I couldn't help but notice that the August issue of Scene4 contains three eloquent eulogies to artists from varying discliplines who could have not been more different, except for the consistent excellence of their work. I refer to Arthur Meiselman's article on Ingmar Bergman, Karren Alenier's on Beverly Sills, and Kathi Wolfe's on Doug Marlette. I was glad for those articles, because they paid just tribute to three great artists, and because they reminded us just how much great art improves and enriches our lives.
Miles Moore
