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August 8, 2007

Leonardo DiCaprio's The 11th Hour

Just wish that Crafoord Prize winner Dr. Howard T. Odum had lived to see this movie! His vastly updated and expanded "Environment, Power, and Society for the 21st Century" has just been (posthumously) released by Columbia University Press. Odum's "emergy synthesis" methodology can provide the essential tools for a successful "total redesign" of humanity's relationship with Mother Earth. Hope the movie-makers had a chance to interview Odum's widow (and frequent co-author), Elizabeth Odum, or his "heir" at the Center for Environmental Policy (UFL), Dr. Mark Brown!
Bill Perk
read Arthur Kanegis' article

August 14, 2007

Leonardo DiCaprio's The 11th hour

Arthur, you were able to provide a strong argument for the role of apathy as a fuel that has perpetuated the demise of what your article magnificently termed our "home planet." Your addition of persuasive facts, and the validation from Subject Matter Experts (SME's) lent much credence to the dire situation, which we have created. More so, I applaud you for your article's provision of tactics of hope to help us to restore what God has so mercifully entrusted to us. Bravo!
Marcia Uddoh
read Arthur Kanegis' article

October 2, 2007

Fakes, Forgeries and The Madnesses of Crowds

This should have been titled "Fakes, Forgeries and The American Way". It's a very funny and sad article except for the slander of my hero, Howdy Doody.
Burnett
read Arthur Meiselman's article

Fakes, Forgeries and The Madnesses of Crowds

And you can add these:
The "virtual" French in France who don't speak French
The "virtual" English in England who don't speak English
The Americans in Iraq who don't speak Iraqi
The Iraqis in America who don't speak Iraqi
The Japanese in Japan who don't speak
and, My Sister's "virtual" boyfriend
T. Rutten

...........Who was it who said that the U.S. dollar was the best example of Faux Art? I think I did.
Reverend Bones

...........I was surprised to hear that anyone was still painting pictures anymore. How faux is that?
Mave

...........The "virtual" breasts, lips, hips, asses and soon penises of everyone over 12 yrs.
T.

...........Seek and ye shall find in the revealed word of God.
Mark W.

...........I don't understand some of your references but they must be real because I understand the rest. Now you've given me a lot to think about and that's the worst "madness" of all.
Michele

...........Bravo! Tour de force! So what are you going to do for an encore rename the planets? Start with Uranus and work up.
Everlast

...........I don't understand your putdown of Bill Gates and his mother. They do wonderful work. That is the history of rich people in the USA.
Barbara Seligman

...........You should ask this--will the real Leonardo DiCaprio,George Clooney and Angelina Jolie's lips please stand up!
T.
read Arthur Meiselman's article

November 5, 2007

The Art of Smoking Cigarettes

You're such a brave guy! As a "recovering addict" I just want to say it has been a lonnnnggg time and I miss my "tobacco-lover" soooo much! The hell with it all, I'm lighting up again. And I believe you--with the terrorist invasion of Bushism the dark clouds are gathering, and I am collecting as many packs and cartons as I can and cleaning up the bomb shelter that my Poppa built in the '50s. There I will retreat and hide in a cloud of enlightened smoke until the second coming--or will it be the third. George Orwell was right!
Linda N.
read Arthur Meiselman's article

November 12, 2007

What Is/What If

And hope the revolution comes soon, indeed! Bravo Mr. Bettencourt, lead the charge.
Stein
read Michael Bettencourt's article

December 2, 2007

Send In The Clowns

When I first read your title and saw it was a political article, the thought that popped into my mind was the title of a song of protest singer/songwriter Sebastian Agnello's. The Goofs Are Back In Town. Lyrics that sing of "How'de we ever get into this mess, you voted em in, How do we ever get out of this mess, Vote Em OUT! " Thinking back on the early days of Revolution, calling on Thomas Paine's infamous words about George.."Whether the world will be puzzled to decide whether you are an apostate or an imposter, whether you have abandoned good principles or whether you ever had any" I wondered which George he was really speaking of, Washington or Bush, for the two share the same ineffectiveness in battle which prompted Mr. Paine to make such a strong critical statement. Taking a look at the choices we will have put before us I call on another statement of his, "THESE ARE The Times That Try Men's Souls!" trying to decide on a decent candidate to vote for! I so long for independents worthy of our vote. Les, thank you for another fine article, but I have a hard time relating politics to humor. Too often they make us look like the clowns.

Michele

read Les Marcott's article

Continue reading "Send In The Clowns " »

January 2, 2008

China - Montage of the Future

Really enjoyed this interesting and informative article. Living away from the current of present day Asia - particularly China, in this case - is a considerable handicap in the appreciation of the development of art in this technology-driven era. This article does offer some assistance to that lacking on my part. Thank you Janine!

Shane McElroy

read Janine Yasovant's article

April 2, 2008

Lima... Peru Not Ohio

And we've been sitting on the "never" spike for the past eight years, haven't we! Get the bidets ready for November, there's a lot to clean.
a not-so innocent Manhattanite
read Arthur Meiselman's article

May 7, 2008

Spirits for sale! A documentary, but at what price?

Sometimes, I ask myself? Why why why? I remember a vision I had a time ago. One, where we can do justice for our people, give hope for our children. You know--a better tomorrow! One where we can remember yesteryear, where we can say, "we are making change slowly, but in small steps.." because, that's the way they work, the Otherside to this side! Its not I, or it's not you, or them....its Mitakuyase, our relatives who come and give us visions of the past, present and future. They are the ones who give us hope, courage, and the gifts to carry them out. The simple fact is that they are trying to tell us something. What? Well, these ways are sacred. These ways are powerful! They must be done without question the Right way, because they were made to be simple and yet done with love and compassion. Yet, we teach and promise and Promise to the eager, determined, vulnerable, the ones who will pay money, for what? So they can be Lakota, pray like Lakotas...be Lakotas...if that's the way it rolls..then what have we learned from them...some of them know better...but do they care...no....is it power and control which drives people to become self-proclaimed Medicine men overnight?. Like buying a pipe from Praire Edge in Rapid City...like saying buy me, then I will make you Lakota....is it the good feeling they get when someone is abused and abused in sweat or ceremony! Is it the White man, or who is the White man these days? I dont know who's a better man, the White man saying he's a Lakota Medicine Man...or i the Lakota man abusing our children in ceremonies and getting away with it. My many adventures and travels around the country have led me to witness--the butchering and mutilation of these sacred Lakota ways. I get a sick feeling, a very sad feeling of a vision for tomorrow. Like watching our relatives who lie there at Wounded Knee, knowing they were sacrificed to please the pride of the invaders. How many more people will be sacrificed on our reservations? How many more must suffer generations of the same cycle over and over of Genocide and abuse of our ways? So I must say this--it's time to take these ways back! When will we stand together as a nation of visionaries, healers, and protectors of this way of life? When will people know, or is the excuse they just dont know any better? I'm all about healing and being happy to live a beautiful life. So being a co-producer of "Spirits for sale!" my message is simple: dont sell these ways. Tunkasila is watching, always. The Swedes just dont know how it is. I jumped on board because it was exciting to actually put a part of my vision in the movie. We sat down at the bottom of Bear Butte and talked. This was never about fame or making money...it was about a vision that came from the heart....the vision that flowed thru my Minicojou blood, remembering my relatives on the other side...its why I push and promote the movie. I couldn't care less about a Swede carrying a feather to my res...what a story huh! To hand it to our White Buffalo calf keeper! Now, that made them famous, like saying look at us, the White people, who infiltrated the Cheyenne River. I hate to see what would happen if they gave her a turkey feather! Where might she travel...to the country Turkey? Maybe! All I can say is--go see the movie.
Jerry Clown
read Carole Quattro Levine's article
read other comments about "Spirits for Sale"

September 1, 2008

Lester Cole

A touching, embracing reminder of what, in the long run, counts: a sense of shared humanity and a shot of wisdom earned.

Ned Bobkoff

read Arthur Meiselman's article

October 1, 2008

Reality Check

Talk about sexism and racism. I don't understand where you're coming from or what this writing is all about other than a slap against our heritage. What does "reality" and "naturalism" in the arts have to do with this election? Sarah is going to surprise everybody with her charm and good looks, and then she is the picture of the typical God-fearing, motherly woman. She is exactly what is needed to make our hopes and our people strong. And you are wrong about Mrs. Clinton. She is too dumpy and too much like her corrupt husband to ever be elected. The best thing that could ever happen to her is a Jerry Bruckheimer action movie about her life. By the way, Fareed Zakaria is a foreigner and a Muslim so that should tell you something about what he has to say.

George Kerman

read Arthur Meiselman's article

Reality Check

Talk about sexism and racism? Right! Follow me, Mr. Kerman right down the hole and you'll find Mr. Meiselman right there at the tea party throwing ping-pong balls at the Mad Hatter who looks amazingly like George W. Bush. Guess who the Queen of Hearts looks like? And while you're at it, why don't you read his article again,. You seemed to have missed the point. By the way of your by the way, Fareed Zakaria is a highly respected American journalist and guess who he looks like?

Alice's White Rabbit

read Arthur Meiselman's article

Gertrude Stein for President

It says it all. Thanks Karren.

Sandy Cohen

read Karren Alenier's article

October 3, 2008

Reality: Stage It and Cage It

One of these days, I hope the mainstream media is honest enough to at least give a nod to the hypocrisy of criticizing Sarah Palin for her lack of qualifications to be veep while simultaneously failing to point out that Obama is similarly -- if not more -- lacking in experience for the position he seeks. At least the buck has stopped with Palin. At least she has made executive decisions and had to answer to a constituency. Not Obama. And wasn't Pres. Clinton also Governor of a very small state?

Jake Meyers

read Arthur Meiselman's article

Kathi Wolfe on Sarah Palin

Brilliance that lights up the sky. And maybe prophetic as well.

Grace

read Kathi Wolfe's article

Reality: Stage It and Cage It

In response to Jake Meyers comment: "One of these days, I hope the mainstream media is honest enough to at least give a nod to the hypocrisy of criticizing Sarah Palin for her lack of qualifications to be veep while simultaneously failing to point out that Obama is similarly -- if not more -- lacking in experience for the position he seeks. At least the buck has stopped with Palin. At least she has made executive decisions and had to answer to a constituency. Not Obama. And wasn't Pres. Clinton also Governor of a very small state?"
I agree on the lack of experience comment only in that technically not one candidate that ever runs for president is truly qualified for the job. The role is complex, convoluted and can only be fully understood with on-the-job-training. But I will take Obama's "lack of experience" over Palin's lack of experience and her cutesy, folksy, beauty contestant, soccer-mom, small-town, "you betcha" act any day of the week! (How many male world leaders or CEOs on this planet have ever had to strut on a stage in a bathing suit for "college money"?) The Republicans who threw sexist rhetoric at Hillary Clinton for months and are now pushing for Palin must be secretly laughing inside and behind their country club closed doors (with their Democratic golf buddies). Now they have the opportunity to put up a woman, who is a walking caricature of herself, use her for political gain, and confirm the misogynistic tendencies that people (both men and women) already have and effectively set back feminism in this country. And of course fight the thing they fear the most... a man of color having the same power and opportunity that they've kept for themselves for years.

Lia Beachy

Kerman's Reality Check Re-checked

Mr. Kerman,
Why do the God-fearing folk seem to have less tolerance, love and peace in their hearts than anyone else? Kind of goes against the teachings of Jesus Christ (who was a good Jewish boy and probably loved fried matzo) doesn't it? I certainly don't need either the conservative media or the liberal media to tell me what I think of Sarah Palin. Your voice of misogyny and bigotry is just one of the many sad misguided plebs in the United States (and the world) which prove to me that Palin is the last person on earth I'd trust to water my houseplants let alone help McCain run, I mean, ruin the country even more.

Lia Beachy
atheist, feminist, humanist

P.S. Fareed Zakaria is more intelligent than you, more famous than you and makes more money than you. I bet that gets your panties in a bunch!

read Arthur Meiselman's article

October 4, 2008

Reality: Stage It and Cage It

Sara Palin is a cheer leader and that's it. Compare Biden's use of his experience in the Senate, in the debate, or Obama's thinkng outloud, while he deals with the issues, and you have the distance, and difference, between A and Z. Palin like her mentor, John McCain, is trapped in a One Note Charley routine. There is no doubt that she has an outgoing and exuberant quality. And there is no reason to fault her on that. But she's in a different stadium than the one she thinks she is cheerleading in. McCain's choice of Palin as his Vice Presidential candidate reflects his poor judgement.

Ned Bobkoff

read Arthur Meiselman's article

October 6, 2008

Old Hippy Does It Again!!

Elliot Feldman's running comicpage on living and working in Amerika should be on the op-ed pages of every newspaper in the country. Is he relevant to what's going on now? In the words of the reigning "Miss Amewica"--"you betcha!" Is 'old hippy' just a wonk or in lower eastside parlance, a schlemiel? Nope. He's come up with the best answer yet to Washington--"Stuff It!" Yeah.

Flick Me I'm A Fly

see Elliott Feldman's comic

November 6, 2008

My powerful question of the day...

What conditions, if we could put them in place, would enable the emergence of a kind of leadership that can host 'transition' (of societies, organisations, communities) - confidently and compassionately?

Tatiana Glad

read Martin Challis' article

December 2, 2008

Josef Koudelka Retrospective

Photographer Josef Koudelka's work is moving and penetrating; personally, photographic-wise, and as historical evidence. Many thanks Andrea for giving us the opportunity to catch up to our memories and remind us of what it means to be free.

Ned Bobkoff

read Andrea Kapsaski's article

W.

You're right on the mark, Mr. Moore, as always. This could have been a blockbuster indictment and a masterpiece of a movie if only, as you said, Stone didn't suffer from an "inability to trust the intelligence of his audience." Too bad he blew the opportunity. And your review of "Appaloosa" is beautiful. Thanks for that.

Tim Stein

read Miles David Moore's review

Thanks, Mr. Bobkoff

Ned was always good with kids' stories. Too bad this fairy tale is oh so true...

Chuck Cobb

read Ned Bobkoff's article

December 9, 2008

Athens 2008 - Prague 1968

They burn down your city and you sit at the TV and watch the news, while outside, a few steps away from your home, the riots continue. And they take pictures and small videos on their mobile phones to send them to YouTube and you wonder about your own responsibility while the cradle of democracy falls apart. As I listen to the helicopters flying over our house, how little did I know when I wrote this article. How little difference in those pictures back then and the photos now. How little history changes.

Andrea Kapsaski

read her article in Scene4

re: Athens 2008 - Prague 1968

Why do people not see the dramatic or historical irony in using violence and chaos as a way of protesting violence and injustice? How relevant Andrea Kapsaski's article about Prague has become in light of the recent events in Athens! And how sad that mankind seems doomed to repeat the cycle of violence as an answer for its problems! Methinks that infamous Jewish carpenter would take issue. Merry Christmas, indeed!

Lia Beachy

read Andrea Kapsaski's article

January 1, 2009

American Cinema's Original Sin

An excellent critique of Griffith's "Birth of a Nation" - probably one of the most balanced I have read. As a movie buff, a theatre arts educator and an African-American, I appreciate that the article acknowledged the filmmaker's art and his contributions to the industry. However, I also applaud the fact that the article does not use that as a reason to excuse the harmful, long-lasting blatant racism of the film. I was particularly interested in the examination of Griffith's process as a thinker versus those of Thomas Dixon and even President Woodrow Wilson. I find it more than a little ironic that February, Black History Month, should be the anniversary month for the release of this film. I wish it were possible next month to show the film in selected venues under the right circumstances so that we could see how far we have come as a country when it comes to racism and also (despite many achievements and recent events) how far we still have to go.

Sandra Camphor

read Miles David Moore's article

January 31, 2009

Cup Half Full

Les, we "cup half fullers" tend to live longer, even if "cup half emptiest" tend to assay the situation more accurately. At least, that is what they found in researching concentration camp survivors. I see ignorance as a problem. We can be happier if we are dumb, but we are less capable of making things better. The old Chinese curse applies to us: "May you be reborn in remarkable times." We live in a time of possibilities. The future will become what we make of it. We might possibly experience a paradigm shift in our lifetimes. When the military is abolished and we are weaned off of petrochemicals.

Lee Love

read Les Marcott's article

February 16, 2009

The opera or musical means nothing if there ain't any money to produce it

You can beg for money but you won't get it and the government funds to theaters usually go to name people. Why are they given money? The governent should make sure the money goes to New voices, strange but beautiful - the others had their try, now on to new Waters. Government has to help both state and federal and city. What Politicians would care to help change this situation?

Linda Samet

Creative Financing Means Going On with the Show

Theater people of all genres, and for that matter all artists including endeavors involving poetry and the other written arts, must not be defeated by a government organization saying we cannot give you any money. Artists need to think outside of that sow's purse and actively seek money else where. If necessary, take off your hat (mine says "Poet" in big bold letters) and pass it around to those listening. If you cannot get past the embarrassment of begging, you are not a true artist. While we are on the subject, come see Four Saints in Three Acts Feb 20 at CUNY Graduate Center on 5th Avenue. It's free to the public. Look it up at EncompassOpera.org. Encompass doesn't yet have all the money needed for the 16 piece orchestra but if you come and toss something in the hat after you hear this wonderful performance of the most innovative American opera ever created, maybe Nancy Rhodes won't have to go to the Poor House.

Karren Alenier

April 6, 2009

"Z" a film by Costa-Gravas

Excellent reviews. Ms. Steiner, in both her original 1970 review and the current anniversary review, captures the essence of the film's moral and ethical message. An insightful review with historical facts and information. Thank you for bringing this back to attention. Yes, history repeats itself and knowing this we must be ever vigilant of events throughout the world. I am drawn to see "Z" again, as soon as possible. The message should not be forgotten.

Yale Stenzler

read Griselda Steiner's article

April 7, 2009

Milk

The film made my cry and you made me cry. You're a special man Miles. I just wish you had seen that the great Sean Penn wasn't quite right for the role. I don't know who else could have played it better but I just felt he missed that something of a NY Jewish boy gone Gay and finding his mantra in the melting pot of SF. Still, you caught the whole scene beautifully.

Sarah Rogoff

read Miles David Moore's review

Milk

Excellent review. Haven't seen a better pov on this heroic and heartbreaking movie. As they say, you ought to be in pictures.

tdd

read Miles David Moore's review

Milk

No I agree with Miles Moore. Sean Penn's performance is one of his best. Like every great actor, he disappears into the character and gives us a Harvey Milk we can understand. Brolin was also impressive as Dan White, though he is far too good looking for the little pinched twinkie man.

Ben

read Miles David Moore's review

Milk

Funny how "Milk" just disappeared from the scene. So much other news I suppose and I guess it did well at the box office. Or maybe its story is just too touchy for audiences who are already very confused. Here today and gone tomorrow. At least you have a bold film critic who steps "out" and keeps his perspective. Nice.

Ben

read Miles David Moore's review

April 10, 2009

Rage v. Cabbage

I'll take Mr. Bettencourt's anger over Mr. Meiselman's doom. At worst, anger can remain positive and can be worked with, doom is just unforgiving gloom. It is an apparent difference in persepective. Both excellent writers, Bettencourt stands apace and surveys the scene, whilst Meiselman steps into the scene and calls forth. Though he writes prose as if it were poetry, he literally scares the "hell" out of me.

Anee S. Waterson

read Michael Bettencourt's article
read Arthur Meiselman's article

April 13, 2009

"Z"

Thank you Scene4 and Griselda Steiner for reminding me of the power and beauty of cinema as well as the power and beauty of Costa-Gravas' filmmaking. "Z" was and is a shattering portrayal of government cruelty and injustice. It also was almost prophetic in what could have happened in the United States as recently as one year ago.

George Gee

read Griselda Steiner's article

April 18, 2009

Thai Treasures

Ms Yasovant's excellent profile of this ancient wonder tells us that the long and rich history of Thailand will carry its culture through the self-destructive turmoil that has plagued it in recent years. Art like this survives as petty politicians and their greed turn to dust. There's a lesson in this treasure for people everywhere.

Deborah Coursten

read Janine Yasovant's article

Kings and their cabbage

Well Maestro. you've caught me again. To say you have a wry sense of humour is an egregious understatement. I didn't particularly like "Children of Men." It was too monochromatic for my taste, painted in one color-what you call "doom." Between "babbling" and "doom," I tried to find a wee bit of hope. But before futility, there you go, slipping it in when I'm not looking like a drop of lime in a dry, dry, dry martini, clever, selfish writer that you are.

Hizonner

read Arthur Meiselman's column

May 1, 2009

Andrea Dworkin

As you know, the 20th anniversary edition of Andrea's Intercourse was recently published. It's still a vital and devastating work. So thank you for "revisiting" Andrea's legacy and reminding us of the poetical-political side of her writing in First Love. The memory of her and the on-going impact of her life's work is triumphant.

Letty Becker Adler

read Arthur Meiselman's article

May 21, 2009

Frost/Nixon

Excellent review! Michael Sheen is a better David Frost than David Frost! Though I think Frank Langella does a marvelous job and is a wonderful actor, he doesn't somehow quite get the physicality, the quirky way that Nixon moved as Anthony Hopkins did in his film. I missed that quality.

Terry Braitough

read Miles David Moore's review

July 3, 2009

The Midwife's Magic Towel

Brilliant article! Written with a razor-sharp pen! I would add another "deliciously ironic moment": Wouldn't it be a delight to witness a genderless death as well?

Vic Thurman

read Michael Bettencourt's column

August 1, 2009

Life of the Daily Adequate

Michael, I'm following those daemons too. Thank you for a thought-provoking piece.

Lia Beachy

read Michael Bettencourt's article

Life Upon the Wicked Stage

If it were up to you, I would be barred from acting at all because I don't even meet half of your requirements. But my success as an actor is not based on your damn elite requirements-it is based on what my audience wants, sees and appreciates. I suppose you will become "she, who's name may not be spoken" and create an "artsy" theatre art-form instead of the wonderful open entertainment that it is. I'm glad that will never happen.

Pier Harrington

read Arthur Meiselman's article

Life Upon the Wicked Stage

No, "she" would not tolerate that. After all, "she" is "she"! What "she" might grant me is to be the Commissioner of LCD (lowest common denominator) and in that exalted position I would gladly grant you a license to be wonderful, open and entertaining (along with everyone else and their mothers).

Arthur Meiselman

read his article

Life Upon the Wicked Stage

If speaking well and moving well and having a literate mind are considered "artsy" and "elite requirements" for being an actor, then so be it. Ring the bell, close the book and quench the candle. Acting as an artform has officially lost its soul.

On another note... does it not strike a chord with anyone else that when the word "artsy" is used, it has the same implied dirty derogative connotation that "socialism" or "feminism" or "liberal" has taken on by "those who shall remain nameless"?

Lia Beachy

read Arthur Meiselman's article

October 2, 2009

Woodstock

Thanks for this well-written and unvarnished view of how American capitalism markets and pollutes everything, right on with Michael Moore's running "love story." I was there back then, but I won't be there now.

Marianne Andreasson

read Andrea Kapsaski's article

November 2, 2009

Stumbling Stones in German Streets

Extremely insightful, Renate. And isn't it amazing, that at this point apparently 200000 Jews live in Germany?

Andrea Kapsaski

read Renate Stendhal's article

November 6, 2009

Stumbling Stones in Germany

Thanks, Andrea! It's hard to believe the numbers you are quoting. Who, do you think, is doing the numbers and keeping book? Of course, one could argue that right now, there is no safer country on earth for Jewish people than Germany... Disturbing thoughts. Before Hitler, there were ca 523,000 Jews living in Germany (according to the US Holocaust Museum). "Prophets Without Honor" by Frederic v.Grunfeld, which I read again and again, shows that this tiny percentage of the population produced some 85 % of Germany's culture and science during the peak of the assimilation period and the Weimar Republic. Any conclusions for the future of German culture?

Renate Stendhal

Stumbling Stones in German Streets

Most Jews in Germany are recent immigrants from the former Soviet Union plus a small number of Jewish families from Muslim countries. According to the Central Council of Jews in Germany (Zentralrats der Juden in Deutschland) ca. 120,000 individual members are officially registered with a total of 107 Jewish communities, but of course not everyone is registered and I have read statistics surpassing the 200.000 number That means, that Germany has the third-largest Jewish population in Western Europe after France (600,000) and Great Britain (300,000) and the fastest-growing Jewish population in Europe in recent years. One could indeed argue if Germany is indeed the safest country for Jewish people. Is there a safe country? Denying the Holocaust is a crime in Germany and is punishable by three months to five years in prison, but does that make Jewish life any better or safer?

Andrea Kapsaski

November 12, 2009

Weininger put to rest by Karren Alenier's excellent article

I much appreciate the way this well-researched and beautifully written article puts the disquieting spirit of Weininger and his possible influence on Gertrude Stein to rest. Being Jewish, a woman, and gay was a triple whammy of a handicap on someone who wanted to compete in the male-dominated arena of literature. Stein found a number of strategies to hide those unwanted identities and prevail. Being a "genius" was one; being an exile, an American in Paris was another; a third brilliant move was writing without disclosing her identity -- writing as "one" "anyone" "everyone" "someone" or "everybody". It took a genius to write her autobiography and call it "Everybody's Autobiography".

Renate Stendhal

read Karren Alenier's article

November 14, 2009

Stumbling Stones on German Streets

Beautiful article, Renate! I can't help but wonder what "Stumbling Stones" Americans might feel moved to create 60 years from now reminding us of our own reprehensible behaviors in the world today. Thanks for posting.

Judy Cohen

read Renate Stendhal's article

November 15, 2009

The Trouble with Che

Che was a gangster and so is Castro and so was Mao and so is Cheney and so was Stalin and so is Mugabe and so was Hitler and so on and so on. It's always about one gang grabbing the loot and another gang trying to get their hands on it. It's been that way from the beginning of time to exploring space. In ancient Egypt, the gangsters put their faces on medallions and made money. Today it's t-shirts. If Che were alive today he'd have his own talk show.

Tom Sonczak

read Les Marcott's article

December 26, 2009

Stumbling Stones - that soccer team

I think it might be interesting to clarify some things about that soccer team and your perception of it. I understand their appearance and bearing must be frightening or enstranging. I feel the same about being on a train with a load of soccer fans as well. But despite the brown shirts and skulls on the shirts, these were fans of the most leftist soccer team in Germany. They only play in the second league but they are famous for being rather far on the left bordering anarchy. The skull represents a connection to piracy and not bending to the rules of the former middle-class smugness and rules of the hanseatic city. If they play against teams like "'Hansa Rostock" whose fans are known to be often neo-nazis, fans of the soccer team you saw gather for big street fights to get those people out of Hamburg. I am sorry if my English is not good enough to really explain what I'm trying to say. I guess I just hope to clarify that sometimes those first impressions of hostility might turn out to quite something different. Those people couldn't have been further away from those they reminded you of. And sometimes the staring at somebody who watches the stumbling-stones is not hostility or seeing a "Nestbeschmutzer". But if I would see somebody pausing and contemplating to take pictures of the house, I would ask myself if you might be a relative of those who lived there. Or a tourist condemning those now living there, because they "took away" what did not belong to them. I would feel uncertain how to behave towards you. I would also feel ashamed a bit. But I am quite certain that most people would not think of you as a Nestbeschmutzer. And at least the people of my age (in my twenties) think that the Stolpersteine are a great project that helps us to remember. I too wonder who would have gone to school with me if the Holocaust hadn't happened? Did I miss a friend? What is missing from our culture? How did Christmas/Hanukah look before the Holocaust? Were there chandeliers in the windows? Were there not only Christmas songs heard through the closed windows on Christmas eve, but also different tunes? Just some thoughts and I hope I could convey what I tried to say here.

Sabrina S.

read Renate Stendhal's article

February 2, 2010

One Tramp to Another


They used to call it alienation, now they call it "social networking." And they used to call it journalism, now they call it "blogging." Today it's called conversation, and tomorrow it'll be called ?

Perry Silverstein

read Nathan Thomas' article

February 10, 2010

One Tramp in Dirt Time

As a fellow writer for Scene4 Magazine I always found Nathan Thomas' articles pleasing and to the point. "One Tramp in Dirt Time" was especially direct and touchingly straightforward in its insights regarding big time corporation abuse of democracy. Thanks Nathan.

Ned Bobkoff

read Nathan Thomas' article

March 2, 2010

Why Conservatives Should Fear the Market

Michael Bettencourt's essay, "Why Conservatives Should Fear the Market," is painfully insightful and true. It points up the dirty little secret of the past 30 years: that so-called "Reagan conservatives," with their devotion to "trickle-down economics," are in fact as fanatically revolutionary as any Leninite. And, as it turns out, their dogma has been just about as beneficial to the common folk as Bolshevism. Our current state of growing poverty, unemployment and community dislocation is, in its own way, a Gulag.

Miles David Moore

read Michael Bettencourt's column

May 10, 2010

Mein Kampf vs Notre Combat

I have not seen the exhibition but Renate Stendhal's story about it is very revealing and the pictures are mind-boggling and at the same time exasperating. I am not sure that this an answer to the problem of the legacy of the Nazis and that horrendous book. I don't know what the answer is. The book exists and in the spirit of "never again" it is very important that it is never forgotten, yet it is more than a ghost as we see today in the world around us. How do you smell and taste poison without drinking it? Maybe with comedy. But even Mel Brooks and others couldn't hide the awful taste. How to forget without remembering! Praise to Linda Ellia and Renate Stendhal and Scene4.

Aaron Wildau

read Renate Stendhal's article

Apologist for the Unapologetic

Ditto, ditto and ditto, Les. The Great Ball of Fire is my hero. Tiger's got a bad neck because of all his bending down. Jerry stands up straight as his finger. You nailed it, man. Thanks.

Til Unger

read Les Marcott's column

Mein Kampf vs. Notre Combat (Our Struggle)

Thank you for your comment! It's much appreciated. I fully agree with you that there is no answer but I would add that this is because there are a zillion answers to a question as large and complex as this one!

Renate Stendhal

read Renate Stendhal's article

June 3, 2010

Timeship

I felt enlightened, progressive, and modern. Thank you for a very good interview.

Janine Yasovant

read Griselda Steiner's article

Kathi Wolfe (Bleep)

How brilliant is this writer. I think the New Yorker is going to steal her away from Scene4 and put her in a penthouse if we are not very effing vigilant. I swear, she is the best commentator alive!

Grace Cavalieri

read Kathi Wolfe's column

August 10, 2010

One Big Happy Family

You dood it again Elliot. Nailed LA on the head. Are you the best? You is, you is.

Arnie Laban

see Elliot Feldman's latest comic

September 2, 2010

Eeyores Existentially Speaking

You are a bit of an Eeyore with a touch of Heffalump thrown in. Very enjoyable essay. Looking forward to part 2.

Martin

read Michael Bettencourt's column

October 2, 2010

The Inheritance

Elliot--whoa! And whoo and argh! This goes in my will about 'things to come.' You're a sober devil, Elliot, I'd hate to see you stoned.

Sid B.

read Elliot Feldman's comic

October 4, 2010

Salads and Kings

Besides the "yummy" factor, this is a great example of what happens when a government invests in its people. Despite all the trouble in Thailand lately the country is still lucky to have such a smart and caring King.

Kathy Berge (UK)

read Janine Yasovant's article

March 6, 2011

Nixon in China

Lovely, lovely, lovely. I am sorry I missed the theater broadcast. But it's almost like being there, reading your review. I wonder if the opening night audience left their politics home. And your comment- "a fishing trip, an opportunity to see what will be pulled out of the water or thin air?" They sure pulled a big and important one out of thin air,didn't they.

Melanie Mansmin

read Karren Alenier's review

Nixon in China

What's next-"Bush in Iraq"?

Sam D.

read Karren Alenier's review

April 4, 2011

Hope in Havana

Thank you Catherine Conway Honig for an inspiring view of hope that is alive and well in Cuba.

Marta Mediz Siverman

read Catherine Conway Honig's article

July 1, 2011

So long, Glenn Beck!

Its amazing that Glenn Beck managed to survive as a "commentator" as long as he did. Certainly intelligent Conservative opinion is a necessity in our complex political world. As an old fashioned "flaming liberal" I welcome honestly complex debate. But where are the representatives of sharp tongued working people debating with the official commentators on TV? The Big Time Backers on all sides won't give up an inch of their privileged positions!

Ned Bobkoff

July 2, 2011

Copy Rights and Epubs

Okay... let me ask you this. Can I rewrite some of your dialogue, here and there? Can I delete some of your dialogue and add mine instead? Can I rewrite most of the play and put my name on it, maybe with a tinge-of-guilt disclaimer that this is " based in part on a play by M. Bettencourt"? Can I copy your website and substitute my name for yours?

Arthur Meiselman

read Michael Bettencourt's article

Copy Rights and Epubs

You still have controls over your work and permissions to others to use it.  As it says on CC website about this license:
 
This license lets others remix, tweak, and build upon your work even for commercial purposes, as long as they credit you and license their new creations under the identical terms. This license is often compared to "copyleft" free and open source software licenses. All new works based on yours will carry the same license, so any derivatives will also allow commercial use. This is the license used by Wikipedia, and is recommended for materials that would benefit from incorporating content from Wikipedia and similarly licensed projects.
 
A Creative Commons license is based on copyright. CC licenses apply to works that are protected by copyright law. The kinds of works that are protected by copyright law are books, websites, blogs, photographs, films, videos, songs and other audio & visual recordings, for example. Software programs are also protected by copyright but, as explained below, we do not recommend that you apply a Creative Commons license to software code.
 
Creative Commons licenses give you the ability to dictate how others may exercise your copyright rights--such as the right of others to copy your work, make derivative works or adaptations of your work, to distribute your work and/or make money from your work. They do not give you the ability to restrict anything that is otherwise permitted by exceptions or limitations to copyright--including, importantly, fair use or fair dealing--nor do they give you the ability to control anything that is not protected by copyright law, such as facts and ideas.
 
We'll see how it works.

Michael Bettencourt

read Michael Bettencourt's article

Copy Rights and Epubs

The commanding operative is: "We'll see how it works."

As I'm sure you're well aware... put it on the internet, make it downloadable, and there is no license!

The mechanics of all of this doesn't trouble me. Disrespect, misuse, and outright stealing has been a fact of publishing since before Gutenberg. It's the principle... it's the implication of "work by committee". And in the theatre, it's the 'facebook' of workshopping and the rise of the chief 'tweeter", the Dramaturg.

My pre-luddite stride is--I write for readers and the actors and their audience. Change not a word without me. I'd rather burn it.

Arthur Meiselman

read Michael Bettencourt's article

Copy Rights and Epubs

You had me at the "chief tweeter, the dramaturg" -- I was at a reading the other night at the Public Theatre, and the literary manager came out to introduce the piece -- she had to be older than 18, but not by much, and all I could think was, "I'm screwed."  She and I live in different universes, she of the Facebook workshop, which is not for me.  I understand the Luddite feeling completely.

Michael Bettencourt

read Michael Bettencourt's article

Copy Rights and Epubs

Michael,
I understand the necessity and depth of your feeling regarding copyrights of your work, yet your offer to let people use your work whenever they want to without financial remittance, is a giveaway that works against your own best interests. Passing around your work to theater people you know, or even those you don't know out of trust or admiration is one thing. Yet an open door policy for all comers sets you up as either a flunky or a desperate writer without credibility. I wish you the best in your efforts for recognition.

Ned Bobkoff

read Michael Bettencourt's article

July 3, 2011

The paradox of two Steins

The problem is that Edith Stein died and Gertrude Stein hasn't. Edith Stein was a "saint" before the Poppa in Rome made her one. She was a special woman who was at the wrong place at the wrong time. Her "specialness" is what makes her amazing and perplexing life and what she did with it so important, so meaningful. She has been an influence to women everywhere even though so many of them are unaware of it.
Gertrude Stein was in the right place at the right time. She was a mean, self-indulgent keeper and user of other artists work, an accomplished self-promoter who sold her clumsy, deconstructed writing as if she were the scribe of the gods. Today generations of buyers revel in her self-made image and keep her alive. It's a paradox.

Stephanie Anschel

read Renate Stendhal's article and Celine Nally's play

Copy Rights and Epubs

Luddites unite! All you have to lose is your place in a digitized world!

Laird

read Michael Bettencourt's article

July 10, 2011

Lingua Franca

There's nothing wrong with English, except that it is really not designed for an international role. I'd like to see wider use of Esperanto for unambiguous communication between people of different mother tongues. Am I asking too much?

Bill Chapman

read Arthur Meiselman's column

August 5, 2011

Eeyore as Seer

Hey Kathi, I'll take the wisdom of Eeyore like "We can look for the North Pole, or we can play 'Here we go gathering Nuts in May'" over that of Michele Bachman who said, "We are running out of rich people in this country." She doesn't know her geography, history, science, sociology, demographics, and so how could anyone expect her to understand why gayness can't be prayed away. Pity that poor politician who thinks America is running out of millionaires. I'm lighting a candle for your birthday cake, close your eyes, and make a wish. Then let's go to the North Pole. We have too many nuts in May already!

Karren Alenier

read Kathi Wolfe's column

August 15, 2011

The Magic Hour

This has to be a statement that reverberates with endless echos:
"In the meantime, I'll revisit some Isaac Asimov or Carl Sagan or Arthur C. Clarke, play Johann Strauss' "The Blue Danube" and think of the late, great Stanley Kubrick, sit down and actually watch Kubrick's masterpiece, 2001: A Space Odyssey or episodes of Star Trek: The Next Generation (where are you Jean-Luc Picard?) and keep the candle burning. Magic is out there, it's our imaginations that no longer exist. And this Alice will keep hoping mankind finds wonderland again."
Right on, Alice, right on.

Louis Laird

read Lia Beachy's column

La Femme La Mujer La Donna

Lia, by associating "magic" with the initial impact of the space program, which I remember in the beginning as an exhilarated hopefulness of the human capacity to imagine and achieve, I was touched once again by the impact of magic: scientific, theatrical or otherwise. Thanks for the recall.

Ned Bobkoff

read Lia Beachy's column

Magic Hour

Thank you to Ned and Louis for the comments. Magic begets magic.

Lia Beachy

September 1, 2011

Balazs Szabo

Balazs Szabo is a great man and a great artist and a great example of how art flourishes when artists are free and people are free to experience their art. Thank you for portraying that and him.

George Draco

read Les Marcott's column

September 2, 2011

Gotterdammerung For American Poetry

As usual, David Alpaugh articulates with absolutely unfailing accuracy the problems facing poetry in America. Someday, everyone writing PhDs about the history of American poetry will be referencing his beautifully-written essays.

Judith Offer

read David Alpaugh's article

September 3, 2011

Götterdämmerung for American Poetry

Loved this article. Thought provoking and vigorous in its bite! I love the idea of a poetry revolution. Perhaps it will be the poets who help us navigate the complicated world in which we find ourselves. This isn't the first time that the end of poetry has been announced. I'm writing a biography about Ina Coolbrith, California's first poet laureate (and America's first state laureate). In the book is a scene (built on a newspaper article) where a group of California poets are discussing the state of poetry at the end of the 19th century. Writer Adeline Knapp says that all the great poems have already been written. "Our poets strive after the weird, the grotesque, the uncouth in their agonies at what they are wont to call their self-revelations, but which are rarely more than painful exposures of their cranial caverns." The rest of the group branded her a heretic, but she continued anyway. Referring to the revolution of free verse, she said, "Look over the field of modern poetry and say what sane man can tell what our poets are driving at. They talk about 'lewd stars' and 'mounting waves.' They tear the language from limb to limb in their efforts to express what is inexpressible, unexistent. They give us words, words, words, wrenched from their natural meanings, and arranged in all sorts of unnatural forms." She believed that prose would better serve the new century. Poet Edwin Markham countered, ""Poetry will exist so long as the world exists. Prose cannot express all that there is to be expressed. We need poetry to express that fleeting, elusive song of life that is as real as anything in life." He also said something else that I love: "Like some airy and invisible architect, [poetry] shapes character. The poet in his highest aspect may be considered a seer." Could that be the face of a new revolution? According to Alpaugh, we may soon find out.

Aleta George

read David Alpaugh's article

Poetry on Stage--No End of the World Opera

I love the trouble David Alpaugh is stirring up for the future of American poetry and how he frames this discussion with opera. I was pretty disturbed this past week when I started reading my copy of Poet & Writers magazine which is focused on MFA programs. And, yes, this is not a new subject about how too many people are being churned through these programs with degrees that for the most part are meaningless. Just for the record, the Steiny Road Poet does not have an MFA and has never seriously considered getting one. Supposedly these degrees are for people who want to teach or scale that rickety ladder of publishing success. This poet has done and led her share of poetry workshops on the inside and outside of universities to know they can be done anywhere and some have good value but at the end of a university program, what does the degree get -- a certified poet? What does this mean? However, what bothers me about Mr. Alpaugh's fine essay is what is missing. He has the older end of the poets' world covered but not the younger side which includes the controversial language poets led by such older poets as John Ashberry. Like the work of Gertrude Stein, too many people discount the work of language poets. Sure, there is a lot of so-called language poetry that is uninteresting, and this poet thinks that the MFA programs contribute to that, but just like any art form, the more you immerse yourself, the better you can judge the new stuff. So bring on the poetry theater -- there is no end of the world coming for poetry as long as we keep those sharp pencils moving.

Karren Alenier

read David Alpaugh's article

David Alpaugh

This is a wonderful look BACK at poetry lane. And the points made on mass production of poets is a common one these days. What is not accounted for is the POETRY REVOLUTION from the CULTURAL REVOLUTION (STILL GOING ON) that not only gave us the BEATS but women, blacks, gays, minorities -- those whose voices had been oppressed for so long they were like diamonds coming from the earth. These voices still vitalize the American scene. We should check out the work of MFA poets and separate the good ones from the mediocre, for having gone to writing college does not necessarily make one an awful poet. Rita Dove came out of Iowa. Not mentioned also is the way publishers curried poets in the mid century. Not so much today. This is a very interesting article and read with respect. Grace Cavalieri: Producer "The Poet and the Poem from the Library of Congress." (check out the stunning poets on our website.) Thanks!

Grace Cavalieri

read David Alpaugh's article
-----------------------------------------
A clarification: As I said above - "Going to a writing college does not
necessarily make one an awful poet."
QUITE THE OPPOSITE: "Rita Dove came out of Iowa." Some of our most important contributors to poetry have education from writing programs. In fairness, this should be said.

Gotterdammerung for American Poetry?

David Alpaugh's article sniffs at the heels of the Poetry Dilemma. Because the Poetry Machine in the United States has become so huge, it has become outrageously controlling. Only poets approved by the Poetry Machine receive any national coverage. The issue of actual quality in poetry is ignored or unknown.

Marvin R. Hiemstra

read David Alpaugh's article

September 8, 2011

Balazs Szabo

Szabo is an inspiration. Hope his dream of an artistic community in Hillsboro, NC is realized soon.

Skip Holmgren

read Les Marcott's column

October 2, 2011

My Old Man

The actual weirdness of the demented Alzheimer disease makes the truth so bizarre that it is a brainy play field of mind games. Nice clip!

Fran Wolok

read Elliot Feldman's comic

October 5, 2011

Camelot and Heffalumps

Thank you, Kathi, for putting words around a common experience I and many other women have. I don't know why we think it's so important for girls to look like girls and boys to look like boys -- it's an unrealistic and constraining standard. And who gets to set the rules, anyway? 

Josie Byzek

read Kathi Wolfe's column

October 20, 2011

David Alpaugh

Many thanks to Scene4 for bringing us the eminently sensible, wise and salutary poetry columns of David Alpaugh. I find myself in almost total agreement with everything he says about poetry and the current poetry scene. Above all I agree with what he says in his current column: that poetry is an art, not identical but closely allied to song, that is meant to enchant and enlighten us. It is not supposed to be a credit on a resume, or a sacred mystery to be guarded zealously by the few hundred keepers of the flame.

Alpaugh's latest column reminded me of an argument I had a few years ago with two poet friends. I argued that a poem should reveal something of itself, but not all, on first reading; they insisted that a poem must be absolutely opaque the first five or six times you read it, and that anything less was a sacrilege.

Needless to say, these same friends regard the name "Billy Collins" as being in the same class as "Paris Hilton." The real tragedy is that my friends--whatever our differences in esthetics--are no more of the academy than I am. How deeply the poets have drunk of the Kool-Aid!

Miles David Moore

read David Alpaugh's column

November 2, 2011

Stein's Tea Party

No matter what convoluted political and cultural leanings and swayings, this is important information which is crucial to know. All sides. All angles.

Grace Cavalieri

read Karren Alenier's article

November 8, 2011

Q Factor

You're optimistic, Arthur, way too optimistic. You strike a chord with the media and it plays a song that no one hears.

Laird

read Arthur Meiselman's column

January 18, 2012

The Obscene Critic

Karren Alenier's article on the Washington Post's obscene review of Gertrude Stein and the exhibition Seeing Gertrude Stein: Five Stories at the National Portrait Gallery in D.C. brilliantly analyzes one particular case of openly declared "hatred" for Stein. This sort of hatred has followed Stein from the moment she began to publish, in the early twentieth century, but it is worth noting the context that gave rise to this "indecent exposure" in a serious newspaper like the Washington Post. Stein's present renaissance with two epochal traveling exhibitions has brought out people like critic Phil Kennicott who, as Alenier reminds us, assigns himself, a "seat in the corner with the Stein haters that include 'the worst sort of critics--anti-Semites, misogynists, homophobes and philistines.'" It is worth noticing that Stein's old enemies found new fodder and an academic seal of approval for their attacks in Barbara Will's book, Unlikely Collaboration: Gertrude Stein, Bernard Faÿ and the Vichy Dilemma (2011). The inflammatory book fed into the Stein controversy that was triggered by the exhibition Seeing Gertrude Stein: Five Stories at the Contemporary Jewish Museum in San Francisco, linked to the question how Stein and Toklas had managed to survive in Nazi-occupied France. Will's speculations about the "true Stein" and her alleged "collaboration" with a fascist friend and fascist regime unleashed a cultural hysteria, a sort of license to kill that took over the media and blogosphere. I have no doubt that this cultural atmosphere provided the justification for the Washington Post to publish the infamous article. Will camouflages the fact that her book is in fact about Bernard Faÿ, an intellectual friend of Steins's from the twenties, a once respected historian and author who during the war became a Gestapo informer and persecutor of the Freemasons in France. Hardly anybody today would care about Bernard Faÿ and his twisted fate as a condemned collaborator who was ultimately pardoned by French President Mitterand. Gertrude Stein is being used to create a story that pretends to be sensationalist news when the facts and allegations have already been published and rehashed numerous times, most recently by Janet Malcolm in Two Lives: Gertrude and Alice (2007).

Continue reading "The Obscene Critic" »

January 28, 2012

The Will to Find Steinian Truth

With all due respect to Renate Stendhal, who I cherish as a person Steinian, I find the work that Barbara Will published in Unlikely Collaboration: Gertrude Stein, Bernard Faÿ, and the Vichy Dilemma refreshing for its non sensationalization of a tough Stein scenario. 

I am on the record and urge you to read what I said in my recent Scene4 article An Invitation to Gertrude Stein's Tea Party.

As noted Stein scholar Catharine Stimpson said recently at a conference held partially at the National Portrait Gallery where the exhibition "Seeing Gertrude Stein" just closed, "Gertrude Stein was stupid about politics."

I consider Gertrude Stein, Renate Stendhal, and Barbara Will part of my Steinian family. I won't stop loving any of them.

Karren Alenier

February 5, 2012

Comments on Gertrude Stein Continued

Karren Alenier is a much cherished part of the Steinista tribe, indeed, and we agree quite happily to disagree. We all have a blind eye somewhere and Stein herself was the first to admit her political stupidity and inexperience: "Writers are not really interested in politics..." etc. To be on the record, this was the point of my detailed article in the Los Angles Review of Books, Was Gertrude Stein A Collaborator? (In a shorter version - Exclusive: Was Gertrude Stein A Hitler Fan?

An academic like Catharine R. Stimpson has begun to see Will's book with different eyes, as I was privileged to hear from herself. Others, like the great Stein expert Marjorie Perloff, have never been taken in. If you want a non-sensationalist account of Stein's war years, I refer you to the book by Dominique Saint Pierre, "Gertrude Stein, le Bugey, la guerre" -- an impeccable study by an historian, devoid of the inflated speculations in Barbara Will's book.

Renate Stendhal

March 7, 2012

Political Theologies

Mr. Bettencourt, it seems to me that the United States is rushing away from its inherent historical freedoms and grasping at religious answers and social conscious answers as you describe. Moving, as it is, into the rigidities and conservative fear mongering of so many other nations such as Great Britain and the Mid-East it has tried so long to avoid. It is indeed a shame to see.

A.S. Waterson

read Michael Bettencourt's column

April 4, 2012

Dead Dog

Hilarious ain't the word, Les. I couldn't stop laughing, man. It's like right out of a Reality Show. And can I relate to it. Hey, I wish I had this speech a couple of years ago in Spokane. Same deal, same situation, same crazy. You nailed it, brother!

T.J. Michael

read Les Marcott's monologue

April 5, 2012

The Hollywood GATE Conference

It's all very nice and reassuring that the Beverly Hills folk want to acknowledge the power of their product and use it to make the world healthier, happier and wise. That's not going to happen despite Jim Carrey's cute little aphorisms. The film industry is totally market-driven, always has been. The only difference between the sequel-franchise Hollywood of today and the so-called "Golden Days" is that back then the studio system allowed for the production of films, doomed to be box-office losers, that "should" be made. The moguls had a lot to feel guilty about, it was part of their heritage. Today, there are no moguls, no studio system, and not a stain of guilt anywhere. There's only the unabashed cult of celebrity and the unabated wallow of money. Good luck to the conferees at GATE, at least you're trying.

Laird

read Arthur Kanegis' article

April 6, 2012

Kerouac

The last thing I ever thought was that Kerouac was a writer. A scribbler, yes, but hardly a writer. And goodbye to all the Beat so-called writers and the whole time. It's long gone and should stay that way-one of the greyest, dullest periods in recent history.

RJ

read Griselda Steiner's article

Gramma

Feldman wherever you are your stuff is so funny and you're such a crazy SOB. But I want to tell you, stay away from my family. My Grannie and Grandpa were the best. Yours should have thrown out your Old Man ten minutes after his Bar Mitzvah.

Jack G.

see Elliot Feldman's comics

April 8, 2012

Marco Millions

It's almost as if O'Neill wrote this play last year. His indictment of the military-industrial complex and corporate politics is scathing and so very timely. It would make a blockbuster movie today. I also agree with the writer's opening indictments of our "dumb" presidents but I love Bob Dylan. He is the great poet of the 20th century.

Maria Einhorn (truthsayer)

read Arthur Meiselman's column

April 10, 2012

Hollywood's Gate Conference

I have to agree with Laird's view of the recent Gate2 conference in Los Angeles. It was another one of those self-serving, self-congratulatory, self-promoting confabs of the Hollywood movie club. The only way that American film is going to honestly promote positive, life-changing scenarios is when the U.S. finally establishes a nationally funded cinema like the U.K. and Canada and others. That's as likely to happen as the establishment of a national theater, a true national healthcare program, a non-ideological Supreme Court and a color-blind political system. One can only hope.

B. J. Davis

read Arthur Kanegis article

Speech Jammin Gun

Dear Les Marcott, you're a wizard! And I've got just the thing for you to wiz with. It's a speech-jammin smartphone. It's so crazy, it works! We can make a fortune. Contact me, before the black ops guys do.

Anonymous (not the hackers!!)

read Les Marcott's column

April 13, 2012

Authoritarian Musicals

A couple of points--there was a rise of the kind of musical theatre that you and Barker seem to endorse alongside the rise of the Nazis in Germany in the 1920's and 1930's, a glorious and provocative rise of the form that attracted large audiences along with the marvelous Voksbuhne (People's Theatre) in Berlin. If it hadn't been exterminated by the Nazis, the musical theatre in the post-war U.S. would have been markedly different even for Agnes deMille and her groundbreaking "Oklahoma!"

Your citing of Sondheim--a second-rate composer and second-rate lyricist who egged his way into the vacuum left by the demise of Leonard Bernstein and Jerome Robbins. His success and popularity is a stinging example of what happens when the press adulates and creates an idol, just like Lady Gaga.

Michael Aptrow

read Michael Bettencourt's column

April 14, 2012

Ashley Judd

I would hope that Scene4, with its feminist orientation toward the arts and media, will explore and address the critical issue raised by Ashley Judd's conflict with the press and other media over their derogatory portrayal of her and women in general. This is a very important issue and I look forward to reading your views on it.

Sylvia Rathold

Kerouac

Who was Jack Kerouac then and who is Jack Kerouac now? That's the question. And does it matter?

MM

read Gloria Steiner's article

So long, Glenn Beck!

I guess shite-meister Beck took Ned Bobkoff's eulogy to heart. He's gone for good. Thanks Ned.

Phil Bankler

April 18, 2012

Ashley Judd

Scene4 does not have a "feminist orientation toward the arts and media". It has a number of writers, both women and men, who support feminist issues regarding the arts as well as other issues including, on occasion, contra-feminist views. It is an international magazine of arts and media with a multi-cultural readership in over 102 countries. It has no stated political or philosophical editorial policy, only its adherence to the highest journalistic standards it can achieve and maintain.

The Editors

read the original 'Ashley Judd' post below

May 9, 2012

Ashley Judd

Ashley Judd anyone? What's the thinking or does it just pass on into the daily mush of politics?

Michael Aptrow

read the earlier post

About Politics and Issues

This page contains an archive of all entries posted to Scene4 Magazine | letters to the editor in the Politics and Issues category. They are listed from oldest to newest.

Poetry is the previous category.

Reading and Writing is the next category.

Many more can be found on the main index page or by looking through the archives.

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