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Miles David Moore Dreaming big dreams, and acting on those dreams, are a major part of the American ethos. Two recent movies—Matt Ross’ Captain Fantastic and Stephen Frears’ Florence Foster Jenkins—are variations on that concept. Captain Fantastic begins with a scene straight out of James Fenimore Cooper, or Jim Harrison if you prefer. A deer walks stealthily through a pristine forest, pricking up its ears at a faint rustling in the bushes. In a second, the deer has a fatal encounter with th...
The heroic quest is probably the oldest form of human storytelling. Two recent movies demonstrate the vitality of that ancient model.
The story is the best kind of magic realism with details imbued with shards of memory. | reviewed by Miles David Moore | Scene4 Magazine-May 2017
The best movie about the creative process of a writer�in this case, a poet�I have ever seen. | reviewed by Miles David Moore | Scene4 Magazine-June 2017
Entertaining stories of protagonists determined to break free of the constraints placed on them. | Miles David Moore | Scene4 Magazine-November 2017
Two recent and very different movies share a common theme of being set in disorienting and threatening places.. | Miles David Moore | Scene4 Magazine-December 2017
Christopher Nolan�s radically different war film. | Miles David Moore | Scene4 Magazine-October 2017
A story that is 100-percent preposterous but smashingly entertaining for viewers in the right mood.. | reviewed by Miles David Moore | Scene4 Magazine-September 2017
A canonical story about a woman writer in a male-dominated world. | reviewed by Miles David Moore | Scene4 Magazine-July 2017
Rachel Weisz burns a hole through the screen, so intense is her performance. | reviewed by Miles David Moore | Scene4 Magazine-August 2017
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