Open Secrets
(Georgio de Chirico is speaking)

Brian George

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Giorgio de Chirico, The Duo
(The Manikins and the Pink Tower),
1917

    The knot was for Hebdomeros a cipher infinitely more profound and disturbing than the ithyphallic sign or that of the anchor or the two-headed ax…Moreover, he saw life as a huge knot which death untied; and yet he also regarded death as a knot retied which birth in turn undid. —Giorgio de Chirico

***

“Should the signs be regarded as open secrets?” he thought, as he wandered through the Egyptian junkyards. As though pregnant, the earth stretched out before him. The traveler was not who he was. I am not who I am. No clock was allowed to tell the ocean to behave.

Infinite the regression of signs. Nostalgia. There is an island where black rain falls. There is a dark speck on a turret. It looks like the seer. He waits for centuries to shoot the noon salute. That cannon is no longer there. It is time to go. The ocean, my beloved, breathes. I too must exercise. After being sick, I desire to be healthy! My breath expands, does it not, to the edge of the horizon? To what lengths must I go to resuscitate my Will?

O womb of the first elements! O alloys of the youth! Death is false, and only I see beyond the snares of Modern Art. The future world had once sent heralds to a dream beyond the sunset. Cartographers had dropped anchors to keep coasts from disappearing. The dawn had promised wonders to the technicians of the rocking horse. “This is the scary part,” said one of the Eight Half-Human Teachers, “crowds across many lands are to rearrange your toys. False rulers will wheel in substitutes for the planets. Only the mad will then hear the real ones.”

The gods play less than they did, as do I. Others strategize in a game whose labyrinthine ends are beyond us, in which we do not know we compete. Paris, City of Lights! Of what is this a center? The gladiators in their diving helmets have all but lost their respect for practice. They whack away indifferently or fly into a rage. My contemporaries show almost no devotion to the rediscovery of the realm of subtle forms.

I went to shake the hand of the one who both does and does not resemble me. You did not at first speak when you were called. Prehistoric observatories echo under strata. Giants fossilized in pots. The trees crooked, with foreign roots. Birds that never came.

 

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Brian George is the author of two books of essays and four books of poetry. His book of essays Masks of Origin: Regression in the Service of Omnipotence has just been published by Untimely Books at
https://untimelybooks.com/book/masks-of-origin. He has recently reactivated his blog, also called Masks of Origin at https://masksoforigin.blogspot.com/. He is a graduate of the Massachusetts College of Art, an exhibited artist and former teacher. He often tells people first discovering his work that his goal is not so much to be read as to be reread, and then lived with.
For more of his writings in Scene4, check the Archives.

©2026 Brian George
©2026 Publication Scene4 Magazine

 

 

 

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