDate>Sat, 28 Jun 2008 16:54:58 -0800</pubDate>
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         <title>Call for Film and Video Submissions</title>
         <description><![CDATA[This is a call to invite submissions of indigenous films and videos for the Native Spirit Festival 2008 The closing date closing dateis 31 August 2008. All entries must be accompanied by a submissions form and  be sent to: 
Native Spirit Festival 2008 Submissions PO Box 60545 London W2 7NF ENGLAND  
Please see submission guidelines and obtain a copy of  submissions form here: <a href="http://www.nativespiritfestival.com/english/submissions.htm">www.nativespiritfestival.com/english/submissions.htm</a> 
All films produced by indigenous filmmakers and productions which  feature aspects of indigenous life, history, culture, traditions, art  etc, are eligible for submission. Information is also available in Spanish at:  <a href="http://www.nativespiritfestival.com/spanish/submissions-sp.htm">www.nativespiritfestival.com/spanish/submissions-sp.htm</a> ]]></description>
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         <pubDate>Tue, 03 Jun 2008 13:03:22 -0800</pubDate>
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         <title>Urgent sale from art to raise emergency funds for China&apos;s earthquake recovery</title>
         <description><![CDATA[The Chinese artist He Hong Wei generously offered 5 paintings from his powerful and poignant series created at the time of  the  Asian SARS epidemic to raise emergency funds for the earthquake disaster in China. Peter Quintana's Gallery Oc-Eo Art has kindly hosted this initiative.  We are very pleased to confirm that works were purchased for the eclectic Azam Collection in London.  The SARS series was intended to be loaned to Oc-Eo Art for their forthcoming 'Hometown' exhibition opening July 1st, however the scale of this disaster and the suffering of those people affected prompted  the artist into giving his work. He Hong Wei's paintings were an artistic and personal response to the SARS virus, yet these works also appropriately echo the distress felt in this current crisis following the earthquake. This series has won accolades in Beijing and his talent as a contemporary Chinese artist has been widely acknowledged.  He  Hong Wei paints passionately and with integrity  producing striking and memorable works with bold painterly gestures.  This has been a genuine effort to raise funds for the appeal and 100% of the sale will be donated to the cause. The plan is to contribute the money to a fund being raised by the Songzhuang Artists Association (of which He Hong Wei is a member) to build a much-needed new school in the affected area.  Our sincere thanks go out to everyone who responded to this appeal and in particular the artist.  To view the works recently acquired for the Azam Collection please visit  <a href="http://www.azam.com">www.azam.com  </a>]]></description>
         <link>http://www.scene4.com/quepasa/2008/05/urgent_sale_from_art_to_raise.html</link>
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         <pubDate>Sat, 31 May 2008 12:06:06 -0800</pubDate>
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         <title>&quot;Reflection&quot; at Gallery Bergelli May 1-May 31</title>
         <description><![CDATA[Gallery Bergelli announces exhibition of mixed media paintings by Bay Area artist Sanjay Vora.   In his multi-layered paintings, Sanjay Vora explores the realm of love, memory and nostalgia. Vora first paints a representation scene, often based on photographs from his childhood. The scene will ultimately lie underneath layers of veiling. Through the practice of covering and retrieving representational, figurative scenes with layers of repetitive abstraction, he encounters his own sense of history and truth. Through the physicality of covering and retrieving the scenes, a type of psychic architecture and archeology is formed. The painted veiling separates the &ldquo;then&rdquo; and &ldquo;now.&rdquo; The result, in the end, is his personal celebration of the beautiful.  Vora was inspired at an early age to be creative. ]]></description>
         <link>http://www.scene4.com/quepasa/2008/05/reflection_at_gallery_bergelli.html</link>
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         <pubDate>Thu, 01 May 2008 12:05:42 -0800</pubDate>
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         <title>Dream Amsterdam presents Ryoji Ikeda: spectra [amsterdam]</title>
         <description><![CDATA[Ryoji Ikeda: spectra [amsterdam] is a project for DREAM AMSTERDAM 2008 6 &ndash; 21 June 2008 at various locations in Amsterdam  Co-produced by Dream Amsterdam Foundation and Forma, Spectra [amsterdam] is artist and composer of Ryoji Ikeda's commission for DREAM AMSTERDAM 2008; his first project for a public space and his first large-scale work pushing the creative possibilities of light to its utmost extremes. Selected architectural features in industrial, civic and open public spaces emanate blinding white light for several hours every evening, in an unearthly, unforgettable experience. Visitors navigate between the sites following a map that connects the distant points of a visceral urban constellation.   Ikeda is an internationally acclaimed composer and sound artist who creates highly technologised installations that play with human perception, in concerts, installations and recordings integrating sound, acoustics and sublime imagery derived from pure mathematics and the endless sea of data in the world. He is the second artist chosen by DREAM AMSTERDAM to realise a vision for the city using its streets and buildings as a source of inspiration, as a medium, as studio and as exhibition space. Spencer Tunick was the first artist commissioned by DREAM AMSTERDAM and in 2007 worked with two thousand naked people across the city in a car park, a petrol station, a canal, on bicycles and in a tulip field.  Ikeda's work is becoming increasing well known internationally. At the Yamaguchi Center for Arts and Media in Japan his first major solo exhibition datamatics features the works data.film [n&ordm;1-a] and data.tron and a new commission for the Center, test pattern [n&ordm;1]. datamatics is an ongoing project exploring the invisible data permeating the world and materialising in audiovisual concerts and installations. DREAM AMSTERDAM opens with a live performance from Ikeda at nightclub Paradiso, on 6 June followed on Midsummer's Night on 21 June an immersive audio work presented at one of the installation sites. By registering at www.dreamamsterdam.nl visitors will be emailed the site locations when they are announced on 6 June. For further information please contact Janette Scott, Media Consultant <a href="mailto:janettescottartspr@yahoo.co.uk">janettescottartspr@yahoo.co.uk </a>or Hannah Barnes at Forma on 020 7837 7777 or <a href="mailto:hb@forma.org.uk">hb@forma.org.uk</a>. For DREAM AMSTERDAM contact Paul Verstraeten Communicatieon on +31 (0)20 6762814 or email <a href="mailto:hb@forma.org.uk">info@paulverstraeten.com</a>. 
]]></description>
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         <pubDate>Fri, 18 Apr 2008 16:33:27 -0800</pubDate>
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         <title>Industry Artists Follow Their Fathers&apos; Footsteps </title>
         <description>You would not expect to find a Hollywood Casting Director and a Film and Television Make Up Artist sighting down the barrel of an M-16 at an Army Marksmanship Unit in Georgia, but for Pixie Monroe and Kimber Eastwood, participating in the US Army Strong Experience was in their blood.  &quot;I think this event will help people to appreciate the men and women serving in all branches of the military,&quot; said Eastwood, daughter of legendary Actor/Director Clint Eastwood, and a USO Representative in her own right. &quot;The Army was an important touchstone in my father&apos;s life, and I&apos;m proud and honored to be here getting a taste of the training that he went through.&quot;  Clint Eastwood served in the US Army in the 1950&apos;s, developing such camaraderie with his fellow enlisted men that when he decided to move to Los Angeles to act after his stint in the military was over, two of his Army buddies decided to go with him.  David Janssen became TV&apos;s The Fugitive, Martin Milner became a beat cop on Adam-12, and Eastwood became a legend. 
&quot;He&apos;s touched so many people,&quot; said Pixie Monroe of her father, Edward Petros.  &quot;But it all started with the Armed Forces.  Without that foundation, we would have had a very different life.&quot; </description>
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         <pubDate>Mon, 14 Apr 2008 11:06:43 -0800</pubDate>
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         <title>New Book On Hong Kong New Wave Cinema</title>
         <description><![CDATA[The ascension of 'New Wave' cinema in 1970s Hong Kong has had a significant cultural and economic impact on the film industry of China. In <em>Hong Kong New Wave Cinema</em>, Cheuk offers a comprehensive overview of the films made in this vibrant era. Cheuk delves into the cinematic style and aesthetics of the New Wave directors, many of whom were graduates of Western universities, and applies auteur and genre theory to their work. 
As well as penetrating the narrative content, structure and the mise-en-scene of specific films, the book explores the development of TV and film industries in Hong Kong during the 1960s and 1970s, the elevated quality of cinema during this period and the entry of Hong Kong film-makers, such as Tsui Hark and Ann Hui, into the mainstream and Hollywood in the 1990s. Hong Kong New Wave Cinema maps the birth and eventual decline of celebrated 'New Wave' in a fascinating and thorough manner.Cheuk relates the movement to a wider historical context of the developing society and culture of Hong Kong at that time. His study of the celebrated 'golden age' of Hong Kong film contextualises 'New Wave' and describes its wide-reaching effects upon contemporary cinema in Hong Kong, the greater China region and far beyond. About the AuthorPak Tong Cheuk is Associate Professor in the Department of Film and Television at Hong Kong Baptist University.Title InformationFull Title: Hong Kong New Wave Cinema (1978-2000)Author: Pak Tong Cheuk ISBN: 9781841501482Binding: Paperback, 268pp Published: April 2008 Price: £19.95 / $40URL: 
Information Intellect is an academic publishing company based in Bristol whose focus lies in areas of creative media and popular culture. Please contact Sam King for further information, or to request a review copy of the title.E: <a href="mailto:sam@intellectbooks.com">sam@intellectbooks.com </a>T: +44(0)117 958 9910W: <a href="http://www.intellectbooks.com">www.intellectbooks.com</a>]]></description>
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         <pubDate>Wed, 02 Apr 2008 11:47:58 -0800</pubDate>
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         <title>Shauna Goodgold Joins Broadway Pros</title>
         <description><![CDATA[Shauna Goodgold will be featured as the fresh faced voice in Scott Alan's Monday Nights, New Voices. This musical series, produced by composer Scott Alan, showcases some of  "Today's Brightest  New Voices in New York" (Alan wrote the book, music and lyrics for the musical Detour, which played a ten-week, sold-out run at the Complex Theater in Los Angeles.) Shauna will be singing the songs of the award winning contemporary duo Lowdermilk and Kerrigan (Henry and Mudge) and adding her own musical flair. 
Shauna has lent her voice to several recordings and productions and has hit the stages of such well-known clubs as Don't Tell Mama and Swing 46. She has sung  lead and background vocals in such productions as Austin's Bridge by Broadway director/writer Bill C. Davis, Music Theatre International's Broadway Junior Collection (MTI) CD recording of Once on This Island, HBO, Scholastic, Rooms to Go Kids, Starbuck and Co. with Broadway performer and Tony Award nominee Rebecca Luker (www.rebeccaluker.com) and Danny Bur  Shauna is currently assisting well-known musical conductor Keith Levenson (Open Labs - Keith Levenson) and will be perform this summer at The Spirit of Broadway Theatre in the American Premiere of British musical Tomorrow Morning. Her New York credits include The Last Starfighter at the New York Musical Theatre Festival, Off-Broadway's Christmas Rappings (Judson Theatre),  Opa! (Snapple Theatre), Minnie Fay in Hello Dolly! (Hangar Theatre), Hodel in Fiddler on the Roof (Cider Mill Playhouse) and Cha Cha in Grease! (Hoerner Theatre). She can also be seen in the hilarious mockumentary The Battery's Down with Jonathan Groff and Jen Cody. And she's only just begun.... The Duplex Cabaret Theatre, April 14, 2008   7:00 PM- 8:00 PM, <a href="http://www.theduplex.com">www.theduplex.com</a>, 61 Christopher Street, New York City. Please Call: (212) 255-5438.  
The Duplex Cabaret Theatre has been the venue of choice for the Award-Winning "MONDAYS NIGHTS, NEW VOICES" series, featuring new works from composers both up and coming and LEGENDARY, from Frank Wildhorn to Stephen Schwartz, Charles Strouse to Galt MacDermot, Jason Robert Brown, Michael John LaChiusa, Andrew Lippa and many more!  The DUPLEX CABARET THEATRE has served as a jewel in the crown of the NYC cabaret world for over fifty years.  Hal Holbrook, was The Duplex's first Booking agent.  Such performers as Barbra Steisand, Woody Allen and Joan Rivers, have graced it's stage, the list too long to name!                  ]]></description>
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         <pubDate>Wed, 02 Apr 2008 11:43:38 -0800</pubDate>
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         <title>International Basketball Team Looking For Miss L.A. Lightning</title>
         <description><![CDATA[Mark Harwell knew he was on to a good idea when he brought the Los Angeles Lightning, an International Basketball League Team, to the hoops-crazy City of Angeles.  The entertainment industry producer and entrepreneur understood that the passion inspired by NBA teams like the Clippers and the Lakers could easily support a team with games that are active, high-energy, and full of athletic drama. 
With all the right pieces in place, all the Lightning needs is the right spokeswoman.  Enter Hollywood Casting Director, Pixie Monroe.  "The experience of these games is exciting, fast-paced and unique," said Monroe, "so we're looking for an vivacious girl to represent the spirit of the organization."  
With a 22 second shot clock, one timeout per team per quarter, and an immediate inbounds rule, International Basketball League games promise a nail-biting two hours of passing, blocking and constant back and forth scoring that will get even the most jaded fan off the bench and cheering.  
"It's really a family friendly event," Monroe stated.  "Miss L.A. Lightning will have to interact with the community on a much closer level than in most other sporting venues.  We're planning outreach with local charities, performances by local musicians and player interactions both on and off the court.  It's a demanding, high profile position and one that demands compassion as well as an understanding of community and the game."  The Lightning are planning multiple exciting events throughout the season at their home court, the Gilbert Sports Arena in Thousand Oaks.  Getting in on the action is as easy as logging on to www.lalightning.net, and with tickets starting at as little as six dollars a seat, whole families and groups will be able to get in on the game.  For now, Harwell, Monroe and It Girl Public Relations are hot on the trail of an exceptional spokeswoman to represent a game that has finally come back to its roots.  And as for Harwell, he's hoping Lightning will strike all season long. 

For press inquiries and questions contact Juliette Harris, It Girl Public Relations. 310-577-1122 or <a href="mailto:juliette@itgirlpublicrelations.com">juliette@itgirlpublicrelations.com</a>  Pixie Monroe Monroe Casting and Production Services 3100 Damon Way Burbank, CA 91505   ]]></description>
         <link>http://www.scene4.com/quepasa/2008/03/international_basketball_team.html</link>
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         <pubDate>Tue, 18 Mar 2008 21:00:02 -0800</pubDate>
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         <title>NYC Revival of &quot;Dirt&quot;</title>
         <description><![CDATA[Dreck Productions and the Austrian Cultural Forum are proud to present a NYC revival of Dirt, the European award-winning one-man show written by Robert Schneider, which went on to become a critically acclaimed production at the 2007 NY International Fringe Festival. Dirt is directed by David Robinson and performed by Christopher Domig.
 <span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="ChristopherDomig-in-Dirt.jpg" src="http://www.scene4.com/quepasa/ChristopherDomig-in-Dirt.jpg" width="180" height="254" class="mt-image-left" style="float: left; margin: 0 10px 0px 0;" /></span>Performances run from April 2 - 26, 2008 in a limited engagement at Under St. Marks in NYC. Previews begin April 2 for an April 5 opening. In a review of Dirt at last year's NY Fringe Fest Adam Feldman of TimeOut NY dubbed his performance "Riveting" and gave the play 4 stars, Back Stage marked it a "PICK" saying "Dirt is painful but powerful theatre" and NYTheatre.com declared "Dirt is a remarkable piece of theatre--deep, emotional, and thought-provoking."  Under St. Marks is located at 94 St. Marks Place between 1st Avenue & Avenue A in NYC. Performances run Wednesdays-Saturdays at 8pm with 3pm matinees performed in German on Sat 4/12 & Sat 4/19. Tickets are $20 for adults and $15 for students with valid ID and can be purchased online at http://www.SmartTix.com or by calling 212-868-4444. Running time is 75 minutes. For more info and to view selected scenes from the play visit <a href="http://www.dirt-nyc.com">dirt-nyc.com</a>.  
Dirt was the most frequently performed solo show in Austria, Germany and Switzerland in the 1990's. The influential German theatre magazine Theaterheute awarded Robert Schneider Best New Playwright Of The Year (1993) for Dirt. The play centers on Sad, a desperately alienated illegal immigrant from Iraq, who confronts xenophobia, latent racism and ethnocentrism as he sells roses on the streets to make ends meet. He is charming, cynical, humorous, violent and sad. Although he loves the English language and American culture he misses his homeland. As Sad continues to talk it becomes increasingly clear that he has a love-hate relationship with himself, his heritage and the western world he currently lives in. Haunting and compelling, Dirt is a telling story about racism and the havoc it wreaks upon the human soul. ]]></description>
         <link>http://www.scene4.com/quepasa/2008/03/nyc_revival_of_dirt.html</link>
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         <pubDate>Thu, 13 Mar 2008 11:47:56 -0800</pubDate>
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         <title>Old Settler&apos;s Music Festival</title>
         <description><![CDATA[Austin, TX - Old Settler's Music Festival, scheduled for Sunday to Thursday, April 17th - 20th 2008, celebrates its 21rst year with the announcement of a partial lineup that includes the David Grisman Bluegrass Experience, bluegrass legend Ralph Stanley & The Clinch Mountain Boys, Grammy nominee Bettye LaVette, Texas troubadour Todd Snider, blue-eyed soul singer Martin Sexton, and blues great Charlie Musselwhite.  Local favorites include Eliza Gilkyson, Terri Hendrix, Sara Jarosz and Flounders without Eyes.  Jamband hipsters will love New Monsoon, the Infamous Stringdusters, Green Mountain Grass, the Waybacks, Brave Combo, and festival regular Peter Rowan.  Festival-goers enjoy a variety of activities including performance workshops, a youth talent competition, unique artisans and vendors, rides and activities for children, a petting zoo and much more.  Held in the gorgeous Texas Hill country, Old Settler's offers a laid back, Texas friendly atmosphere and a comfortable and spacious campground. Ed Crowell of The Austin American Statesman raved, "Who knew? Austin can throw a music festival, three stages, 25 acts, four days - minus suffocating crowds, lines for everything from admission to potties.  No pressure of wristband versus badges or rushing to get to a stage in time to establish a sight line and find a patch of earth...Old Settler's is a festival that's found the perfect mix of acts, manageable crowds, April breezes along the banks of Onion Creek and music that dares to wear a happy face".  For more information please feel free to visit <a href="http://www.oldsettlersmusicfest.org">www.oldsettlersmusicfest.org</a> ]]></description>
         <link>http://www.scene4.com/quepasa/2008/03/old_settlers_music_festival.html</link>
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         <pubDate>Thu, 06 Mar 2008 21:08:48 -0800</pubDate>
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         <title>The Cartoonists 2008</title>
         <description><![CDATA[Chris Beetles Gallery Presents  THE CARTOONISTS 2008 The second annual Cartoon Show   Chris Beetles has long been regarded as the world's top dealer of illustrative art.  Following on from the gallery's highly successful exhibition last year, 'You Havin' a Laugh?' we are proud to present another selling show devoted to the art of British cartooning.  We have brought together some of Britain's best-loved cartoonists from publications such as The Times, The Sunday Times, Private Eye, The Spectator, the Daily Express, the Evening Standard, the Telegraph, Punch, and The Economist, representing the best British cartoons of the last 100 years.  The great variety and diversity of cartoons are reflected in the range of prices, with works from £50-£5000.   Famous names will include: Barry Appleby * H M Bateman * Glen Baxter * George Belcher * Simon Bond * Peter Brookes * Victoria Davidson * Frank Dickens * Simon Drew * Giles * Bill Hewison * Tony Husband * John Jensen * Kal * Larry * Low * Mac * Ed Mclachlan * Matt * Nick Newman * W Heath Robinson * Willie Rushton Ronald * Searle * Vicky * Kipper Williams * Mike Williams * Reg Wootton * Patrick Wright    8 APRIL - 3 MAY 2008  Monday-Saturday 10am - 5.30pm  Digital images are available from the gallery  All images will be featured on the website  www.chrisbeetles.com  CHRIS BEETLES GALLERY 8 & 10 Ryder Street, London SW1Y 6QB Tel: 0207 839 7551 Fax: 0207 839 1603 . Contact: <a href="mailto:gallery@chrisbeetles.com">gallery@chrisbeetles.com</a>,  <a href="http://www.chrisbeetles.com">www.chrisbeetles.com</a>.  Nearest tube: Green Park/Piccadilly Circus]]></description>
         <link>http://www.scene4.com/quepasa/2008/02/the_cartoonists_2008.html</link>
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         <pubDate>Thu, 28 Feb 2008 09:28:57 -0800</pubDate>
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         <title>2008 North Texas Irish Festival</title>
         <description><![CDATA[Dallas- The 2008 North Texas Irish Festival, (NTIF) recognizes the need for a eco-friendly way of living with it's theme, "Green its not just for Ireland Anymore" with several corporate sponsors featuring products and services designed to protect and preserve the environment.  The annual North Texas Irish Festival, presented by the Southwest Celtic Music Association (SCMA) and sponsored by Bennigan's is one of the largest Celtic cultural events in the nation and will open its 2008 event beginning Friday night.  The 26th annual NTIF features many of the top Irish musicians and dancers in the world and a number of cultural presentations on eight stages at Fair Park.  Again in 2008, the NTIF will open its festival on Friday night, February 29th, at 6 pm with full festival activities, including performances by national and regional musicians.  The festivities will continue throughout the weekend, including Saturday, March 1 through Sunday March 2, and feature some of the very finest in Irish and Celtic entertainment including world famous bands, award-winning dancers, enchanting storytellers at the popular Urchin Street area and educational workshops.  As in the past, the festival will also offer a variety of delicious Irish and international food and drink, cultural crafts, and ethnic vendors.  The North Texas Irish Festival has been a Dallas tradition since 1983, the three day NTIF is now recognized as the largest single cultural event held in Fair Park and, with attendance of over 45,000 people is second only to that of the State Fair of Texas.  The festival has always centered on the music, dance, and culture of Ireland.  The four large stages showcase international musicians from the US, Canada, and Europe, plus a great selection of very popular local and regional entertainers.  The festival caters to almost every taste from the high energy Irish rock bands to traditional Irish tunes and sing along pub/historical ballads.  Equally well represented are the colorful traditional and modern Irish dancers with their hand embroidered dresses and fast foot tapping rhythms.  Some of the finest dancers in the country are located in the Metroplex in our local schools and they delight our audiences with continuous performances on our dance stage.  In addition there will be dance workshops throughout the weekend and everyone is encouraged to get into the spirit of Ireland at the Saturday night Ceili, or Irish dance party.  info call: 972-943-4616 <a href="http://www.ntif.org">www.ntif.org</a>
<em>Les Marcott</em>]]></description>
         <link>http://www.scene4.com/quepasa/2008/02/2008_north_texas_irish_festiva.html</link>
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         <pubDate>Thu, 21 Feb 2008 20:36:41 -0800</pubDate>
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