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Now that From the
Belly: Poets Respond to
Gertrude Stein’s
Tender Buttons is complete with all three volumes published and showcasing the work of over 90 living poets, the Steiny Road Poet (a.k.a. Karren Alenier) herewith provides all the pertinent details in one place. All three anthologies, Volume I Objects, Volume II Food, and Volume III Rooms appear in workbook format so that readers can participate by writing their own responses.
VOLUME I OBJECTS
Year Published by The Word Works
: 2023
Number of Pages
: 142
Cover Art
: Grace Cavalieri, untitled
Advisors
: Grace Cavalieri, Lisa Sewell, Nancy White, Bill Yarrow
Dedicated to
: Ulla Dydo [one of the all-time Gertrude Stein
experts who advised Karren Alenier when she was writing her
libretto Gertrude Stein Invents a Jump Early On]
Blurbs by:
—Al Filreis
, author of 1960: When Art and Literature
Confronted the Memory of World War II and Remade the
Modern
—
Joseph O. Legaspi
, author of Threshold
—Barbara Will
, author of Gertrude Stein, Modernism, and the
Problem of Genius and Gertrude Stein, Bernard Faÿ, and the
Vichy Dilemma
Poets who responded
: Karren L. Alenier, Indran
Amirthanayagam, Rae Armantrout, Mary Armour, Carrie
Bennett, Margo Berdeshevsky, Julien Berman, Andrea Carter
Brown, Susana H. Case, Grace Cavalieri, Nikia Chaney, Roberto
Christiano, Henry Crawford, Michael Davis, Denise Duhamel,
Amy Feinstein, Barbara Goldberg, Harold M. Greenwald, Donald
Illich, Jacqueline Johnson, Hiram Larew, JoAnne McFarland,
Kevin McLellan, Nils Michals, Brad Richard, Margery M. Ross,
Martha Sanchez-Lowery, Roger Sedarat, Lisa Sewell, Margo Taft
Stever, Miles Waggener, Lillo Way, Nancy White, Carolyne
Wright, Bill Yarrow, Burgi Zenhaeusern, & Jason Zuzga
Editor’s Comments
: In Volume I Objects
—Find Gertrude Stein the scientist investigating things found in
our world.
—Note that Stein’s text is divided into mostly short subpoems.
—Learn how the project began in connection with University of
Pennsylvania professor Al Filreis’ MOOC (Massive Open Online
Course) ModPo (Modern & American Contemporary Poetry).
—Discover why reading and interacting with Tender Buttons is
fun.
VOLUME II FOOD
Year Published by The Word Works
: 2024
Number of Pages
: 152
Cover Art
: JoAnne McFarland, Selfie with Swiss Chard
Advisors
: Nathalie Anderson, Grace Cavalieri, Nancy White
Dedicated to
: Linda Pastan [Karren Alenier’s first living poetry
role model]
Blurbs by:
—
Marjorie Perloff
, author of Infrathin: An Experiment in
Micropoetics
—Deborah M. Mix
, co-editor of Approaches to Teaching the
Works of Gertrude Stein
—
Indran Amirthanayagam
, author of The Runner’s Almanac
—Abdul Ali
, author of Trouble Sleeping
Poets who responded
: Karren L. Alenier, Nathalie Anderson,
Holly Bass, Carrie Bennett, Tara Betts, John Bradley, Lee Ann
Brown, Aaron Caycedo-Kimura, Nicole Cooley, Jessica Cuello,
Donna Denizé, Majda Gama, Bernadette Geyer, Michael Gushue,
Kimiko Hahn, Cynthia Marie Hoffman, Erica Kaufman, Annie
Kim, Alyse Knorr, Lisa Lewis, Dora Malech, Fred Marchant,
Marilyn McCabe, JoAnne McFarland, Kevin McLellan, Ron
Mohring, Miles David Moore, Jenna Nesky, A.L. Nielsen, Susan
Okie, Kim Roberts, Prartho Sereno, Elly Sullivan, J. C. Todd, Lillo
Way, Nancy White, Anne Harding Woodworth, Bill Yarrow
Editor’s Comments
: In Volume II Food
— Find Gertrude Stein the lover examining the pros and cons of a
committed love relationship.
—Note that Stein’s text is divided into a few long texts but mostly
short subpoems.
—Learn why Stein’s second section “Food” is pivotal to this great
innovator’s emphasis on talking and listening and how this
Steinian text with its use of the N word in “Dinner.” reaches out
to our turbulent time that forces us to confront White
Nationalism and racism.
—Discover why Alenier’s advice: “Don’t go into the Steinian
Woods alone” is both playful and serious.
VOLUME III ROOMS
Year Published by The Word Works
: 2026
Number of Pages
: 138
Cover Art
: Ellen Driscoll, “The Loophole of Retreat”
Advisors
: Nathalie Anderson, Grace Cavalieri, Nancy White
Dedicated to
: Nancy Rhodes [who developed and premiered
the Karren Alenier & William Banfield opera Gertrude Stein
Invents a Jump Early
Blurbs by:
—
David Keplinger
, author of Ice
—
E. Ethelbert Miller
, author of The Little Book of E
—Jan Freeman
, author of Blue Structure
Poets who responded
: Kareem James Abu-Zeid, Karren L.
Alenier, Nathalie Anderson, E.J. Antonio, Anne Becker, Tara
Betts, Sheila Black, Traci Brimhall, Laura Cesarco Eglin, Ellen
Aronofsky Cole, Henry Crawford, T. De Los Reyes, Majda Gama,
Le Hinton, W. Luther Jett, Jacqueline Johnson, AJ Leigh, M.
Mack, Ed Madden, Nino McQuown, Jenna Nesky, Jean Nordhaus
, Lisa Sewell, Jeddie Sophronius, Alina Stefanescu, Julie Marie
Wade, Fritz Ward, Sandra Yannone, Katherine E. Young
Editor’s Comments
: In Volume III Rooms
— Find Gertrude Stein the storyteller hinting at big truths and
underlying myths.
— Note that Stein’s text is one long poem of 85 stanzas.
—Hear the sound of Stein speaking to her beloved Alice Babette
Toklas about their future together, about their union, about the
home they are making together.
—Discover why Tender Buttons with its threads of philosophy
and linguistics should be viewed as abstract art hanging on a wall
and that what you see is neither right nor wrong.
The Steiny Road Poet expects that Karren Alenier might be
interrogated as to why she wrote so many responses (about 20
per anthology). To this question, she answers that she had to take
her own advice and not go into the Steinian Woods alone (first to
share the fun and later to endure the difficulty of stones and
thorns), but also, she had to demonstrate enthusiasm and
unrelenting leadership to honor Gertrude Stein’s insistence about
talking and listening with her audience.
Another pointed question of interest is: in this age of Artificial
Intelligence, what is the value of this freelance set of responses to Tender Buttons? The value of Alenier’s Tender Buttons project is
that it slows down the process of addressing a major work of art
to allow for a visceral opportunity to acquire insight and
appreciation. Deep learning and familiarity takes time.
Undoubtedly, there will be other questions, maybe about the
poets who agreed to participate in this project, maybe about how
Alenier assigned the texts, maybe about the cover art for each
book. In the meantime, Steiny hopes that this profile provides
easy access to Tender Buttons, Gertrude Stein’s most mysterious
work.
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