The New Yorker Turned 100 (Part 1)

Altenir Silva

A fic-review of the magazine’s centennial celebration

Jean Claude Parnan, 32, arrived at JFK Airport from Paris. It was his first time in New York City. During the flight, he sat next to Brenda, 28, a photographer and a Tribeca resident. The Frenchman had come to New York to try to make a life for himself as an actor, and being seated beside Brenda –an American– felt like a stroke of luck: a chance to improve his English.

The two started a conversation, and although JC (let’s call Jean Claude this way) is often mistaken for Gen Z, like Brenda, both of them have an appreciation for old movies, songs, and books. The conversation turned to Billy Wilder, Bing Crosby, Claudette Colbert, Irving Berlin, Frank Capra, Cole Porter, Virginia Woolf, Bogart & Bacall, Thomas Wolfe, and other icons. After much discussion about the world of these artists, they ended with a voraciously passionate French kiss.

Brenda lived in a rent-stabilized apartment with her roommate, Claire, who was 24 and had a successful career as a model for a famous brand. The conversation and the kiss were so good that a strong chemistry arose between them, and she extended the meeting by inviting JC to go to her apartment. “And your friend?” he asked. “Claire stayed in Paris for work,” she replied promptly. “I was with her, but I’m returning to New York because I’m going to cover a vernissage at an art gallery exhibiting The Fun Colors of Basquiat.”

JC, who had booked an Airbnb in Jamaica, Queens, texted his host to say he’d be arriving later and went with Brenda to Tribeca. There, she opened the door, and he was impressed by the charmingly decorated style of the place, with art objects, a large movie poster of Jules and Jim by François Truffaut, bookshelves filled with Shakespeare, Beat poetry, and several books from the Lost Generation. A shabby sofa helped create the ambiance of a film noir setting, complemented by a coffee table with some editions of The New Yorker scattered on it.

Brenda turned on a stereo playing “The Girl from Ipanema” by Tom Jobim and told him to sit on the sofa as she went to her room.

JC sat down, and while waiting for her, he picked up a copy of The New Yorker and began to leaf through it. Absorbed in the magazine, he suddenly saw another woman emerge in front of him, a beautiful blonde who was completely naked, holding a gun and saying, “Will you fuck me or prefer to die?”

At that moment, JC was completely terrified, and, not knowing what to do, he simply stared at the naked blonde as zillions of lustful thoughts filled his head. After all, he was a Frenchman, and, as a good Parisian, he left The New Yorker on the coffee table, got up from the sofa, and, looking deep into her eyes, said calmly, “I want to fuck you right now!” The blonde responded, 'Let’s go wild,' and shoved him, sending him reeling. He lost his balance and fell backward. His vision went completely dark, but he could hear Tom Jobim playing “How Insensitive” on the
stereo.

As soon as the song ended, he opened his eyes, and the naked blonde girl was no longer there. He looked around and realized that he was no longer in Brenda’s apartment either. JC was in an unfamiliar room, with a strange man staring at him. So many things rushed through his mind. He didn’t speak; he only thought something like: “Where am I? What the fuck is this place?”

 

TO BE CONTINUED.

 

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Altenir Jose Silva is a Brazilian playwright and screenwriter working in mass media and communications, including Cinema, Theater, Television and the Web. His texts and scripts - both fiction and reality-based - have been presented , produced and performed in the US, the UK, and Brazil. He is a Senior Writer for Scene4.
For more of his writings check the Archives.

©2026 Altenir Silva
©2026 Publication Scene4 Magazine

 

 

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