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Arthur Meiselman | Scene4 | The Terror of the Fading Book - An Update | The hope of galloping technology that I described a year ago, though not so immediately galloping, continues to emerge. It is the great �black & white� hope. | Scene4 Magazine-September 2009
Arthur Meiselman | Scene4 | In Search of Heaven's Gate | It is the worst film ever made and released. Worse than any of the spewings of Quentin (
Arthur Meiselman | Scene4 | I'll Be Seeing You in All the Old Familiar Places | I live in an ugly country�not the latent, panoramic beauty of America's countryside� rather it's cities and towns. Unlike many places in Europe or Asia, American cities, for the most part, have no center, no town plaza or square (if you show up in Seattle some time, you'd think you were in the layout of a downhill logging camp, which is probably how it was layed out). | Scene4 Magazine-November 2009
Scene4 Magazine-July 2009: Commentary- Arthur Meiselman | In the Mind of the Beholder | In all the theatre I�ve seen since, I�ve yet to see anyone else do that again with such a daring, hypnotic effect.
Scene4 Magazine-June 2009: Commentary- Arthur Meiselman | Around Midnight with Manfredo Fest | Midnight was the time when I slid into a deliciously dark, smokey jazz club in Chicago and was bewitched by a blend of music I hadn't heard before.
Scene4 Magazine-January 2009: Special Issue -
Scene4 Magazine-February/March 2009: Commentary- Arthur Meiselman | With all of the laughter, cheers, boos, singing, and, yes, chit-chat, rather than a disturbing distraction, it all became one engaging, live experience.
Scene4 Magazine-April 2009: Commentary- Arthur Meiselman | Cabbages and Kings | They babble. Incessantly. Text messages and emails and voices into little mobiles stuck in their ears and blogs and twitters and facebooks and youtubes and newscasts and talk shows and press conferences.
Scene4 Magazine-May 2009: Commentary- Arthur Meiselman | Andrea Dworkin | They rarely make self-invented, self-defined provocateurs as disturbing and inspiring and life-changing as Andrea Dworkin. She was and remains one of the most important women, one of the most important voices in the twentieth century.
International Magazine of Theatre, Film and Media
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