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Arthur Meiselman | Scene4 | The Q Factor | George Santayana and others aphoristically proclaimed that to ignore history is to be doomed to repeat it. True? Perhaps, with this caveat: the human species is a collective of behavior, habitual, ritual, repetitive behavior�not doomed to repeat its history, rather self-programmed to recycle itself� and its history. | Scene4 Magazine - November 2011
URL: https://www.scene4.com/archivesqv6/nov-2011/1111/arthurmeiselman1111.html

Arthur Meiselman | Scene4 | Singers of Songs | A continuous dimension I travel through is music. It is the balance to my visual world and a purveyor of intimate and relentless privacy. In that dimension, of all the singers I have ever heard, seen, enjoyed, opera, theatre, jazz, pop, only two linger and hover above all the other voices. Both are American.| Scene4 Magazine - December 2011
URL: https://www.scene4.com/archivesqv6/dec-2011/1211/arthurmeiselman1211.html

Arthur Meiselman | Scene4 | artem secundum suum cuique | There is no obscenity in the arts. There is only a perspective that deems and labels out of ignorance, fear, politics, financial gain, and severe self-displeasure. Obscenity is in the mind of the beholder..| Scene4 Magazine - January/February 2012
URL: https://www.scene4.com/archivesqv6/jan-2012/0112/arthurmeiselman0112.html

Arthur Meiselman | Scene4 | The Story of Blue | Alan Blue didn�t die last week. He probably will, soon. He isn't old and he isn't young. He has been a wayfarer through his life, one who never changed. He was an errand boy, a clerk, a waiter, an actor, not a husband nor a father or a relative. | Scene4 Magazine - August 2011
URL: https://www.scene4.com/archivesqv6/aug-2011/0811/arthurmeiselman0811.html

by Arthur Meiselman Ferzan Ozpetek is a photographer. All of his films reflect his photographic eye, his sense of image-flow timing, and his consummate skill to translate the vision in his mind onto film. This is especially true with his latest work: Mine Vaganti. It is his 'canon', his testament to filmmaking for the sake of making a film. Yes, it is a story about Gay coming-out in a homophobic family in conservative Catholic Italy. Yes, it is a story about family values. Yes, it is a comed...
URL: https://www.scene4.com/archivesqv6/jul-2011/0711/arthurmeiselman-r0711.html

Arthur Meiselman | Scene4 |
URL: https://www.scene4.com/archivesqv6/apr-2011/0411/arthurmeiselman0411.html

Arthur Meiselman | Scene4 |
URL: https://www.scene4.com/archivesqv6/may-2011/0511/arthurmeiselman0511.html

Arthur Meiselman | Scene4 |
URL: https://www.scene4.com/archivesqv6/jun-2011/0611/arthurmeiselman0611.html

Arthur Meiselman | Scene4 | From Rome to Bangkok Italian Style
URL: https://www.scene4.com/archivesqv6/jul-2011/0711/arthurmeiselman0711.html

Arthur Meiselman | Scene4 | Viewings and An Actor's Lament | I decided not to avoid the timely viewings of as many of this year's Oscar nominees that I could take. I took the five leading contenders: The Hurt Locker, District 9, Inglourious Basterds, Avatar and Crazy Heart. The first four can be categorized in a simple phrase: they are video games. | Scene4 Magazine-March2010
URL: https://www.scene4.com/archivesqv6/mar-2010/0310/arthurmeiselman0310.html

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