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Surachat Patanapanich

Janine Yasovant
with Danin Adler

The Return of Surachat  Patanapanich and the behind-the-scenes work of many great artists that he frequently offered to help even while he was still a student are highly praised.

After graduating, his career began with painting Ubosod wall together with Ajarn Nittaya Sakcharoen. Working side-by-side with famous masters such as Professor Punya Petch-Chu gave him a work ethic and a habit of collaborating with knowledgeable people that outweighed almost everything else in the early stage of his artist’s life.

Surachat is beloved by his teachers and mentors. He trained for a long time under Professor Chackrabhand Posayakrit, who once said that Surachat was the last student to carry on his work a statement made only a year before the interview. When I wanted to ask about his work and his foundation, I seized the opportunity because Professor Chackrabhand had fallen ill, was confined to a wheelchair, and spent most of his time at home. Surachat, who regularly entered and left the professor’s house, was able to help me secure some excellent projects.

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Accident and Recovery

Years ago Surachat was involved in a serious accident. It took a long time for him to recover. When stress-related illness resurfaced, it manifested more severely than the original motor-bike crash. I have been following his efforts to heal—maintaining a healthy diet, striving to regain his former physique, and gradually returning to a normal work rhythm. After several years he returned to work under Professor Chackrabhand continuing to receive commissions from home. Recently he even took a self-portrait that showed him on the road to full
recovery.

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Getting to Know Surachat  Patanapanich 
A Brief Overview

JY. Do you expect your learning to affect your future? What changes do you hope to see in your life?

SP. My learning definitely has expectations for the future. I want a stable income, to be able to take care of my family, and to be happy.

JY. Can you mention the most important experience in your life or the insight that prompted you to begin?

SP. I graduated in Thai painting from Poh-Chang Academy of Art. After graduation I applied to become a church-painting assistant under Teacher Nitaya Sakjaroen, working with her for many years. Later I got the chance to design costumes for the movie Ongbak 2. It was a fun but exhausting experience, and it remains one of the most valuable for me.

JY. What attracted you originally? Do you think that attraction is essential for a successful life?

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SP. I have loved drawing since I was a child; there is nothing particularly special about it. My love for sketching eventually turned into a profession.

JY. Do you have any upcoming projects or new work you’re planning?

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SP. Currently I am working on an oil painting of the Great Buddha (a project for Queen Sirikit). Earlier I also created wall murals, doors, and windows for Wat Kare Sam Saen under Teacher Hatai Bunnag the work was beautiful and fun. I keep busy almost all the time—perhaps because I respect the craft and the senior artists, and I always try to be humble and attentive.

JY. What are your thoughts on your future growth or the life you hope to lead?

SP. At present my parents are renovating our family home to make it more comfortable. The thing I have always wanted to do is to teach drawing at my house for anyone who is interested, sharing the knowledge I have accumulated throughout my life. You can contact me directly via Facebook (สุรชาติ  ปธานะพานิช) and this year will be a great opportunity to turn those plans into reality.

 

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Danin Adler

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Janine Yasovant is a writer and art collector in Chiang Mai, Thailand and a Senior Writer for Scene4. For more of her commentary and articles,
check the Archives.

©2026 Janine Yasovant
©2026 Publication Scene4 Magazine

 

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August 2026

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