|
The Nazi Holocaust
..
From.Winston Churchill in 1944:
We
are in the presence of
a crime without a
name... the greatest
and most horrible crime
ever committed in the
whole history of the
world, and it has been
done by scientific
machinery by nominally
civilised men in the
name of a great State
and one of the leading
races of Europe.
To that, I offer you this:
The Jew In The Box
redux.
He sat propped up
against the back wall,
one of his legs twisted
away from him like a
puppet’s limb.
His reddish and blue
face was a mask
scrambled and smoothed
by the plastic bag over
his head. One of his
hands was caught in
torn holes at the
bottom of the bag as if
he had tried to rip it
off. He was asleep and
dead.
When the police arrived
they found people
standing quietly around
the tall plexiglas case
in which the dead man
was found. The back
door to the case was
locked from the inside.
The police determined
that this was a
suicide. In the weeks
of investigations that
followed, family,
friends, officials
could not uncover the
reasons, the motives
for this sad, gruesome,
untimely death.
But we know, you and I.
We know that an hour
before Mov Reiss killed
himself, he had a
visitor. We know this.
We know that in 1985,
Mov was one of the
founders in Hamburg of
a group called,
“Remembrance”.
Its purpose was to
offer further
redemption, a salve for
the apparently
lingering guilt of
German people through
information and
conversation.
Apparently lingering
guilt. The group
established a small
museum in the north-end
of the city -- modest
yet unintentionally or
perhaps intentionally
confrontational. How
could it be otherwise?
We know this, you and
I. The museum's
exhibits consisted of
photographs and
descriptive texts of
German-Jewish life from
the past 100 years,
and, of course, from
the Holocaust.
The Jews of Germany...
they considered
themselves Germans
first and Jews, second
and third. In the face
of the Nazi terror,
they proclaimed and
insisted they were
Germans. It was a
proclamation and
insistence that helped
exterminate an
unimaginable majority
of
German-Jews.
From its opening, the
museum received a
growing stream of
visitors, some silent
in their response,
others animated and
disturbed. And then
there was the Box.
It was Mov's idea.
A tall,
plexiglas-enclosed
closet-like booth with
someone sitting inside
to converse with. The
sign read: "Ask Me
and I Will Tell
You". Mov was the
first occupant of the
brightly lit,
transparent information
chamber, not unlike a
cage in a zoo. 'Here
is a Jew, a healthy
young specimen, an
almost extinct species.
He is friendly, he is
intelligent, he speaks
our language, he can
answer your questions,
he will tell you the
truth about Jews,
Judaism, Jewishness,
Juden. Look at him,
study him, talk to him,
remember him.'
Eight hours a day, six
days a week, Sunday
through Friday, Mov put
himself on display as a
willing correspondent.
In the beginning, he
sat in a cane chair in
the center of the
enclosure, neatly
dressed in suit and
tie. Later, he
dismissed the chair and
stood or leaned against
a clear wall. And he
dismissed the tie,
sometimes, the jacket
as well. It was
exhausting and he began
to have difficulty
sleeping. When he did,
he was hammered with
nightmares, a recurring
nightmare that he
couldn't end. On
the last day of his
life, he was exhausted.
Mov, the Jew in the
box, was the highlight
attraction of the
museum. Many visitors
came to see him... some
stopped and stared at
him, silently, then
walked away. Others
talked to him and even
asked a few questions.
Some harassed him with
obscene words and
gestures. But it was
the children that
interested him most and
brought him the most
satisfaction. It was
the children. One
asked: "Why does
everyone hate the
Jews?" He
answered: "Because
they are ignorant,
because they are
afraid, because they
are jealous and that
makes afraid?"
"Jealous?"
she asked.
"Yes," he
said. "They see a
people, the Jews,
persecuted, tortured,
murdered and yet, the
Jewish people survive,
they go on, and they
get better."
The little girl watched
him for a moment and
then asked: "Were
you tortured?"
He answered: "No.
But my people were, and
in a way, I am, because
I feel what they
feel." She nodded
and smiled and that was
Mov's best reward
for being in a cage, on
display.
On this last day, he
was exhausted. He was
sitting on the floor of
the box drinking water
from a camper's cup
which he kept in a
corner, when the guard
came to say that it was
an hour until closing
and there was no one
else in the museum. Mov
told him it was all
right if he wanted to
leave early and that he
would lock up. Mov
closed his eyes and
remembered it was
Friday. He was relieved
that he had a day off
to enjoy.
As Mov sat there, a man
appeared, an old man
with slicked down
blonde-white hair, an
old handsome man with
chiseled features, an
old well-dressed man
wearing a raincoat. He
walked to the front of
the box and leaned on
his umbrella. Mov
didn't notice him
at first. He was
startled when he opened
his eyes.
The old man smiled and
asked: "Are you
the son of Zev
Reiss?"
"Yes." Mov answered.
"I knew your
father. I knew him
well. We worked
together during the
war."
"You were in the same... camp?"
"Not just one. We
moved around a great
deal. He was my
research
assistant."
Mov slowly rose to his feet. "Research... assistant?"
"Yes."
Mov moved slowly to the
front, transparent wall
of the box. "You
were a prisoner in a
Nazi camp and you did
research?
"No, I wasn't
a prisoner. I worked
there. I did research
and your father
assisted me. I was his
mentor. I met your
father when he was 19.
He was a brilliant
medical student. When
they corralled him and
shipped him to a labor
camp, I found him and
had him assigned to me.
I think I saved his
life."
As the old man smiled
at him again, Mov
pressed his face and
hands against the wall
and whispered:
"You're
Hoeffler."
Mov began to back away:
"You're one of
the black Doctors, one
of the beasts
of..."
"No, I wasn't
a doctor, I was a
scientist. Your father
and I worked together
for nearly five years.
The conditions were
difficult but we
managed to do some
valuable work and
also... some not-too
valuable work."
Mov tried to speak as
calmly as possible, his
hands trembling:
"Why are you free?
Why are you walking
around? Why are you
still alive?"
"I met your father
again after the war in
Jerusalem in 1948 They
sent me down there to
be with the Mufti in
their fight against the
Zionists."
Mov struggled: "They?... who's they?"
"I was an advisor
in Palestine, an
information specialist.
Your father was there
then, he had joined a
little, violent gang,
the Irgun. The British
captured him and turned
him over to us. I had
to interrogate him. He
was as surprised to see
me as I was him. It was
a surprising reunion.
He told you about this,
didn't he?"
Mov had moved to the
back wall and pressed
his back hard against
it as he tried to find
the small inset handle
that unlocked the door.
"I'm afraid we
had to torture him a
bit. He told you,
didn't he?"
Mov exploded and lunged
to the front wall,
screaming: "Why
are you afraid? That
was your
'research'
wasn't it?"
The old man didn't
flinch: "You know,
your father told me an
interesting story when
we talked then."
Mov closed his eyes. His hands balled into tight fists.
The old man said:
"He told me that
during the last months
of the war when I had
to leave the country,
he was shipped back to
Auschwitz. When the
soldiers came and
opened the camp, he was
nearly starving and
sick but obsessed with
finding a newspaper,
any current newspaper.
He told me he
desperately needed to
read about what was
happening outside. He
told me he finally
found a French soldier
who had a newspaper
that was only a few
days old. He told me he
fell to the ground and
began to scour the
pages for news of a
world congress which he
believed was meeting.
He believed that
everyone was in their
home glued to their
radios. The buses had
stopped running, the
elevators, everyone was
listening to the
congress, listening to
hear it say -- 'we're
at the end, we've
crossed the line,
we're at the
bottom, everything must
change, this can never
happen again'.
Of course, he found
nothing, there was no
congress, people were
not listening to
anything, they were
going about their
business, salvaging
their lives, trying to
forget. Are you all
right?"
Mov had sunk to the
floor. There were tears
streaming down his
face. He pounded on the
plexiglas with the
flats of his hands.
The old man said:
"He died
didn't he, in
'70... '72?
I'm amazed he
survived that long.
Long enough to have a
family, long enough to
bring you into this
world, long enough to
pass on his memories.
He saw everything I
saw. he did everything
I did." The old
man took off his rain
coat, draped it
carefully on his arm
and laid his umbrella
over it.
Mov, now on his knees,
stared at him:
"You are a liar!
You're a murderer,
you're a
horror-maker, you are a
liar! My father was
haunted by the memory
of you, by what you
did, by what he saw you
do."
The old man said:
"Your father was
haunted by himself. He
could never reconcile
his logical thoughts
with his perception of
the reality around him.
That was his nightmare,
that was..."
Mov, now standing,
stared at him:
"How calm you are.
How nonchalantly you
speak about the horror
of murder of men... and
women... and children.
Empty, without any
feeling. How dead you
are."
The old man said:
"Did your father
tell you what he
learned from me?"
"Yes."
"And did you learn from him?"
"Yes."
"Did he tell you
that Germany is
poisoned, its people
and its culture? They
carry a plague, a toxin
like a virus in every
cell, in their bones,
and language and music.
They pass it on from
generation to
generation. It's
been that way for
100's of years. And
when the small-brained
Nazi thugs grabbed
Germany in the
1930's, it
flourished like the
black plague of the
Middle Ages. Stalin was
right, Germany should
have been broken up
into small pieces and
scattered throughout
Europe, never to allow
the country to emerge
again. Did he tell you
that?"
"Yes."
"Did he tell you
that what they did in
the camps had nothing
to do with religion or
ideology? It had to do
with the freedom of
power. They were free
to do it, so they did
it. Did he tell you
that?"
"Yes."
"Did he tell you
that I had the freedom,
the power to do what I
did, so I did it? Did
he tell you that?"
"Yes."
"Then you know
that what you do here
in this living museum
makes no difference.
The plague will rise
again, and you will
know it."
Mov pounded on the
wall: "I'll
hunt you, I'll get
people together and we
will hunt you.
We'll drag you into
the light and show you
for the black beast you
are."
The old man began to
walk away. Then he
stopped and turned
toward Mov: "No,
you will hunt... you.
You'll haunt
yourself as your father
did."
He turned and walked away. Mov stared after him.
Mov was buried next to
his father. We know,
you and I, that his
tombstone reads:
"I am my
Father's
Keeper."
* * *
It is now 2026, 82 years... after Churchill's condemnation.
2026...All that has
changed is that the
Nazi Holocaust created
and enacted industrial
and scientific
machinery which
promoted and in some
cases continues to
reenact the horror.
2026...The sign still reads: "Ask Me and I Will Tell You"
2026... It also whispers: “Never Forget”
|