Feedback
Letters To The Editor

NAME

CITY

MESSAGE

SCENE4
welcomes
your comments...

Please write to editors@scene4.com
or fill out the form below.

Correspondence should include the letter writer's name and city. Letters selected for publication may be edited for length and clarity.

Creatively Speaking, Mr. Challis
Out of a life of divergent careers, the "play" and its art have seduced and captivated me -- I cannot, nor do I wish, to escape. For its here that I have found that one place to be truly me -- and free! In the beginning I thought this was so because I could hide behind the character and could not be judged nor blamed.  But what a joy to discover that's an illusion.  The very richness of the art is the "informing" of the character with my own history. I hesitate to name or label the almost-infinite incidents of that spiritual psychology --whatever it's appearance -- because, I feel, naming so often "judges". And for me it has always been the judgement that restricted the expression.  The truth sets one free and humanizes the characters we play. The applause is a recognition that we, as actors, have shared the truth of some part of our history and it's vibration has touched the soul of the audience. Thanks for your thoughts.
Ed Sorrell - Boston

Epstein On Meisner On Stage Directions
I don't know where I got it, but somewhere along the way I was told that stage directions in the printed script were from the the production's first stage manager.  True or false, no difference: I ignored them.  But recently I had the extraordinary privilege of playing James Tyrone in LDJ. I ignored the advice of yore , and savored every stage direction, feeling they were given from the raw, exposed nerves of Eugene's wrenching memories.  If, indeed, the directions are not his, they were expressed by a kindred spirit.  Your articles are very helpful and meaningful to me as an actor.  Thanks.
Ed Sorrell - Boston

An Answer for “Too Cool” Thomas
(You) asked: “If a group of actors truly showed the depths of tragedy, would the audience be receptive?” I’d answer yes. That’s why I love the theatre so much. It’s all about the truth.
Tara Melinsky - London

For Michael Bettencourt - An Encouraging Word
Since subscribing to Scene4, I've enjoyed reading about the Boston theatre scene in your monthly perspective.  Before reading the March edition I was all set to see ART's "Mother Courage".  Now I'll just wait to see if I can experience something better, or at least more challenging.  I've failed to check the archives, knowing I'd have to reopen the wound: your failure to see "Long Day's Journey".
Ed Sorrell - Boston

On “The Matador And The Mouse”
Very interesting story.  I hope some day you'll reestablish your studio and I and other developing actors can have that same experience!
Ed Sorrell - Boston

I’ve seen that Israeli mouse somewhere. I know, at Actor’s Studio West. Only in L.A.!
Larry Levitz - Los Angeles

Teixeira Moita’s Work
Thank you for publishing these wonderful plays. Moita is a unique talent and we hope to to get the rights to produce them at our local theatre group.
Rachel Portman - Santa Fe

 

© 2003 Aviar-DKA Ltd. All rights reserved (including authors’ and individual copyrights as indicated). No
part of this material may be reproduced, translated, transmitted, framed or stored in a retrieval system for
public or private use without the written permission of the publisher and the individual copyright holder.
For permissions, contact publishers@scene4.com

.


International Magazine of Theatre, Film & Media

March 2003

All articles are archived on this site.
To access the Archives