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Arthur Meiselman | Scene4 |
Arthur Meiselman | Scene4 | Singers of Songs | A continuous dimension I travel through is music. It is the balance to my visual world and a purveyor of intimate and relentless privacy. In that dimension, of all the singers I have ever heard, seen, enjoyed, opera, theatre, jazz, pop, only two linger and hover above all the other voices. Both are American.| Scene4 Magazine - December 2011
Arthur Meiselman | Scene4 | The Q Factor | George Santayana and others aphoristically proclaimed that to ignore history is to be doomed to repeat it. True? Perhaps, with this caveat: the human species is a collective of behavior, habitual, ritual, repetitive behavior�not doomed to repeat its history, rather self-programmed to recycle itself� and its history. | Scene4 Magazine - November 2011
Arthur Meiselman | Scene4 | artem secundum suum cuique | There is no obscenity in the arts. There is only a perspective that deems and labels out of ignorance, fear, politics, financial gain, and severe self-displeasure. Obscenity is in the mind of the beholder..| Scene4 Magazine - January/February 2012
Arthur Meiselman | Scene4 | Fade to White To you who live in the clean world, the smell, the taste, the health threat of tobacco is the Congo�s echo crying: �the horror!� It is enough to drive you mad. | Scene4 Magazine - March 2012
Perspectives: Writings - Dialogues |
Arthur Meiselman | Scene4 | UpThe Carriage Trade! - Redux | I�ll take the lower class audiences � they make a playwright�s writing-agony worth agonizing over � they make an actor�s performance worth its salt � and they don�t give a damn about directors and dramaturgs and all the other frou-frou functionaries who get in between them and the live bodies on stage. On with the show! And I�ll take the upper class audiences too, of course. | Scene4 Magazine - October 2011
Arthur Meiselman | Scene4 | Orson Welles | Seventy years ago, Orson Welles created �Citizen Kane� and it remains the zenith, the apex of filmmaking. It completed the migration of theatre into cinema. No film before or since defined the nucleus of cinema, the art form of the 20th century, as this seminal 1941 masterpiece did.| Scene4 Magazine - September 2011
Arthur Meiselman | Scene4 |
by Arthur Meiselman Ferzan Ozpetek is a photographer. All of his films reflect his photographic eye, his sense of image-flow timing, and his consummate skill to translate the vision in his mind onto film. This is especially true with his latest work: Mine Vaganti. It is his 'canon', his testament to filmmaking for the sake of making a film. Yes, it is a story about Gay coming-out in a homophobic family in conservative Catholic Italy. Yes, it is a story about family values. Yes, it is a comed...
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