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   <title>Scene4 Magazine · Arts and Media</title>
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   <id>tag:www.scene4.com,2010:/rss//11</id>
   <updated>2010-03-10T00:45:57Z</updated>
   <subtitle>International Magazine of Arts and Media</subtitle>
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<entry>
   <title>Scene4 Magazine - Arts and Media - March 2010</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2010/03/scene4_magazine_-_arts_and_med_1.html#000833" />
   <id>tag:www.scene4.com,2010:/rss//11.833</id>
   
   <published>2010-03-10T00:26:10Z</published>
   <updated>2010-03-10T00:45:57Z</updated>
   
   <summary> &#160;&#160;&#160;&#160; In This Issue inFocus At A Certain Point In Life Ned Bobkoff Jeff Bridges Marcel Proust inView Michael Bettencourt Why Conservatives Should Fear The Market Arthur Meiselman Viewings and An Actor&apos;s Lament Nathan Thomas Going to the Roots...</summary>
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      <![CDATA[<p><img alt="promo0310.jpg" src="http://www.scene4.com/rss/promo0310.jpg" width="370" height="423" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></p>

<div align="left"><font face="Arial" size="4"><span style=" font-size:14pt"><b>&#160;&#160;&#160;&#160; </b></span></font></div>
<div align="left"><font face="Arial" size="4"><span style=" font-size:14pt"><b>In This Issue</b></span></font></div>
<div align="left" style="margin-left:9mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inFocus</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><i>At A Certain Point In Life</i><br />
Ned Bobkoff<br />
Jeff Bridges<br />
Marcel Proust  </span></font></p>
<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Michael Bettencourt<br />
<i>Why Conservatives Should<br />
Fear The Market</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Arthur Meiselman<br />
<i>Viewings and An Actor's Lament</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Nathan Thomas<br />
<i>Going to the Roots</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Claudine Jones<br />
<i>Soar Throat</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>reView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Film</b><br />
Miles David Moore<br />
<i>Crazy Heart<br />
A Single Man<br />
It's Complicated</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Books</b><br />
Catherine Conway Honig<br />
<i>Eric Karpeles'<br />
Paintings in Proust</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Theatre</b><br />
Ned Bobkoff<br />
<i>Vision:<br />
A Theatre Memoir - Part 2</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Dance</b><br />
Catherine Conway Honig<br />
<i>Ghosts<br />
New and Old</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inSight</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Writing</b><br />
Karren Alenier<br />
The Steiny Road to Operadom <br />
<i>Lingua Chinois</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Media</b><br />
Lia Beachy<br />
La Femme, La Mujer, La Donna<br />
<i>O Passion Where Art Thou?</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Comics</b><br />
Elliot Feldman<br />
Old Hippy<br />
<i>Minerva Done Do Me!</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Arts of Thailand</b><br />
Janine Yasovant<br />
Visiting An Artist's Life<br />
<i>Visoot Charoenporn</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>New Technology</b><br />
Recent Reviews</span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inPrint</b></span></font><font face="Arial"><span style=" font-size:12pt"><br />
<i>Requiem For Freud's Sister</i><br />
A Play by<br />
Barbara Lefcowitz</span></font></p>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Scene4 Blogs</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font><font face="Arial" color="#7f0000" size="2"><span style=" font-size:10pt">&#160;</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the readers blog</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qreviews</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qu&#233;Pasa</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Writers Blogs</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>The Dressing</i>-Karren Alenier</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>On Miles David Moore</i>-Miles David Moore</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Life In Acting</i>-Martin Challis</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Thai Nights</i>-Arthur Meiselman</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Dr. Barnabas T. Bynum's New School</i></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Musical Revue and Travelling Minstrel Show</i>-Les Marcott</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Special Issues</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE RISING FALL OF THE ARTS</b></span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2010</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ONE</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2009 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>WHAT IS ART?</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2008 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>VIEW OF THE ARTS/2007</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2007 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ART OF SEX IN THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">February 2006 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>STATE OF THE ART OF THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">October 2005 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">All at&#160; </span></font><a href="http://www.scene4.com"><font face="Arial" color="#0000ff"><span style=" font-size:12pt"><u>www.scene4.com</u> </span></font></a><font face="Arial" size="2"><span style=" font-size:10pt">&#160; </span></font></div>
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<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>Now in our 10th year of publication with</b> </span></font></div>
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</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International 
Magazine of Arts and Media. Copyright &#169;2000-2010 AVIAR-DKA LTD - AVIAR MEDIA LLC. 
All rights reserved. </span></font></div>
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<entry>
   <title>Scene4 Magazine - Arts and Media - February 2010</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2010/02/scene4_magazine_-_arts_and_med.html#000822" />
   <id>tag:www.scene4.com,2010:/rss//11.822</id>
   
   <published>2010-02-10T08:05:35Z</published>
   <updated>2010-02-10T08:22:54Z</updated>
   
   <summary> &#160;&#160; &#160;&#160;&#160;&#160; In This Issue inFocus From China With Love Karren Alenier inView Michael Bettencourt Sita Sings the Copyright Arthur Meiselman The A****R Nathan Thomas One Tramp in Dirt Time Les Marcott In Search of Hurricane Smith Claudine Jones...</summary>
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      <![CDATA[<p><a href="http://www.scene4.com/rss/0210cvr.jpg"><img alt="0210cvr.jpg" src="http://www.scene4.com/rss/assets_c/2010/02/0210cvr-thumb-390x451-338.jpg" width="390" height="451" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></a></p>

<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">&#160;&#160; </span></font><font face="Arial" size="4"><span style=" font-size:14pt"><b>&#160;&#160;&#160;&#160; </b></span></font></div>
<div align="left"><font face="Arial" size="4"><span style=" font-size:14pt"><b>In This Issue</b></span></font></div>
<div align="left" style="margin-left:9mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inFocus</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">From China With Love<br />
Karren Alenier</span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>inView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Michael Bettencourt<br />
<i>Sita Sings the Copyright</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Arthur Meiselman<br />
<i>The A****R</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Nathan Thomas<br />
<i>One Tramp in Dirt Time</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Les Marcott<br />
<i>In Search of Hurricane Smith</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Claudine Jones<br />
<i>Overcoming</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>reView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Film</b><br />
Miles David Moore<br />
<i>The Messenger</i><br />
and<br />
<i>Up In The Air</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Theatre</b><br />
Ned Bobkoff<br />
<i>Vision:<br />
A Theatre Memoir</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Opera</b><br />
Renate Stendhal<br />
<i>Carmen</i><br />
at Live At The Met</span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inSight</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Opera</b><br />
Karren Alenier<br />
The Steiny Road to Operadom <br />
<i>From China with Love</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Media</b><br />
Lia Beachy<br />
La Femme, La Mujer, La Donna<br />
<i>Stay Little Valentine Stay</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Comics</b><br />
Elliot Feldman<br />
Old Hippy<br />
<i>Working With the Black Death</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">New Technology<br />
Recent Reviews</span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inPrint</b></span></font><font face="Arial"><span style=" font-size:12pt"><br />
<i>Hyena In Petticoats<br />
</i>A Play by<br />
Grace Cavalieri</span></font></p>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Scene4 Blogs</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font><font face="Arial" color="#7f0000" size="2"><span style=" font-size:10pt">&#160;</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the readers blog</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qreviews</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qu&#233;Pasa</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Writers Blogs</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>The Dressing</i>-Karren Alenier</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>On Miles David Moore</i>-Miles David Moore</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Life In Acting</i>-Martin Challis</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Thai Nights</i>-Arthur Meiselman</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Dr. Barnabas T. Bynum's New School</i></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Musical Revue and Travelling Minstrel Show</i>-Les Marcott</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Special Issues</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE RISING FALL OF THE ARTS</b></span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2010</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ONE</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2009 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>WHAT IS ART?</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2008 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>VIEW OF THE ARTS/2007</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2007 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ART OF SEX IN THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">February 2006 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>STATE OF THE ART OF THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">October 2005 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">All at&#160; </span></font><a href="http://www.scene4.com"><font face="Arial" color="#0000ff"><span style=" font-size:12pt"><u>www.scene4.com</u> </span></font></a><font face="Arial" size="2"><span style=" font-size:10pt">&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>Now in our 10th year of publication with</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>comprehensive archives of over 5000 pages</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International 
Magazine of Arts and Media. Copyright &#169;2000-2010 AVIAR-DKA LTD - AVIAR MEDIA LLC. 
All rights reserved. </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>Scene4 Magazine</b> - Arts and Media&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">6920 Roosevelt Way NE&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">Seattle, WA 98115 USA&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">+1.206.214.7664 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">&#160; </span></font></div>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine SPECIAL ISSUE January 2010</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2010/01/scene4_magazine_special_issue.html#000803" />
   <id>tag:www.scene4.com,2010:/rss//11.803</id>
   
   <published>2010-01-02T18:58:49Z</published>
   <updated>2010-01-02T19:13:10Z</updated>
   
   <summary><![CDATA[In This Special Issue ars quo vadis? From the beginning, Art (the Arts) was relegated to the periphery of the &quot;manifest destiny&quot; American civilization, even in the face of the great merchandising of Art that has taken place in the...]]></summary>
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      <name></name>
      
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   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><br /><div align="left"><font face="Arial" size="4"><span style=" font-size:14pt"><b>In This </b></span></font><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>Special </b></span></font><font face="Arial" size="4"><span style=" font-size:14pt"><b>Issue</b></span></font></div><br />
<a href="http://www.scene4.com/rss/logo-2.jpg"><img alt="logo-2.jpg" src="http://www.scene4.com/rss/assets_c/2010/01/logo-2-thumb-493x493-309.jpg" width="493" height="493" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></a></p>

<div align="left" style="margin-left:9mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" size="2"><span style=" font-size:10pt"><b><br />
</b></span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial" color="#7f0000" size="5"><span style=" font-size:18pt"><b>ars quo vadis?</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt">From the beginning, Art (the Arts) was relegated to the periphery of the 
&quot;manifest destiny&quot; American civilization, even in the face of the great 
merchandising of Art that has taken place in the past 50 years.&#160; The one 
spread of hope has been the commitment on the part of higher educators to 
teach the experience of the arts and the humanities in a fundamental and 
priceless effort&mdash;to develop individuals with a broad world perspective, with 
compassion, with empathy, with civility, with an understanding of what used 
to be called, &quot;the human condition.&quot; This commitment has been under severe 
attack in the American education system for the past 25 years, and especially 
during the eight &lsquo;Bush&rsquo; years of no-nothingness and anti-intellectualism. 
Bubba has ruled and Bubba-ism is now the &lsquo;educated&rsquo; religion of half of the 
American population. </span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b><br />
</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Michael Bettencourt</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><i>An Embarrassing Surprise?</i></span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt">&quot;I'm shocked, shocked to find that schooling is going on </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">in here!&quot; (with apologies to Claude Rains, Julius </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Epstein and Casablanca). I would argue that American </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">schools have done such a mixed job in educating their </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">students because they have been trying to serve split </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">masters (as they have done since the days of Horace </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Mann).</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Miles David Moore</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><i>Confessions of a Journalism Major</i></span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt">&quot;I have taught on every level of education in 50 years </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">of classrooms, from kindergarten to grad school and </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">beyond, and I know one truth: that knowledge which can </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">be measured and tested may get a paycheck and may be </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">useful, but it is not the answer to a happy and </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">liberated life.&quot;</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Nathan Thomas</b> </span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>The Needs Study</i></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">It all started when the official said, &quot;You have to do a </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">needs study.&quot; These few, cheap words began a thinking </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">process that has occupied my mind and time for months.&#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">(Years?) The simplicity of the concept of the needs </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">study masks the insidious nature of the needs study for </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the artist. In a very simple sense, no one needs the </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">arts.&#160; </span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Karren Alenier</b> </span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Art On the Periphery</i></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">As a poet, I am intimately familiar with how people in </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the United States of America treat my artistic pursuit. </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Most Americans do not read books, let alone partake in </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the art of reading, writing, or listening to poetry. </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Upon being introduced as a poet, the conversation has </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">gone something like this, &quot;But how do you earn money?&quot;&#160; </span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Lia Beachy</b></span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Dreaming the Dream</i></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">An appreciation for a Picasso goes well beyond a </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">superior aesthetic. One of the most telling signs of the </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">lack of arts education in school systems and </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">society-at-large today is the slow death of civility. At </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">one time on this planet, when most human beings were </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">slaves or serfs, the daily struggle,</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the class system and organized religion kept people in </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">their place.</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Claudine Jones/RichYurman</b><i> </i></span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Handbaskets</i></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">The masters of this society have decided we need low </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">skill, poorly paid workers, docile, unable to think </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">critically or read with any depth of understanding, </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">easily distracted with scandals and shallow </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">entertainments. Roman Bread and Circuses. Yet we retain </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the belief that the humanities are the yeast for a new </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">rising; for better bread and more profound circuses.</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Les Marcott</b><i> </i></span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>In Fuller Appreciation</i></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Assuming that noted writer and editor Mark Slouka's </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">assumption about the arts and humanities is correct: his </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">argument essentially being that the humanities have </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">taken a backseat to the hard sciences all in the quest </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">of retaining our competitive advantage in the global </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">marketplace, what can be done if anything to remedy the </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">situation?</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Janine Yasovant</b><b><i> </i></b></span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>The Flame of the Arts in Thailand</i></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">In the Thai education system, business administration </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">competes strongly with science and technology for both </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">government and corporate support. Money buys </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">workers and these are the employees who get the high-paying </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">jobs and the better standard of living. The lure is </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">right there on the internet, on their television sets, </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">in their mobile phones. (also in Thai)</span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Elliot Feldman</b></span></font></p>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Comics from the Old Hippy</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Evolution and </i></span></font><font face="Arial"><span style=" font-size:12pt"><i>Devolution</i></span></font></div>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><i><br />
</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b><i>Scene4's Next Regular Issue Online February 1st</i></b></span></font></p>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Other Special Issues</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ONE</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2009 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>WHAT IS ART?</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2008 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>VIEW OF THE ARTS/2007</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2007 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ART OF SEX IN THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">February 2006 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>STATE OF THE ART OF THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">October 2005 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">All at&#160; </span></font><a href="http://www.scene4.com"><font face="Arial" color="#0000ff"><span style=" font-size:12pt"><u>www.scene4.com</u> </span></font></a><font face="Arial" size="2"><span style=" font-size:10pt">&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>Now in our 10th year of publication with</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>comprehensive archives of over 5000 pages</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International 
Magazine of Arts and Media. Copyright &#169;2000-2010 AVIAR-DKA LTD - AVIAR MEDIA LLC. 
All rights reserved. </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>Scene4 Magazine</b> - Arts and Media&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">6920 Roosevelt Way NE&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">Seattle, WA 98115 USA&#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">+1.206.214.7664 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">&#160; </span></font></div>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine - Arts and Media - December 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/12/scene4_magazine_arts_and_media_4.html#000799" />
   <id>tag:www.scene4.com,2009:/rss//11.799</id>
   
   <published>2009-12-02T19:59:12Z</published>
   <updated>2009-12-02T20:19:07Z</updated>
   
   <summary> &#160;&#160; &#160;&#160;&#160;&#160; Coming in January &#160;&#160;&#160; A New Special Issue The Falling Rise of the Arts In This December Issue inFocus Dance Is Life Suzanne Farrell inView Michael Bettencourt A Response to Les Marcott&apos;s &apos;The Trouble With Che&apos; Nathan...</summary>
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      <![CDATA[<div align="left">
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<font face="Arial" size="2"><span style=" font-size:10pt">&#160;&#160; </span></font></div>
<div align="left" style="margin-left:18mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" size="4"><span style=" font-size:14pt"><b>&#160;&#160;&#160;&#160; Coming in January</b></span></font></div>
<div align="left" style="margin-left:18mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" size="4"><span style=" font-size:14pt"><b>&#160;&#160;&#160; A New Special Issue</b></span></font></div>
<div align="left" style="margin-left:18mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" color="#c06000" size="4"><span style=" font-size:14pt"><b><i>The Falling Rise of the Arts</i></b></span></font></div>
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<div align="left"><font face="Arial" size="4"><span style=" font-size:14pt"><b>In This </b></span></font><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>December </b></span></font><font face="Arial" size="4"><span style=" font-size:14pt"><b>Issue</b></span></font></div>
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.scene4.com/rss/PromoCover.jpg"><img alt="PromoCover.jpg" src="http://www.scene4.com/rss/PromoCover-thumb-400x425.jpg" width="400" height="425" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span><div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
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<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inFocus</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><i>Dance Is Life<br />
Suzanne Farrell</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Michael Bettencourt<br />
<i>A Response to Les Marcott's<br />
'The Trouble With Che'</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Nathan Thomas<br />
<i>Theatre</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Arthur Meiselman<br />
'<i>Deathwatch' Revisited</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Les Marcott<br />
<i>I Would Also Like To Thank...</i></span></font></p>
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<i>Days &amp; Nights</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>reView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Television</b><br />
Miles David Moore<br />
'<i>Slings &amp; Arrows'<br />
Shakespeare (so to speak!)<br />
in Canada</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Dance</b><br />
Catherine Conway Honig<br />
<i>The Muse: Suzanne Farrell <br />
Continues to Inspire</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Dance</b><br />
Renate Stendhal<br />
<i>The Suzanne Farrell Ballet<br />
at Cal Performances</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inSight</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Writing</b><br />
Karren Alenier<br />
The Steiny Road to Operadom <br />
<i>Gertrude As Buddha</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Media</b><br />
Lia Beachy<br />
La Femme, La Mujer, La Donna<br />
<i>Music Misery</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Poetry</b><br />
Kathi Wolfe<br />
Life Among The Heffalumps<br />
<i>WWJMD (What Would Jo March Do)?</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Fiction</b><br />
Martin Challis<br />
'Where Cedar Creek Falls' <br />
<i>Chapter Ten, Part 2 - In Country</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Comics</b><br />
Elliot Feldman<br />
Old Hippy<br />
<i>Work Blows, Dude!</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>Arts of Thailand</b><br />
Janine Yasovant<br />
<i>Healing the Body with Nature</i> (also in Thai)</span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.74mm; margin-bottom:1.74mm;"><font face="Arial"><span style=" font-size:12pt"><b>New Technology</b><br />
Recent Reviews</span></font></p>
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</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>inPrint</b></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">SCENE4 publishes Plays, Screenplays, Scripts, Poetry</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">and Production Notebooks in its online issues.</span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Scene4 Blogs</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font><font face="Arial" color="#7f0000" size="2"><span style=" font-size:10pt">&#160;</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the readers blog</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qreviews</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qu&#233;Pasa</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Writers Blogs</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>The Dressing</i>-Karren Alenier</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>On Miles David Moore</i>-Miles David Moore</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Life In Acting</i>-Martin Challis</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Thai Nights</i>-Arthur Meiselman</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Dr. Barnabas T. Bynum's New School</i></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt"><i>Musical Revue and Travelling Minstrel Show</i>-Les Marcott</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
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<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
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<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Special Issues</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ONE</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2009 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>WHAT IS ART?</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2008 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>VIEW OF THE ARTS/2007</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">January 2007 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>THE ART OF SEX IN THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">February 2006 </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><b>STATE OF THE ART OF THE ARTS</b> </span></font></div>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt">October 2005 </span></font></div>
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</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">All at&#160; </span></font><a href="http://www.scene4.com"><font face="Arial" color="#0000ff"><span style=" font-size:12pt"><u>www.scene4.com</u> </span></font></a><font face="Arial" size="2"><span style=" font-size:10pt">&#160; </span></font></div>
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Copyright &#169;2000-2009 AVIAR-DKA LTD - AVIAR MEDIA LLC. All rights reserved. </span></font></div>
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   </content>
</entry>

<entry>
   <title>Scene4 Magazine - Arts and Media - November 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/11/scene4_magazine_arts_and_media_3.html#000787" />
   <id>tag:www.scene4.com,2009:/rss//11.787</id>
   
   <published>2009-11-04T00:16:48Z</published>
   <updated>2009-11-04T00:25:02Z</updated>
   
   <summary> IN THIS ISSUE &#160; inFocus Playwrights and Directors inView Michael Bettencourt The Color-Line Nathan Thomas Directorial Power Arthur Meiselman I&apos;ll Be Seeing You in All the Old Familiar Places Les Marcott The Trouble with Che Claudine Jones Death Checks...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.scene4.com/rss/Promo-cover1109.jpg"><img alt="Promo-cover1109.jpg" src="http://www.scene4.com/rss/Promo-cover1109-thumb-375x400.jpg" width="375" height="400" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span></p>

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<div align="left" style="margin-left:12mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
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<div align="left"><font face="Arial" size="4"><span style=" font-size:14pt"><b>IN THIS ISSUE</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left" style="margin-left:9mm; margin-right:0mm; text-indent:0mm; margin-top:0.00mm; margin-bottom:0.00mm;"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
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<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inFocus</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><i>Playwrights<br />
and<br />
Directors</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Michael Bettencourt<br />
<i>The Color-Line</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Nathan Thomas<br />
<i>Directorial Power</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Arthur Meiselman<br />
<i>I'll Be Seeing You in<br />
All the Old Familiar Places</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Les Marcott<br />
<i>The Trouble with Che</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Claudine Jones<br />
<i>Death Checks</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt">Martin Challis<br />
<i>Start Off the Way <br />
You Would Like to Finish</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>reView</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Film Reviews</b><br />
Miles David Moore<br />
<i>Bright Star<br />
The Informant!<br />
The Invention of Lying</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Opera</b><br />
Renate Stendhal<br />
<i>The Met's New 'Tosca'</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Music</b><br />
Karren Alenier<br />
<i>The Folger Consort</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Culture</b><br />
Renate Stendhal<br />
<i>Stumbling Stones in German Streets</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial" color="#7f0000" size="4"><span style=" font-size:14pt"><b>inSight</b></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Writing</b><br />
Karren Alenier<br />
The Steiny Road to Operadom <br />
<i>A Miscreant for Today</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Media</b><br />
Lia Beachy<br />
La Femme, La Mujer, La Donna<br />
<i>Culture Shock</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Poetry</b><br />
Kathi Wolfe<br />
Life Among The Heffalumps<br />
<i>Life is an Adventure or Nothing at All</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Fiction</b><br />
Martin Challis<br />
Where Cedar Creek Falls <br />
<i>Chapter Ten, Part 2 - In Country</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Comics</b><br />
Elliot Feldman<br />
Old Hippy<br />
<i>Quality Time with Dad</i></span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>Arts of Thailand</b><br />
Janine Yasovant<br />
<i>Healing the Body with Nature</i> (also in Thai)</span></font></p>
<p style="margin-left:0mm; margin-right:0mm; text-indent:0mm; margin-top:1.76mm; margin-bottom:1.76mm;"><font face="Arial"><span style=" font-size:12pt"><b>New Technology</b><br />
Recent Reviews</span></font></p>
<div align="left"><font face="Arial" size="2"><span style=" font-size:10pt"><br />
</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>inPrint</b></span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">SCENE4 publishes Plays, Screenplays, Scripts, Poetry</span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">and Production Notebooks in its online issues.</span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b><br />
</b></span></font></div>
<div align="left"><font face="Arial" color="#7f0000"><span style=" font-size:12pt"><b>Scene4 Blogs</b></span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font><font face="Arial" color="#7f0000" size="2"><span style=" font-size:10pt">&#160;</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">the readers blog</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qreviews</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
<div align="left"><font face="Arial"><span style=" font-size:12pt">Qu&#233;Pasa</span></font><font face="Arial" size="2"><span style=" font-size:10pt"> &#160; </span></font></div>
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   </content>
</entry>

<entry>
   <title>Scene4 Magazine - Arts and Media - October 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/10/scene4_magazine_arts_and_media_2.html#000781" />
   <id>tag:www.scene4.com,2009:/rss//11.781</id>
   
   <published>2009-10-04T00:23:56Z</published>
   <updated>2009-10-04T00:32:39Z</updated>
   
   <summary> IN THIS ISSUE &#160;&#160; inFocus &#160;&#160; Woodstock &#160;&#160; 40 Years Down the Road &#160;&#160; inView &#160;&#160; Michael Bettencourt &#160;&#160; Digitizing Theatre - Part 2 &#160;&#160; Arthur Meiselman &#160;&#160; In Search of Heaven&apos;s Gate &#160; Nathan Thomas &#160;&#160; Two Men....</summary>
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February 2006 </span></font>
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October 2005 </span></font>
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   </content>
</entry>

<entry>
   <title>Scene4 Magazine - Arts and Media September 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/09/scene4_magazine_arts_and_media_1.html#000763" />
   <id>tag:www.scene4.com,2009:/rss//11.763</id>
   
   <published>2009-09-01T03:19:55Z</published>
   <updated>2009-10-04T00:23:36Z</updated>
   
   <summary> IN THIS ISSUE inFocus   Theatre in Brazil   Film in Thailand   inView Michael Bettencourt   The Puritan Soul   Arthur Meiselman   The Terror of the Fading Book - An Update   Nathan Thomas   Teaching and...</summary>
   <author>
      <name></name>
      
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   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.scene4.com/rss/sc4-sept-cvrcap.jpg"><img alt="sc4-sept-cvrcap.jpg" src="http://www.scene4.com/rss/sc4-sept-cvrcap-thumb-493x604.jpg" width="493" height="604" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span></p>

<p><br />
<strong><big>IN THIS ISSUE</big></strong></p>

<p><strong>inFocus</strong>  </p>

<p>Theatre in Brazil  <br />
Film in Thailand  </p>

<p><strong>inView</strong></p>

<p>Michael Bettencourt  <br />
The Puritan Soul  </p>

<p>Arthur Meiselman  <br />
The Terror of the Fading Book - An Update  </p>

<p>Nathan Thomas  <br />
Teaching and Learning - Learning and Teaching  </p>

<p>Les Marcott  <br />
Unforgettable Lines from Unforgettable Songs (Part 2)  </p>

<p>Claudine Jones  <br />
Murder #17  </p>

<p><strong>reView  </strong></p>

<p>Film Review  <br />
Miles David Moore  <br />
The Taking of Pelham 123  </p>

<p>Dance  <br />
Renate Stendhal  <br />
Pina Bausch - A Memory  </p>

<p>Film in Thailand  <br />
Janine Yasovant  <br />
Duae Suay Du  </p>

<p><strong>inSight</strong></p>

<p>Writing<br />
Karren Alenier  <br />
The Steiny Road to Operadom<br />
A Big Read  </p>

<p>Media<br />
Lia Beachy  <br />
La Femme, La Mujer, La Donna  <br />
Label America: Broken  </p>

<p>Poetry  <br />
Kathi Wolfe  <br />
Life Among The Heffalumps  <br />
The Write Stuff  </p>

<p>Fiction  <br />
Martin Challis  <br />
Where Cedar Creek Falls<br />
Chapter Nine - Disdain  </p>

<p>Comics  <br />
Elliot Feldman  <br />
Old Hippy  <br />
Warren Beatty and Me  </p>

<p>Theatre  <br />
Polly Frost  <br />
Theater Gifts  </p>

<p>New Technology  <br />
Fujitsu's  <br />
Desktop Alternative  <br />
Lifebook® V1040  </p>

<p><strong>inPrint</strong>  <br />
Sufic Madness  <br />
Farzana Moon  </p>

<p><strong>Scene4 Blogs</strong>  <br />
the readers blog  <br />
Qreviews  <br />
Qué Pasa  </p>

<p><strong>Writers Blogs </strong> <br />
The Dressing-Karren Alenier  <br />
On Miles David Moore-Miles David Moore  <br />
Life In Acting-Martin Challis  <br />
Thai Nights-Arthur Meiselman  <br />
Dr. Barnabas T. Bynum's New School<br />
Musical Revue and Travelling Minstrel Show-Les Marcott</p>

<p><br />
<strong>Special Issues</strong><br />
THE ONE<br />
January 2009<br />
WHAT IS ART?<br />
January 2008<br />
VIEW OF THE ARTS/2007<br />
January 2007<br />
THE ART OF SEX IN THE ARTS<br />
February 2006<br />
STATE OF THE ART OF THE ARTS<br />
October 2005</p>

<p>All at  <a href="http://www.scene4.com">www.scene4.com</a></p>

<p><strong>Now in our 10th year of publication with<br />
comprehensive archives of over 5000 pages</strong></p>

<p>Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media. Copyright © 2000-2009 AVIAR-DKA LTD - AVIAR MEDIA LLC. All rights reserved.</p>

<p>Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine - Arts and Media - August 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/08/scene4_magazine_arts_and_media.html#000758" />
   <id>tag:www.scene4.com,2009:/rss//11.758</id>
   
   <published>2009-08-08T20:48:36Z</published>
   <updated>2009-08-08T20:51:52Z</updated>
   
   <summary>IN THIS ISSUE ~~~inFocus~~~ Pina Bausch &quot;I do all my things to not talk&quot; by Andrea Kapsaski ~~~inView~~~ Michael Bettencourt &quot;Life of the Daily Adequate&quot; I had also had pretentions to take up dancing as a career. And there came...</summary>
   <author>
      <name></name>
      
   </author>
   
   
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      <![CDATA[<p>IN THIS ISSUE</p>

<p>~~~inFocus~~~<br />
Pina Bausch<br />
"I do all my things to not talk"<br />
by Andrea Kapsaski</p>

<p>~~~inView~~~ <br />
Michael Bettencourt<br />
"Life of the Daily Adequate"<br />
I had also had pretentions to take up dancing<br />
as a career. And there came a moment - that moment.</p>

<p>Arthur Meiselman<br />
"Life Upon the Wicked Stage"<br />
Want to act, must act, can't live without it? <br />
Get a license! Or... satisfy your masturbatory <br />
performing fantasy by joining a Reality <br />
television show.</p>

<p>Nathan Thomas<br />
"Playing with Plays"<br />
The purpose of a play is to be worked on by a group of folks. Each person engages the play from a distinct perspective.</p>

<p>Les Marcott<br />
"Unforgettable Lines from Unforgettable Songs"<br />
When an intellectual argument won't suffice<br />
and an emotional connection is needed<br />
song lyrics work quite nicely.</p>

<p>Claudine Jones<br />
"Sick of It"<br />
My sainted mother said 'don't take it so <br />
seriously' but every rehearsal was the same torture.<br />
Isn't torture supposed to be illegal?</p>

<p>Martin Challis<br />
"A Man of Style & Grace"<br />
There was never a hint of status-play or ego.<br />
I remember feeling included and inspired by him on very occasion we played.</p>

<p>~~~reView~~~<br />
FILM Reviews<br />
Old Myths, New Myths<br />
"Star Trek"<br />
and<br />
"The Brothers Bloom"<br />
Miles David Moore<br />
 <br />
DANCE <br />
Pina Bausch<br />
Andrea Kapsaski</p>

<p>OPERA<br />
Anna Netrebko<br />
"La Traviata "<br />
Renate Stendhal</p>

<p>ARTS OF THAILAND<br />
Lilit Pra Lor<br />
Janine Yasovant<br />
  <br />
~~~inSight~~~  <br />
WRITING<br />
The Steiny Road to Operadom<br />
"The Steiny Road to Fame"<br />
When Stein arrived in New York in 1934, she was <br />
bowled over by how many ordinary people (even <br />
the corner grocer) knew her by name.<br />
Karren Alenier<br />
 <br />
MEDIA<br />
La Femme, La Mujer, La Donna<br />
"And the Beat Goes On"<br />
A simpler time in my life and a way of thinking <br />
and feeling about things that was slower, kinder <br />
and more thoughtful.<br />
Lia Beachy<br />
 <br />
POETRY<br />
Life Among the Heffalumps<br />
Happy Anniversary, Nick and Nora: Your Wit and <br />
Martinis Will<br />
Never Grow Old<br />
Kathi Wolfe</p>

<p>COMICS<br />
Old Hippy<br />
Gilbert Rules!<br />
Elliot Feldman</p>

<p>FICTION<br />
"Where Cedar Creek Falls"<br />
The serialization of a new novel by<br />
Martin Challis<br />
In a small country town in outback Australia a <br />
young man is confronted with the fact that<br />
his father is missing presumed dead. <br />
Chapter Eight -Down<br />
How had it come to this he wondered? Landing a <br />
single engine plane on a disused airfield on a <br />
whim. What he was doing carried great risk. <br />
 <br />
NEW TECHNOLOGY<br />
Read our recent reviews.<br />
And, look for our coming review on printers and the resurgence of Black & White Photography</p>

<p>~~~inPrint~~~<br />
"Lady in Black"<br />
Lady in Black, is not a writer's fantasy, but a weaver's dream. All words woven into the tapestry of life with colors dark and throbbing. Farzana Moon weaves a story based on the myth that when a serpent gets to be one hundred year old, it can transform itself into human form. The protagonist is believed to be this serpent, though she is a living, breathing goddess of beauty and wisdom. Wedded three times and widowed as many times, she meets the god of her love in the fourth one. Immolating her life in the end, instead of becoming the cause of her husband's death. The lush green valley of Khanaspur is the breathtaking setting against the clouds of warfare, witnessing the pangs of birth to deliver India and Pakistan into the world of Independence. It is a beautiful and sometimes terrifying story.</p>

<p>~~~Scene4 Books~~~<br />
Books-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays ready for production in an easy, inexpensive ebook-PDF format. <br />
"See Our Latest Special Pre-Release Offer."</p>

<p>SCENE4 BLOGS<br />
The Readers Blog<br />
Qreviews<br />
Que Pasa</p>

<p>WRITERS BLOGS<br />
The Dressing/Karren Alenier<br />
Miles David Moore/MDM<br />
Life In Acting/Martin Challis<br />
Thai Nights/Arthur Meiselman<br />
Dr. Barnabas T. Bynum's New School Musical Revue<br />
and Travelling Minstrel Show/Les Marcott</p>

<p>~~~Special Issues~~~<br />
THE ONE<br />
January 2009<br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005 </p>

<p>All at  <a href="http://www.scene4.com">http://www.scene4.com</a></p>

<p>"Now in our 10th year of publication with<br />
comprehensive archives of over 5000 pages"</p>

<p><br />
Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media. Copyright © 2000-2009 AVIAR-DKA LTD - AVIAR MEDIA LLC. All rights reserved. </p>

<p><br />
Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664</p>

<p></p>

<p><br />
</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine - Arts and Media - July 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/07/scene4_magazine_july_2009.html#000737" />
   <id>tag:www.scene4.com,2009:/rss//11.737</id>
   
   <published>2009-07-02T07:04:33Z</published>
   <updated>2009-07-04T21:11:06Z</updated>
   
   <summary>IN THIS ISSUE inFocus--Opera, Catch as Catch Can &quot;a flotilla of festivals&quot; by Ned Bobkoff plus... A New Feature &quot;Talk To Us!&quot; Interactive messaging with Scene4 editors, writers and readers. ~~~inView~~~ Michael Bettencourt--&quot;The Midwife&apos;s Magical Towel&quot; How does the capitalist...</summary>
   <author>
      <name></name>
      
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      <![CDATA[<p><a href="http://www.scene4.com/html/thisissue.html">IN THIS ISSUE</a></p>

<p><a href="http://www.scene4.com/html/infocus.html">inFocus--Opera, Catch as Catch Can "a flotilla of festivals"<br />
by Ned Bobkoff</a></p>

<p>plus...</p>

<p>A New Feature<br />
<a href="http://www.scene4.com/html/talktous.php">"Talk To Us!"</a><br />
Interactive messaging with Scene4 editors, writers and readers.</p>

<p>~~~inView~~~<br />
 <br />
<a href="http://www.scene4.com/html/michaelbettencourt0709.html">Michael Bettencourt--"The Midwife's Magical Towel"</a><br />
How does the capitalist regime profit by maintaining the myth of irremediablecontrarities between men and women?</p>

<p><a href="http://www.scene4.com/html/arthurmeiselman0709.html">Arthur Meiselman--"In the Mind of the Beholder"</a><br />
In all the theatre I've seen since, I've yet to see anyone else do that again with such a daring, hypnotic effect.</p>

<p><a href="http:///www.scene4.com/html/nathanthomas0709.html">Nathan Thomas--"What's Up With That?"</a><br />
It is a mark of how the world has changed that the only genuine sweetness I've experienced in the movies recently was in the movie Up.</p>

<p><a href="http://www.scene4.com/html/lesmarcott0709.html">Les Marcott--""Animal Stars and Their Memoirs"</a><br />
Do you know how cold it gets in Montreal in the winter? I froze my crocodile balls off! And the insults I was subjected to...in French no less.</p>

<p><a href="http://www.scene4.com/html/claudinejones0709.html">Claudine Jones--""Life: To Be Determined""</a><br />
In 1995, on a bizarre impulse, I  auditioned for DEATHTRAP, a straight play As I recall, I didn't have a lot of competition.</p>

<p>~~~reView~~~</p>

<p>FILM Reviews<br />
<a href="http://www.scene4.com/html/milesmoore0709.html">Underwhelming<br />
Fit to Print--"State of Play" and "Nothing But the Truth"<br />
Miles David Moore</a><br />
 <br />
MUSIC<br />
<a href="http://www.scene4.com/html/renatestendhal0709.html">Think Big--Robert Cole's Final Season--Renate Stendhal</a></p>

<p>FESTIVALS<br />
<a href="http://www.scene4.com/html/catherinehonig0709.html">Catch as Catch Can--A Flotilla of Festivals--Ned Bobkoff</a></p>

<p>DANCE<br />
<a href="http://www.scene4.com/html/daystar0709.html">Red Sky--A First in Canada--Daystar/Rosalie Jones</a><br />
  <br />
~~~inSight~~~  </p>

<p>OPERA<br />
<a href="http://www.scene4.com/html/karrenalenier0709.html">The Steiny Road to Operadom<br />
"The Geographical History"<br />
According to the publicity for the show, this was to be "a communal experience for the Facebook age.".<br />
Karren Alenier</a><br />
 <br />
MEDIA<br />
<a href="http://www.scene4.com/html/liabeachy0709.html">La Femme, La Mujer, La Donna--Cougars and Foxes and Lovers... Oh My!<br />
It's is just one more label, one more category, one more way to objectify and diminish women.<br />
Lia Beachy</a><br />
 <br />
POETRY<br />
<a href="http://www.scene4.com/html/kathiwolfe0709.html">Life Among the Heffalumps<br />
Quiet As A Mouse? Not So Much<br />
Soon the mice will be talking and heaven help us-having feelings<br />
Kathi Wolfe</a></p>

<p>PERCEPTIONS <br />
<a href="http://www.scene4.com/html/andreakapsaski0709.html">Forever Young<br />
Andrea Kapsaski</a><br />
 <br />
FICTION<br />
<a href="http://www.scene4.com/html/martinchallis-w0709.html">"Where Cedar Creek Falls"</a><br />
The serialization of a new novel by<br />
Martin Challis<br />
In a small country town in outback Australia <br />
a young man is confronted with the fact that<br />
his father is missing presumed dead. <br />
Chapter Seven -Decision<br />
Every day since her husband's disappearance had been unbearable. She couldn't decide which was worse: losing her husband or not knowing why. <br />
 <br />
ARTS OF THAILAND<br />
<a href="http://www.scene4.com/html/janineyasovant0709.html">Return to Me<br />
M.R. Thanadsri Svativas<br />
Janine Yasovant</p>

<p><a href="http://www.scene4.com/html/janineyasovantthai0709.html">[Also in Thai]</a></p>

<p>COMICS<br />
Old Hippy<br />
<a href="http://www.scene4.com/html/elliotfeldman0709.html">"Love&Tamales"</a><br />
Elliot Feldman<br />
 <br />
NEW TECHNOLOGY<br />
Read our recent reviews.<br />
And, look for our coming review on printers and the resurgence of Black & White Photography</p>

<p>~~~Blogs~~~</p>

<p>SCENE4 BLOGS<br />
<a href="http://www.scene4.com/readersblog">The Readers Blog</a><br />
<a href="http://www.scene4.com/qreviews">Qreviews</a><br />
<a href="http://www.scene4.com/html/quepasa">Que Pasa</a></p>

<p>WRITERS BLOGS<br />
<a href="http://www.scene4.com/karrenlalondealenier/">The Dressing/Karren Alenier</a><br />
<a href="http://www.scene4.com/milesdavidmoore/">Miles David Moore/MDM</a><br />
<a href="http://www.scene4.com/martinchallis/">Life In Acting/Martin Challis</a><br />
<a href="http://www.scene4.com/arthurmeiselman/">Thai Nights/Arthur Meiselman</a><br />
<a href="http://www.scene4.com/lesmarcott/">Dr. Barnabas T. Bynum's New School Musical Revue<br />
and Travelling Minstrel Show/Les Marcott</a></p>

<p>~~~inPrint~~~</p>

<p><a href="http://www.scene4.com/html/inprint.html">"Character Flaws"</a><br />
An imaginative and very cool collection of monologues, short plays, and short stories. There are 25 Monolgues with such tantalizing titles as "I Shot the Weatherman", "Kiss and Tell", "One Weekend in Reno", "Strip Club Cuisine" and "Straight Out of Sartre", among others. Each is a complete story in itself with rich characterization, perfect for auditions, studio work, and even debates and speechmaking, and... it's a delightful reading experience. Character Flaws is laced with the unique flavor and point of view of writer, actor, composer and musician, Les <br />
Marcott.<br />
---------------------<br />
<a href="http://www.scene4.com/html/inprint.html">"Ceilings - Cielorrasos"</a><br />
An intense, often disturbing work, Ceilings describes the captivity of one man inside his own skin. Gito Minore portrays the hunger, the pain, the loneliness and the desperation that drive his deepest feelings. Presented as a bilingual edition in English and Spanish. </p>

<p>Un intenso y perturbador trabajo, Cielorrasos <br />
describe el cautiverio de un hombre dentro de su <br />
propia piel. Gito Minore retrata el hambre, el <br />
dolor, la soledad y la desesperación a la que <br />
conducen sus sentimientos más profundos. <br />
Presentado como edición bilingue, en inglés y <br />
español.</p>

<p>~~~Scene4 Books~~~<br />
Books-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays ready for production in an easy, inexpensive ebook-PDF format. <br />
<a href="http://www.aviarpress.com">"See Our Latest Special Pre-Release Offer"</a></p>

<p>~~~Special Issues~~~</p>

<p><a href="http:www.scene4.com/html/specialissues.html"><br />
January 2009<br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005</a></p>

<p>All at  <a href="http://www.scene4.com">www.scene4.com</a></p>

<p>"Now in our 10th year of publication with<br />
comprehensive archives of over 5000 pages"</p>

<p><br />
Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International <br />
Magazine of Arts and Media. Copyright ɠ2000-2009 AVIAR-DKA LTD - AVIAR MEDIA <br />
LLC. All rights reserved. </p>

<p><br />
Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664</p>

<p></p>

<p><br />
</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine · Arts and Media · June 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/06/scene4_magazine_june_2009.html#000731" />
   <id>tag:www.scene4.com,2009:/rss//11.731</id>
   
   <published>2009-06-15T05:43:47Z</published>
   <updated>2009-06-21T06:30:45Z</updated>
   
   <summary>inFocus--Opera, Dance, Film, Theatre,Commentary,The Arts of Thailand,Books and... Manfredo Fest!</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><a href="http://www.scene4.com/html/thisissue.html">IN THIS ISSUE</a></p>

<p><a href="http://www.scene4.com/html/infocus.html">inFocus--Opera, Dance, Film, Theatre,Commentary,The Arts of Thailand,Books and... Manfredo Fest!</a></p>

<p>~~~inView~~~<br />
 <br />
<a href="http://www.scene4.com/html/michaelbettencourt0609.html">Michael Bettencourt--"Doing The Dramaturg"</a><br />
This is where I would say that the playwright has to learn how to accommodate the alchemy that is going on around him.  The fruit ripening in front of him is, and is not, his play.</p>

<p><a href="http://www.scene4.com/html/arthurmeiselman0609.html">Arthur Meiselman--"Around Midnight with Manfredo Fest"</a><br />
Midnight was the time when I slid into a deliciously dark, smokey jazz club in Chicago and was bewitched by a blend of music I hadn't heard before.</p>

<p><a href="http:///www.scene4.com/html/nathanthomas0609.html">Nathan Thomas--"What I'm Going To Do This Summer"</a><br />
In a nation in which there are claims of Judeo-Christian influence, one fails to see an application of Christian belief in the justice system.</p>

<p><a href="http://www.scene4.com/html/lesmarcott0609.html">Les Marcott--"A List Of My Demands"</a><br />
British diva and frequent rehab resident Amy Winehouse demands a lot of alcohol backstage (surprise, surprise). Styrofoam is not allowed.</p>

<p><a href="http://www.scene4.com/html/claudinejones0609.html">Claudine Jones--"Transit"</a><br />
How many times has an audition taken an unforeseen turn because of sheet music you failed to bring, or a last minute decision on appropriate clothing or somebody you see across the room.</p>

<p>~~~reView~~~</p>

<p>FILM Reviews<br />
<a href="http://www.scene4.com/html/milesmoore0609.html">Underwhelming--"Duplicity" and "Sunshine Cleaning"--Miles David Moore</a><br />
 <br />
OPERA<br />
<a href="http://www.scene4.com/html/renatestendhal0609.html">Brilliance and Kitsch--Brave New Met--Renate Stendhal</a></p>

<p>DANCE<br />
<a href="http://www.scene4.com/html/catherinehonig0609.html">San Francisco Ballet--2009 Season--It's the Dancers!--Catherine Conway Honig</a></p>

<p>OPERA<br />
<a href="http://www.scene4.com/html/karrenalenier-r0609.html">"Siegfried" vs VOX--Karren Alenier</a><br />
  <br />
~~~inSight~~~  </p>

<p>OPERA<br />
<a href="http://www.scene4.com/html/karrenalenier0609.html">The Steiny Road to Operadom--"Oh Virgil"--Among the guiding lights the Steiny Road Poet walks around with are not only Gertrude Stein, but also Virgil Thomson--Karren Alenier</a><br />
 <br />
MEDIA<br />
<a href="http://www.scene4.com/html/liabeachy0609.html">La Femme, La Mujer, La Donna--Lovin' LA and the USA--Lia Beachy</a><br />
 <br />
POETRY<br />
<a href="http://www.scene4.com/html/kathiwolfe0609.html">Life Among the Heffalumps--Big Love for the 'Little Book'--Kathi Wolfe</a></p>

<p>FESTIVAL <br />
<a href="http://www.scene4.com/html/andreakapsaski0609.html">Athens belongs to us!--Athens Fringe Festival 2009--Andrea Kapsaski</a><br />
 <br />
FICTION<br />
"Where Cedar Creek Falls"<br />
The serialization of a new novel by<br />
Martin Challis<br />
In a small country town in outback Australia <br />
a young man is confronted with the fact that<br />
his father is missing presumed dead. <br />
Chapter Seven -Decision<br />
Every day since her husband's disappearance had been unbearable. She couldn't decide which was worse: losing her husband or not knowing why. <br />
 <br />
ARTS OF THAILAND<br />
"Mae Nak Pra Kanong"<br />
the musical<br />
[Also in Thai]</p>

<p>COMICS<br />
Old Hippy<br />
"Love&Tamales"<br />
Elliot Feldman<br />
 <br />
NEW TECHNOLOGY<br />
Read our recent reviews.<br />
And, look for our coming review on printers and the resurgence of Black & White Photography</p>

<p>~~~Blogs~~~</p>

<p>SCENE4 BLOGS<br />
<a href="http://www.scene4.com/readersblog">The Readers Blog</a><br />
<a href="http://www.scene4.com/qreviews">Qreviews</a><br />
<a href="http://www.scene4.com/html/quepasa">Que Pasa</a></p>

<p>WRITERS BLOGS<br />
The Dressing/Karren Alenier<br />
Miles David Moore/MDM<br />
Life In Acting/Martin Challis<br />
Thai Nights/Arthur Meiselman<br />
Dr. Barnabas T. Bynum's New School Musical Revue<br />
and Travelling Minstrel Show/Les Marcott</p>

<p>~~~inPrint~~~</p>

<p>"Come In, Stranger, Out Of The Fog"<br />
During the December 1962 "killer fog" that blanketed London for 5 days, a man, having lost his way, knocks on a door to seek assistance. He is admitted into the home of a widow whom he takes to be alone. His error! A sinister mystery builds around their mutually inappropriate, inexplicable and threatening behavior. And then... a man appears! <br />
A one-act play by<br />
Rich Yurman<br />
---------------------<br />
Days and Nights</p>

<p>Aladdin's Electric Lamp <br />
An apparently light, comic fantasy with a strange, sinister undertone that uses a continuous flow of lyric dialogue, time-shifts, backflashes, comedic bits, music and dance.. It is the fable of what makes ROBERT run, what makes MADELINE rebound, and what makes SHE... she!</p>

<p>Madelin de Rumba<br />
A rap-chatter ballad about a woman and her dummy<br />
Two plays by <br />
Arthur Meiselman</p>

<p>~~~Scene4 Books~~~<br />
B<br />
ooks-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays ready for production in an easy, inexpensive ebook-PDF format. <br />
"See Our Latest Special Pre-Release Offer."</p>

<p>~~~Special Issues~~~</p>

<p>THE ONE<br />
January 2009<br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005 </p>

<p>All at  <a href="http://www.scene4.com">www.scene4.com</a></p>

<p>"Now in our 10th year of publication with<br />
comprehensive archives of over 5000 pages"</p>

<p><br />
Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International <br />
Magazine of Arts and Media. Copyright © 2000-2009 AVIAR-DKA LTD - AVIAR MEDIA <br />
LLC. All rights reserved. </p>

<p><br />
Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664</p>

<p></p>

<p><br />
</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine - May 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/05/scene4_magazine_may_2009.html#000708" />
   <id>tag:www.scene4.com,2009:/rss//11.708</id>
   
   <published>2009-05-01T21:28:45Z</published>
   <updated>2009-05-01T21:31:18Z</updated>
   
   <summary>www.scene4.com IN THIS ISSUE ~~~inFocus~~~ &quot;Worthy Adversaries&quot; Miles David Moore reviews &apos;Revolutionary Road&apos; &apos;Frost/Nixon&apos; &apos;Doubts&apos; and Arthur Meiselman revisits Andrea Dworkin&apos;s &quot;First Love&quot; ~~~inView~~~ Michael Bettencourt &quot;Old Lady On The Ten-Speed&quot; A cane, aluminum, tipped by grey rubber, dangled off...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><a href="http://www.scene4.com">www.scene4.com</a></p>

<p>IN THIS ISSUE</p>

<p>~~~inFocus~~~<br />
"Worthy Adversaries"<br />
Miles David Moore reviews<br />
'Revolutionary Road'<br />
'Frost/Nixon'<br />
'Doubts'<br />
       and<br />
Arthur Meiselman revisits<br />
Andrea Dworkin's<br />
"First Love"</p>

<p>~~~inView~~~ <br />
Michael Bettencourt<br />
"Old Lady On The Ten-Speed"<br />
A cane, aluminum, tipped by grey rubber, dangled off the left handlebar.  Her back was S'd by scoliosis and pitched forward by osteoporosis, and a thatch of white hair riffled like a reed tuft in a breeze.</p>

<p>Arthur Meiselman<br />
"Andrea Dworkin"<br />
They rarely make self-invented, self-defined provocateurs as disturbing and inspiring and life-changing as Andrea Dworkin. She was and remains one of the most important women, one of the most important voices in the twentieth century.</p>

<p>Nathan Thomas<br />
"Teacher, Teacher"<br />
A century ago Stanislavsky did the unthinkable He started to look at what he did and what great actors did, and he began to distill a practical working theory of what actors actually do.</p>

<p>Les Marcott<br />
"The Importance of Being Mickey"<br />
An Open Letter to Mickey Rourke<br />
I'm feeling a bit of a let down<br />
And this is coming from someone who didn't <br />
just jump on the Mickey Rourke bandwagon.</p>

<p>~~~reView~~~<br />
FILM Reviews<br />
Worthy Adversaries<br />
"Revolutionary Road"<br />
"Frost/Nixon"<br />
"Doubt"<br />
Miles David Moore<br />
 <br />
THEATRE<br />
Turning Political Talk<br />
Into Stage Action<br />
"Saint Joan"<br />
Rich Yurman</p>

<p>THEATRE<br />
Talk to the Dead<br />
EDGE and Sylvia Plath<br />
Ned Bobkoff<br />
  <br />
~~~inSight~~~  <br />
OPERA<br />
The Steiny Road to Operadom<br />
"Peter Grimes" at the WNO<br />
Has the Steiny Road Poet fallen<br />
in love with another<br />
twentieth century opera?<br />
Karren Alenier<br />
 <br />
MEDIA<br />
La Femme, La Mujer, La Donna<br />
Warning!<br />
This Article May Contain Spoilers<br />
Lia Beachy<br />
 <br />
POETRY<br />
Life Among the Heffalumps<br />
Happy Birthday, Yogi!<br />
Kathi Wolfe<br />
 <br />
FICTION<br />
"Where Cedar Creek Falls"<br />
The serialization of a new novel by<br />
Martin Challis<br />
In a small country town in outback Australia <br />
a young man is confronted with the fact that<br />
his father is missing presumed dead. <br />
 Chapter Six -Dilemma<br />
Torture exists in many forms. Common to all is<br />
the perpetrator's intention and the victim's<br />
response, which includes pain, fear and suffering.<br />
 <br />
ANCIENT ARTS OF THAILAND<br />
The Secrets of Wat U Mong<br />
Janine Yasovant<br />
[Also in Thai]</p>

<p>COMICS<br />
Old Hippy<br />
"Managing Anger and... Other Things"<br />
Elliot Feldman<br />
 <br />
NEW TECHNOLOGY<br />
Flash It! and<br />
Back It Up!</p>

<p>~~~Blogs~~~<br />
SCENE4 BLOGS<br />
The Readers Blog<br />
Qreviews<br />
Que Pasa</p>

<p>WRITERS BLOGS<br />
The Dressing/Karren Alenier<br />
Miles David Moore/MDM<br />
Life In Acting/Martin Challis<br />
Thai Nights/Arthur Meiselman<br />
Dr. Barnabas T. Bynum's New School Musical Revue and Travelling Minstrel <br />
Show/Les Marcott</p>

<p>~~~Special Issues~~~<br />
THE ONE<br />
January 2009<br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005 </p>

<p>~~~Scene4 Books~~~<br />
Books-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays ready for production.</p>

<p>All at  <a href="http://www.scene4.com">http://www.scene4.com</a></p>

<p>"Now in our 10th year of publication with<br />
comprehensive archives of over 3000 pages"</p>

<p><br />
Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International <br />
Magazine of Arts and Media. Copyright © 2000-2009 AVIAR-DKA LTD - AVIAR MEDIA <br />
LLC. All rights reserved. </p>

<p><br />
Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664</p>

<p></p>

<p><br />
</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine - April 2009 </title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/04/scene4_magazine_april_2009.html#000678" />
   <id>tag:www.scene4.com,2009:/rss//11.678</id>
   
   <published>2009-04-01T08:18:10Z</published>
   <updated>2009-04-20T03:02:26Z</updated>
   
   <summary>www.scene4.com IN THIS ISSUE ~~~inFocus~~~ &quot;Theatre Images&quot; Kfir Bolotin ~~~inView~~~ Michael Bettencourt &quot;Rage, Rage....&quot; Useful, purgative, truthful healing â€&quot; will only come from rage, honest moral rage at the stupidities, lies, and fuckings-over of the princes in power. Arthur Meiselman...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><strong><a href="http://www.scene4.com">www.scene4.com</a></strong></p>

<p><br />
IN THIS ISSUE</p>

<p>~~~inFocus~~~<br />
"Theatre Images"<br />
Kfir Bolotin</p>

<p>~~~inView~~~ <br />
Michael Bettencourt<br />
"Rage, Rage...."<br />
Useful, purgative, truthful healing â€" will only <br />
come from rage, honest moral rage at the <br />
stupidities, lies, and fuckings-over <br />
of the princes in power.</p>

<p>Arthur Meiselman<br />
"Cabbages and Kings"<br />
They babble. Incessantly. Text messages and <br />
emails and voices into little mobiles stuck in <br />
their ears and blogs and twitters and facebooks <br />
and youtubes and newscasts and talk shows.</p>

<p>Nathan Thomas<br />
"What Makes A Good Play or A Play Good?"<br />
The question of what makes for a good play has <br />
been much on my mind this winter and spring. <br />
With my company of novice actors,<br />
the question of material is ever-present.</p>

<p>Les Marcott<br />
"Astral Weeks Revisited"<br />
Van Morrison -  Astral Weeks Live at the <br />
Hollywood Bowl - his latest effort revisits one <br />
of the most revered recordings<br />
in the history of rock/pop.</p>

<p>Claudine Jones<br />
"Money, Power and Sex"<br />
I see a cloud of thick blonde hair, a bright <br />
pink, peek-a-boo blouse showing lots of arm. A <br />
call-girl? Yikes.  Then we hear the guy. They're <br />
on a first date; met online. He's cooing, he's <br />
booming, he knows everything and he's going to <br />
tell her all of it.</p>

<p>~~~reView~~~<br />
FILM Reviews<br />
Hitting Close to Home<br />
"MILK"<br />
Miles David Moore<br />
 <br />
DANCE<br />
San Francisco Ballet's New Season<br />
Much Ado about Diva Scale<br />
"Swan Rock" <br />
Renate Stendhal</p>

<p>MUSIC<br />
Two for the Seesaw<br />
Maria Schneider/Andrea Menard<br />
Ned Bobkoff<br />
  <br />
THEATRE - OPERA Reviews<br />
Mary Zimmerman at Play<br />
"Arabian Nights" and<br />
"Lucia di Lammermoor"<br />
Catherine Conway Honig</p>

<p>~~~inSight~~~  <br />
OPERA<br />
The Steiny Road to Operadom<br />
"Enjoying Perfect Harmony"<br />
Encompass and the<br />
follow-on of Four Saints<br />
Karren Alenier<br />
 <br />
FILM<br />
La Femme La Mujer La Donna<br />
"Woe be the Western Woman"<br />
Lia Beachy<br />
 <br />
POETRY<br />
Life Among the Heffalumps<br />
Come Out, Come Out Wherever You Are To That <br />
"Glorious Bountiful Nightmare": musings on <br />
Christopher Nolan and "Milk"<br />
Kathi Wolfe<br />
 <br />
PHOTOGRAPHY<br />
Theatre Images<br />
Kfir Bolotin</p>

<p>FICTION<br />
"Where Cedar Creek Falls"<br />
In a small country town in outback Australia a young man is confronted with the fact that his father is missing presumed dead. In the face of all the evidence to the contrary he is convinced this is not the case and sets out to discover the truth for himself.<br />
The serialization of a new novel by Martin Challis<br />
Chapter Five -"Distress"<br />
 <br />
ANCIENT ART<br />
Surya Deva<br />
A 2000-year old national treasure<br />
Janine Yasovant<br />
[Also in Thai]</p>

<p>COMICS<br />
Old Hippy<br />
"Fluffy Farts"<br />
Elliot Feldman<br />
 <br />
FILM<br />
"Z" Revisited<br />
The academy-award winning classic by <br />
Costa-Gavras <br />
Griselda Steiner</p>

<p>~~~Blogs~~~<br />
SCENE4 BLOGS<br />
The Readers Blog<br />
Qreviews<br />
Que Pasa</p>

<p>WRITERS BLOGS<br />
The Dressing/Karren Alenier<br />
Miles David Moore/MDM<br />
Life In Acting/Martin Challis<br />
Thai Nights/Arthur Meiselman<br />
Dr. Barnabas T. Bynum's New School Musical Revue and Travelling Minstrel Show/Les Marcott</p>

<p>~~~Special Issues~~~<br />
THE ONE<br />
January 2009<br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005 </p>

<p>~~~Scene4 Books~~~<br />
Books-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays ready for production.</p>

<p>All at  <strong><a href="http://www.scene4.com">www.scene4.com</a></strong></p>

<p>"Now in our 9th year of publication with<br />
comprehensive archives of over 3000 pages"</p>

<p><br />
Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media. Copyright © 2000-2009 AVIAR-DKA LTD - AVIAR MEDIA LLC. All rights reserved. </p>

<p><br />
Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine - February/March 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/01/scene4_magazine_februarymarch.html#000653" />
   <id>tag:www.scene4.com,2009:/rss//11.653</id>
   
   <published>2009-01-25T06:27:21Z</published>
   <updated>2009-01-31T02:59:14Z</updated>
   
   <summary>www.scene4.com This is a combined February/March Issue IN THIS ISSUE ~~~inFocus~~~ &quot;The Making of Americans&quot; &quot;Images of Dance&quot; ~~~inView~~~ Michael Bettencourt &quot;The Curse of the Stage Manager&quot; I am now at a point in my life when I no longer...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><strong><em><a href="http://www.scene4.com">www.scene4.com</em></a></strong></p>

<p>This is a combined February/March Issue</p>

<p><br />
IN THIS ISSUE</p>

<p>~~~inFocus~~~<br />
"The Making of Americans"<br />
"Images of Dance"</p>

<p>~~~inView~~~ <br />
Michael Bettencourt<br />
"The Curse of the Stage Manager"<br />
I am now at a point in my life when I no longer want to stage manage -- that is, I no longer trust the order that the stage manager brings into being.</p>

<p>Arthur Meiselman<br />
"Going to the Movies... redux"<br />
With all of the laughter, cheers, boos, singing, and, yes, chit-chat, rather than a disturbing distraction, it all became one engaging, live experience. </p>

<p>Nathan Thomas<br />
"What's New?!"<br />
On reading about the 50th Anniversary production of 'The Connection' in the New York Times.</p>

<p>Les Marcott<br />
"What Is This World Coming To?"<br />
It's a question that one asks as they ripen to middle age after they've acquired decades of preconceived notions about what should and what shouldn't be. </p>

<p>Claudine Jones<br />
"Kaffeeklatsch and a Dry Handshake"<br />
We just saw Revolutionary Road and I'm buzzing inside with the personal connections it seems to have conjured.</p>

<p>~~~reView~~~<br />
FILM Reviews<br />
Forrest Gump Redux<br />
"Slumdog Millionaire" and<br />
"The Curious Case of <br />
Benjamin Button"<br />
Miles David Moore<br />
 <br />
OPERA Review<br />
"The Making of Americans"<br />
Karren Alenier<br />
  <br />
PHOTOGRAPHY<br />
Kfir Bolotin<br />
"Images of Dance"<br />
 <br />
ART TREASURES <br />
"Medea's Jewelry"<br />
Andrea Kapsaski</p>

<p>~~~inSight~~~  <br />
OPERA<br />
The Steiny Road to Operadom<br />
"Jay Scheib - Conversation with a Genius"<br />
Karren Alenier<br />
 <br />
ARTISTRY<br />
La Femme La Mujer La Donna<br />
"And the winner is..."<br />
Lia Beachy<br />
 <br />
POETRY<br />
Life Among the Heffalumps<br />
"Happy Birthday, J.D. Salinger!"<br />
Kathi Wolfe<br />
 <br />
OPERA<br />
"Nancy Rhodes and opera in the 21st century"<br />
Karren Alenier</p>

<p>FICTION<br />
"Where Cedar Creek Falls"<br />
In a small country town in outback Australia a young man is confronted with the fact that his father is missing presumed dead. <br />
In the face of all the evidence to the contrary he is convinced this is not the case and sets out to discover the truth for himself.<br />
The serialization of a new novel by Martin Challis<br />
Chapter Four (Part I) - "Consequence"<br />
 <br />
BOOKS<br />
"Michael Wright and His Beloved Country"<br />
Janine Yasovant<br />
[Also in Thai]</p>

<p>COMICS<br />
Old Hippy<br />
"Happy Valentine's Day!"<br />
Elliot Feldman<br />
 <br />
COMICS<br />
Old Hippy<br />
"Boobyhatch"<br />
Elliot Feldman</p>

<p>BOOKS<br />
"The Spiritual Journey of Alejando Jodorowsky"<br />
Reviewed by<br />
Griselda Steiner</p>

<p><br />
~~~inPRINT~~~<br />
"Echo Homo Prometeus"<br />
Think of the dark. Think of the deep. Select the worst experience from that then multiply it by the imagination. Then multiply it again and add a defining zero. Now you begin to approach his desolation.<br />
A poetic monologue/play by Martin Burke</p>

<p>~~~Blogs~~~<br />
SCENE4 BLOGS<br />
The Readers Blog<br />
Qreviews<br />
Que Pasa</p>

<p>WRITERS BLOGS<br />
The Dressing/Karren Alenier<br />
Miles David Moore/MDM<br />
Life In Acting/Martin Challis<br />
Thai Nights/Arthur Meiselman<br />
Dr. Barnabas T. Bynum's New School Musical Revue and Travelling Minstrel Show/Les Marcott</p>

<p>~~~Special Issues~~~<br />
THE ONE<br />
January 2009<br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005 </p>

<p>~~~Scene4 Books~~~<br />
Books-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays ready for production.</p>

<p><strong><em><a href="http://www.scene4.com">All at www.scene4.com</em></a></strong></p>

<p>"Now in our 9th year of publication with<br />
comprehensive archives of over 3000 pages"</p>

<p><br />
Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media. Copyright © 2000-2009 AVIAR-DKA LTD - AVIAR MEDIA LLC. All rights reserved. </p>

<p><br />
Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664<br />
</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Special Issue &quot;The One&quot; - January 2009</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2009/01/scene4_special_issue_the_one_j.html#000648" />
   <id>tag:www.scene4.com,2009:/rss//11.648</id>
   
   <published>2009-01-01T23:41:49Z</published>
   <updated>2009-01-01T23:46:03Z</updated>
   
   <summary>www.scene4.com A Special Issue ~~~THE ONE~~~ The one most influential work/artist in the past 100 years. IN THIS SPECIAL ISSUE ARS and MUSIC ars - exitus acta probat The end justifies the means and the music of of Kurt Weill...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><strong><em><a href="http://www.scene4.com">www.scene4.com</em></a></strong></p>

<p><br />
A Special Issue<br />
~~~THE ONE~~~<br />
The one most influential work/artist<br />
in the past 100 years.</p>

<p>IN THIS SPECIAL ISSUE<br />
 <br />
ARS and MUSIC<br />
ars - exitus acta probat<br />
The end justifies the means<br />
and the music of<br />
of Kurt Weill<br />
--Arthur Meiselman  <br />
 <br />
FILM<br />
The Birth of A Nation<br />
American cinema's<br />
original sin<br />
--Miles David Moore<br />
 <br />
THEATRE<br />
Bertolt Brecht<br />
Singing about<br />
the dark times<br />
--Andrea Kapsaski<br />
  <br />
OPERA<br />
Virgil Thomson<br />
Four Saints<br />
in Three Acts<br />
--Karren Alenier</p>

<p>MUSIC<br />
Cole Porter<br />
The One who writes<br />
music and lyrics<br />
--Lia Beachy<br />
 <br />
THEATRE<br />
Luigi Pirandello <br />
Six Characters<br />
In Search of An Author<br />
--Claudine Jones<br />
 <br />
COMICS<br />
Walt Kelly<br />
I Go Pogo<br />
--Elliot Feldman<br />
 <br />
THEATRENikolai Okhlopkov's<br />
The Iron Flood<br />
--Nathan Thomas<br />
 <br />
CULTURE<br />
Mass Marketing<br />
The theatre of Edward L. Bernays<br />
--Michael Bettencourt <br />
 <br />
MUSIC<br />
Bob Dylan<br />
Bringing It All<br />
Back Home<br />
--Les Marcott<br />
 <br />
POETRY<br />
Joyce Kilmer<br />
A poem as lovely<br />
as a tree<br />
--Kathi Wolfe <br />
 <br />
WRITING<br />
King Chulalongkorn<br />
Klai Baan<br />
Away from Home<br />
--Janine Yasovant</p>

<p>POETRY<br />
Raymond Carver<br />
The word refined.<br />
The word made precise.<br />
--Martin Challis<br />
 <br />
~~~Blogs~~~<br />
SCENE4 BLOGS<br />
The Readers Blog<br />
Qreviews<br />
Que Pasa</p>

<p>WRITERS BLOGS<br />
The Dressing/Karren Alenier<br />
Miles David Moore/MDM<br />
Life In Acting/Martin Challis<br />
Thai Nights/Arthur Meiselman<br />
Dr. Barnabas T. Bynum's New School Musical Revue and Travelling Minstrel <br />
Show/Les Marcott</p>

<p>~~~Other Special Issues~~~<br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005 </p>

<p>~~~Scene4 Books~~~<br />
Books-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays <br />
ready for production.</p>

<p>All at  <strong><em><a href="http://www.scene4.com">www.scene4.com</em></a></strong></p>

<p><strong>Now in our 9th year of publication with<br />
comprehensive archives of over 3000 pages</strong></p>

<p><br />
Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media. Copyright © 2000-2009 AVIAR-DKA LTD - AVIAR MEDIA LLC. All rights reserved. </p>

<p><br />
Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664</p>

<p><br />
</p>]]>
      
   </content>
</entry>

<entry>
   <title>Scene4 Magazine - December 2008</title>
   <link rel="alternate" type="text/html" href="http://www.scene4.com/rss/2008/12/scene4_magazine_december_2008.html#000640" />
   <id>tag:www.scene4.com,2008:/rss//11.640</id>
   
   <published>2008-12-04T07:05:58Z</published>
   <updated>2008-12-04T07:19:54Z</updated>
   
   <summary>www.scene4.com COMING IN JANUARY A Special Issue ~~~THE ONE~~~The one most influential work/artist in the past 100 years. Online next month to celebrate the New Year of Change.~~ IN THIS ISSUE ~~~inFocus~~~ &quot;Dr Atomic at the Met&quot; by Karren Alenier...</summary>
   <author>
      <name></name>
      
   </author>
   
   
   <content type="html" xml:lang="en" xml:base="http://www.scene4.com/rss/">
      <![CDATA[<p><strong><em><a href="http://www.scene4.com">www.scene4.com</em></a></strong></p>

<p><strong>COMING IN JANUARY</strong><br />
A Special Issue<br />
<strong>~~~THE ONE~~~</strong>The one most influential work/artist in the past 100 years.<br />
Online next month to celebrate the New Year of Change.~~</p>

<p><strong><big>IN THIS ISSUE</big></strong></p>

<p><strong>~~~inFocus~~~</strong><br />
"Dr Atomic at the Met"<br />
by Karren Alenier<br />
"Josef Koudelka - Retrospective of a Contemporary Master"<br />
by Andrea Kapsaski</p>

<p><strong>~~~inView~~~</strong> <br />
Michael Bettencourt<br />
"Seasonal Thoughts"<br />
When Shakespeare began "Richard III" with "Now is the winter of our discontent," he began with the wrong season.  Summer is the real season of discontent.</p>

<p>Arthur Meiselman<br />
"Owning Picasso"<br />
I have a friend who owns a Picasso... and not much else. Which one? Don't ask, don't tell. He acquired this painting via less than legal and righteous means. </p>

<p>Nathan Thomas<br />
"An Idea"<br />
I helped found a theatre in the world of academia in 2003.  I had no real concept of who would show up or what we would do if people showed up. I did have an idea, though.</p>

<p>Les Marcott<br />
"Men In Suits"<br />
Men in suits populate talk radio with arrogant, pompous, cigar chomping, self-righteous bastards who hate diversity of opinion.  They only care about their own pocketbook. </p>

<p>Claudine Jones<br />
"Miss You"<br />
Dimly lit living room in a good size urban apartment.  Election returns are coming in on TV.  Kitchen lit from UR.  Kenny, 40ish man, enters from kitchen</p>

<p><strong>~~~reView~~~</strong><br />
FILM Reviews<br />
Gunslingers<br />
"Appaloosa"<br />
"W."<br />
Miles David Moore<br />
 <br />
OPERA<br />
"Dr. Atomic at the Met"<br />
Karren Alenier<br />
  <br />
PHOTOGRAPHY<br />
"Josef Koudelka:<br />
Retrospective of A<br />
Contemporary Master"<br />
Andrea Kapsaski<br />
 <br />
FABLE <br />
"Oz in America"<br />
Ned Bobkoff</p>

<p><strong>~~~inSight~~~  </strong><br />
OPERA<br />
The Steiny Road to Operadom<br />
"The Ever Best of Virgil Thomson"<br />
Karren Alenier<br />
 <br />
ARTISTRY<br />
La Femme La Mujer La Donna<br />
"The Dance of the Dilettante"<br />
Lia Beachy<br />
 <br />
POETRY<br />
Life Among the Heffalumps<br />
"Capracorn Trumps Cassandra"<br />
Kathi Wolfe<br />
 <br />
FILM<br />
Tonto and Johnny<br />
Fistfight in Hollywood<br />
Carole Quattro Levine</p>

<p>FICTION<br />
"Where Cedar Creek Falls"<br />
In a small country town in outback Australia a young man is confronted with the fact that his father is missing presumed dead. <br />
In the face of all the evidence to the contrary he is convinced this is not the case and sets out to discover the truth for himself.<br />
The serialization of a new novel by<br />
Martin Challis<br />
Chapter Four (Part I) - "Consequence"<br />
 <br />
COMICS<br />
Old Hippy - Fun In The Boiler Room<br />
"Short Nuts"<br />
Elliot Feldman<br />
 <br />
PHOTOGRAPHY<br />
Ted Orland<br />
"Scenes of Wonder & Curiosity"</p>

<p><br />
<strong>~~~inPRINT~~~</strong><br />
"Echo Homo Prometeus"<br />
Think of the dark. Think of the deep. Select the worst experience from that then multiply it by the imagination. Then multiply it again and add a defining zero. Now you begin to approach his desolation.</p>

<p>A poetic monologue/play by<br />
Martin Burke</p>

<p><strong>~~~Blogs~~~</strong><br />
SCENE4 BLOGS<br />
The Readers Blog<br />
Qreviews<br />
Que Pasa</p>

<p>WRITERS BLOGS<br />
The Dressing/Karren Alenier<br />
Miles David Moore/MDM<br />
Life In Acting/Martin Challis<br />
Thai Nights/Arthur Meiselman<br />
Dr. Barnabas T. Bynum's New School Musical Revue and Travelling Minstrel <br />
Show/Les Marcott</p>

<p><strong>~~~Special Issues~~~</strong><br />
WHAT IS ART? <br />
January 2008 <br />
VIEW OF THE ARTS/2007<br />
January 2007 <br />
THE ART OF SEX IN THE ARTS<br />
February 2006 <br />
STATE OF THE ART OF THE ARTS<br />
October 2005 </p>

<p><strong>~~~Scene4 Books~~~</strong><br />
Books-Plays-Poetry-Media<br />
An exciting catalog of fiction, poetry and plays <br />
ready for production.</p>

<p><strong><em><a href="http://www.scene4.com">All at www.scene4.com</em></a></strong></p>

<p><strong>Now in our 9th year of publication with<br />
comprehensive archives of over 3000 pages</strong></p>

<p><em>Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine - International Magazine of Arts and Media. Copyright © 2000-2008 AVIAR-DKA LTD - AVIAR MEDIA LLC. All rights reserved. </em></p>

<p>Scene4 Magazine - Arts and Media <br />
6920 Roosevelt Way NE <br />
Seattle, WA 98115 USA <br />
+1.206.214.7664<br />
</p>]]>
      
   </content>
</entry>

</feed>
