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Scene4 - INSIGHT - Asia Through A Thai Looking Glass | The arts of Asia abide � as expansive and merchandised as in any other part of the world. What supports this is the lingering vibrancy of colonialism. There are only small traces of the political colonial powers of the last century. Today, it is the rampage of the corporate colonial powers that divides and sub-divides the Asian world�and they don�t need flags with marching bands.| Arthur Meiselman | Scene4 Magazine - March 2010
Arthur Meiselman | Scene4 | The Passing of a Life | Earlier this year, a friend and colleague, Julius Krinski died at 81, in Jomtien, Thailand. A Hungarian/Australian expatriate, he was a remarkable man - an author, a Bon Vivant, and a world-class lover. With a poignant sadness, I remember an interview with him in 2005. | Scene4 Magazine-April 2010
Arthur Meiselman | Scene4 | The Loss of Silence/Eat...and Be Happy | This, then, is the holiday season that closes the first decade of the 21st century. It is also the 100th anniversary of one of the most glorious years in Western history, 1910�a year of exciting promise, breathtaking art, panoramic smiles. 2010 is not like that. | Scene4 Magazine-December 2010
Scene 4 | Special Issue -
Arthur Meiselman | Scene4 | From Rome to Bangkok Italian Style
Arthur Meiselman | Scene4 | The Story of Blue | Alan Blue didn�t die last week. He probably will, soon. He isn't old and he isn't young. He has been a wayfarer through his life, one who never changed. He was an errand boy, a clerk, a waiter, an actor, not a husband nor a father or a relative. | Scene4 Magazine - August 2011
Arthur Meiselman | Scene4 | Orson Welles | Seventy years ago, Orson Welles created �Citizen Kane� and it remains the zenith, the apex of filmmaking. It completed the migration of theatre into cinema. No film before or since defined the nucleus of cinema, the art form of the 20th century, as this seminal 1941 masterpiece did.| Scene4 Magazine - September 2011
Arthur Meiselman | Scene4 | UpThe Carriage Trade! - Redux | I�ll take the lower class audiences � they make a playwright�s writing-agony worth agonizing over � they make an actor�s performance worth its salt � and they don�t give a damn about directors and dramaturgs and all the other frou-frou functionaries who get in between them and the live bodies on stage. On with the show! And I�ll take the upper class audiences too, of course. | Scene4 Magazine - October 2011
by Arthur Meiselman Ferzan Ozpetek is a photographer. All of his films reflect his photographic eye, his sense of image-flow timing, and his consummate skill to translate the vision in his mind onto film. This is especially true with his latest work: Mine Vaganti. It is his 'canon', his testament to filmmaking for the sake of making a film. Yes, it is a story about Gay coming-out in a homophobic family in conservative Catholic Italy. Yes, it is a story about family values. Yes, it is a comed...
Arthur Meiselman | Scene4 |
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