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reView - BOOKS | Scene 4 | The Night Circus | Morgenstern�s much-hyped novel does not draw the reader in to either the characters� inner lives or their true natures. | Catherine Conway Honig | Scene4 Magazine-November 2011
reView - DANCE | Scene 4 | Cranko and McGregor: What A Difference A Half Century Makes | Imagine a bright white stage, glaring white lights and clamoring modern music. | Catherine Conway Honig | Scene4 Magazine-March 2012
reView - DANCE | Scene 4 | Balanchine at San Francisco Ballet | The rhythm of their jumps, the weight of their landings and the silence when they were suspended in the air was the music he needed to hear. San Francisco Ballet�s recent all-Balanchine program featured two masterpieces that provided the audience with the opportunity to appreciate the subtlety of these sounds. | Catherine Conway Honig | Scene4 Magazine-May 2012
reView - DANCE | Scene 4 | Hope Mohr Dance and Du�an T�nek Dance Theatre | Du�an T�nek and Hope Mohr shared the common experience of years of training at the Merce Cunningham Studio and their devotion to this demanding and detailed technique is clear in both their work.. | Catherine Conway Honig | Scene4 Magazine-April 2012
reView - DANCE | Scene 4 |
reView - DANCE | Scene 4 |Hope and Mystery in Havana...Life in Havana is hard. The buildings and streets are crumbling, the economy is always on the verge of collapsing, and the island�s future is a mystery. In fact, mysteries abound in Cuban life and culture. Who is really in charge of this gifted and troubled nation? | Catherine Conway Honig | Scene4 Magazine-April 2011
reView - DANCE | Scene 4 | GHOSTS -New and Old - San Francisco Ballet | Scene4 Magazine-March 2010 | Catherine Conway Honig
reView - BOOKS | Scene 4 | Eric Karpeles' -
reView - DANCE | Scene 4 | Misogynist Meets Mermaid | Scene4 Magazine-May 2010 | Catherine Conway Honig
reView - THEATRE | Scene 4 |
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