A Tale of Three Cities and 9/11

Hans Gallas

inSight

September 2026

As half in sun and half in clouds,

The world along its path advances;

May that side the sun’s upon,

Be all that ere shall meet thy glances.

Chas. L.G Kellogg

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The journey (as far as I know):
Seattle to NYC, 2,856 miles.
NYC to San Francisco, 2,910 miles.

I am often asked what my favorite item is in my Gertrude Stein and Alice B. Toklas collection.  It is unquestionably a small green leather, gold edged autograph book with slightly rubbed embossed gold lettering on its cover from the late nineteenth century.

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What makes it so unique is that on page 17 there is a boldly written message to the owner of the book, Lily Kellogg of Seattle, WA, by a nine -year-old Alice Toklas. (An uncle of Lily’s wrote the rhyme pictured above.)

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The event is recreated in a Victorian parlor in an AI generated photograph below.

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It is said that collectors, particularly those who collect items pertaining to well-known people, collect as a way of feeling closer to that person, more connected with their life and what they’d accomplished.  Alice pictured below with her brother Clarence about a year after she signed the autograph book.

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It is very rare, however, that one finds anything pertaining to an individual when he or she was a child, other than possibly a photograph. That is one reason this item is so special. To me there is another reason this autograph book, which I purchased in the summer of 2001, has attained an almost sacred relic status. An autograph book is in itself a relic of the past. I received one in the late 1950s as a gift from one of my aunts in Europe. It was lost long ago, and I can’t recall who might have signed it. It was not until my 1967 high school yearbook, that autograph -book type messages were scrawled on pages in the front and back of the yearbook. I would never hear from most of those people again and their catchy phrases and wishes for the future were soon forgotten. In thinking about autographs a term came to mind which I haven’t thought about in decades – the “slam book.”  I’ll leave an internet search for “slam book” to the curious, but for the not too curious, it can be viewed as an early form of social media trolling. (Design writer Ralph Caplan said, “Nothing is more to the point than a good digression.” Got it.)

Back to the small green leather, gold edged autograph book with the slightly rubbed gold lettering and Alice B. Toklas.

2002 was the anniversary of Alice’s 125th birthday and in 2001, I began thinking about ways to commemorate it. In my frequent browsing of AbeBooks.com, a treasure trove of booksellers around the world, I often request listings with the highest price first.  I’m curious about what Gertrude and Alice items are out there as well as if some of the things in my collection have appreciated. (Digression: currently the most expensive Toklas item is the 1954 first American edition of her cookbook for…ta- dah… $45,000.00! Why? Because with the cookbook comes a piece of paper with the legendary hashish fudge recipe on it handwritten by Alice. That price is six times more than a copy of Alice’s second cookbook Aromas and Flavors Past and Present from 1958 inscribed by Alice to Eleanor Roosevelt. Alice abhorred this book, but that’s for another time. End of digression.)

In a July or August 2001 AbeBooks search, I found the Lily Kellogg (no relation to the cereal Kelloggs) autograph book being sold by Locus Solus Rare Books in lower Manhattan. I had to have it for Alice’s upcoming sesquicentennial fête. The book had belonged to a childhood friend of Alice’s; Alice had met Lily in Seattle when the Toklases moved there for about five years from San Francisco. Alice’s father had opened a department store in Seattle, while Lily’s father had gained prominence by founding the city’s first drugstore.

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What better birthday gift than to reunite a Seattle autograph book (with Alice’s signature) via NYC to San Francisco, Alice’s birthplace. What a journey!

As I was not sure about the exact date on which I bought Lily’s book, last month, while I was outlining this article, I emailed James Goldwasser whose Locus Solus Rare Books is now in Los Angeles. He sent me a copy of the invoice but was not certain when the autograph book had shipped. I recall mailing him a check sometime in mid-August. The autograph book was sent between late August and early September 2001 via UPS from their Prince Street location in SOHO.

The package arrived in San Francisco about a week after September 11th.  When it arrived, I remember checking to see when it had been sent and noticed it had been about five days before 9/11. I have come to believe that had it been sent two or three days later or not until my check arrived on 9/10, it may have been caught up in the horrific chaos and tragedies in the area near the Twin Towers and been lost. Prince Street was a mile and a half North of Ground Zero and was within the exclusion zone. As a result, according to James, he was unable to go to work for two weeks.

James was still at home the morning of 9/11 and recounted it to me:

    I was at home. It was early morning and I was getting ready to go vote and then head into work. I had meant to stop by Century 21 to buy socks on the way – it was across the street from the World Trade Center. We lived in Cobble Hill Brooklyn and could see the towers from our kitchen window—we heard the impact of the crashes and watched as dust and a confetti of office paper fell all over the neighborhood. The day is fixed in my memory in almost every detail.

An average early morning whose date would never be average again for all of the world.

Of the thirty wishes written to Lily, many are just “Your friend” and a signature in pristine 19th century, carefully practiced penmanship.

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Then there are the ones that are more creative with various ditties, some of them didactic:

When rocks and walls divide us
And you no more I see.
Remember it was Bessie
Who wrote these lines to thee.
Bessie Hill

Our greatest glory is not in ever falling, but in rising every time we fall.
Carrie H. Shumway

Poor ink.
Poor pen.
Poor writing.
Amen.
R.A.

Though the world be in love
With bright eyes and fair hair,
‘Tis only good children
The angels call fair.
Katherine F. Cheasty

Lillie is your name
Single is your station.
Happy be the little man
Who made the alteration.” [“made?” How about “makes?”]
Emma Knapp

As your school days pass, see that in each one a good seed is planted that shall bear (sic) rich fruit in the future.
Helen G. DeVoe

Your Album is your garden,
You have many seeds to sow.
I will sow the sweet forget-me-not
And plant my name below.
E. Brown

Dare to be honest, good, and sincere:
Care to please God, and you never need fear.
Lovingly your friend,
L.M. Newman

By coincidence, on page 27 there is a very faded inscription by S.B.: “When this you see remember me,” which has several connections to Gertrude Stein.

This is an old sentiment which has been used since the 18th century and was often stitched on samplers when a girl was learning to sew.

It is the title of the first biography about Gertrude Stein following her death, When This You See, Remember Me: Gertrude Stein in Person by W. G. Rogers published in 1948, two years after she died. Rogers had known Gertrude and Alice since he had been a young World War I soldier and became a lifelong friend.  

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Gertrude also used it in one of the hymns in the libretto of her 1934 opera, “Four Saints in Three Acts,” with music by Virgil Thomson:

When this you see remember me.
They have to be.
The have to be.
They have to be to see.
To see to say.
Laterally they may.”

In 1970 in conjunction with public television station WNET, one of the most comprehensive documentaries, “Gertrude Stein: When This You See, Remember Me” was directed by Perry Miller Adado. Part of its historic interest is that many of Gertrude’s contemporaries were still alive when it was made and are interviewed in the film which is available on YouTube.  Lastly, the phrase was included in cover notes on the Rolling Stones’ 1969 album Through the Past, Darkly (Big Hits
Vol. 2) ”
as a tribute to Brian Jones one of the band’s founders.

There is, of course, no comparison between the survival of a small nineteenth-century autograph book and the terrible loss of life and profound consequences of September 11, 2001. Yet the book’s journey through New York in the days immediately before the attacks has become inseparable, for me, from its history. That coincidence is why it seems appropriate to tell its story now, on the twenty-fifth anniversary of 9/11.

An autograph book was created for remembering. Within the pages of Lily’s book, friends and family offered a young Victorian girl affection, humor, encouragement, and hopeful words about the life that lay ahead of her. Some urged her to greet the future with excitement and anticipation; others simply asked that she remember them. None of those people, writing in the closing years of the nineteenth century, could possibly have imagined what the coming decades would bring—the extraordinary achievements as well as the wars, destruction, tragedies, and transformations that would reshape their world.

More than a century later, this particular book passed through New York just days before an event that would itself become an indelible part of our collective memory. This month’s Portrait about an autograph book linked to Alice B. Toklas and  9/11  is written not because their significance is remotely comparable, but because this fragile object, created to carry memories from one generation into another, unexpectedly acquired another history of remembrance during its journey from Seattle, through New York City, to San Francisco. In that context, one of the simplest, now faded inscriptions in that small green, leather gold edged autograph book with slightly rubbed embossed gold lettering on its cover takes on a relevance S.B. could never have foreseen: 

“When this you see remember me.”

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Art of the Month

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 “Preserving the Impermanent,” Vito Gaarin
(Generative AI digital image, 2026)
courtesy of the artist
www.facebook.com/profile.php?id=61590137965504

Special thanks, then and now to
James Goldwasser and Locus Solus Rare Books

 

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Hans Gallas will be producing a one-person Alice B. Toklas play in San Francisco opening in June 2027 for her 150th birthday. He lives in San Francisco with his longtime partner.
For more of his columns and articles, check the Archives.

©2026 Hans Gallas
©2026 Publication Scene4 Magazine

 

 

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September 2026

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