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Arthur Meiselman | Scene4 | The Academy Awards | To many people, worldwide, the American Academy Awards is the most important and prestigious event of its kind. Important? No question� an Academy Award is worth a small fortune, before and after taxes. Prestigious? Define prestigious. | Scene4 Magazine-March 2011
Arthur Meiselman | Scene4 |
Arthur Meiselman | Scene4 |
Arthur Meiselman | Scene4 | First Things Last | The reason I collect these works of art and non-art is because they are part of my time continuum. They exist with me in the present, spread out in all space/time directions, and they are my friends. | Scene4 Magazine-May 2010
by Arthur Meiselman Ferzan Ozpetek is a photographer. All of his films reflect his photographic eye, his sense of image-flow timing, and his consummate skill to translate the vision in his mind onto film. This is especially true with his latest work: Mine Vaganti. It is his 'canon', his testament to filmmaking for the sake of making a film. Yes, it is a story about Gay coming-out in a homophobic family in conservative Catholic Italy. Yes, it is a story about family values. Yes, it is a comed...
Arthur Meiselman | Scene4 | From Rome to Bangkok Italian Style
Arthur Meiselman | Scene4 | The Story of Blue | Alan Blue didn�t die last week. He probably will, soon. He isn't old and he isn't young. He has been a wayfarer through his life, one who never changed. He was an errand boy, a clerk, a waiter, an actor, not a husband nor a father or a relative. | Scene4 Magazine - August 2011
Arthur Meiselman | Scene4 | Orson Welles | Seventy years ago, Orson Welles created �Citizen Kane� and it remains the zenith, the apex of filmmaking. It completed the migration of theatre into cinema. No film before or since defined the nucleus of cinema, the art form of the 20th century, as this seminal 1941 masterpiece did.| Scene4 Magazine - September 2011
Arthur Meiselman | Scene4 | UpThe Carriage Trade! - Redux | I�ll take the lower class audiences � they make a playwright�s writing-agony worth agonizing over � they make an actor�s performance worth its salt � and they don�t give a damn about directors and dramaturgs and all the other frou-frou functionaries who get in between them and the live bodies on stage. On with the show! And I�ll take the upper class audiences too, of course. | Scene4 Magazine - October 2011
Arthur Meiselman | Scene4 | The Q Factor | George Santayana and others aphoristically proclaimed that to ignore history is to be doomed to repeat it. True? Perhaps, with this caveat: the human species is a collective of behavior, habitual, ritual, repetitive behavior�not doomed to repeat its history, rather self-programmed to recycle itself� and its history. | Scene4 Magazine - November 2011
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