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If anyone suggested we were lovers, Sydney would laugh, comfortable in knowing the truth. | Lissa Tyler Renaud | Scene4 Magazine - November 2016
But by ten after ten, The Coffee Storehouse on the corner, was as crowded as though it had been open all night | Harriet Halliday Renaud | Scene4 Magazine - February 2016
Financial Acrobatics of the 1920s. | Lissa Tyler Renaud | Scene4 Magazine -August 2016
Lissa Tyler Renaud Their brand new production, Dream of the Red Chamber, is the perfect project for San Francisco Opera. First of all, the Bay Area tends to be culturally adventurous, so it has a good chance of supporting an original operatic work. The population of San Francisco itself is close to 40% Asian, so it’s long past the time when we should be surprised to attend a show based on arguably the most famous work of Chinese literature. We’re fully ready for a contemporary, American, mul...
If anyone suggested we were lovers, Sydney would laugh, comfortable in knowing the truth. | Lissa Tyler Renaud | Scene4 Magazine - October 2016
Beyond national boundaries and history�s relentless traumas, he can see that what�s at work is essentially benevolent. | Lissa Tyler Renaud | Scene4 Magazine January 2017
Towards a Profession Worthy of Serious Consideration. | Lissa Tyler Renaud | Scene4 Magazine -August 2017
As always when he watched these Germans taken prisoner in Africa, he wondered at their youth and health and the almost insolent ease with which they worked in the hot unyielding sun. He knew that he himself, after three years of army life in his own country, was a prematurely middle-aged man.| Harriet Halliday Renaud | Scene4 Magazine - February 2018
She could feel her body tense and throbbing a little, and after awhile she got up and went to the door. She couldn�t see anyone in the hall and she walked over to the stairs and looked down. The halls were dimmed, but the stairs were all blacked out, and she couldn�t see anything.| Harriet Halliday Renaud | Scene4 Magazine - March 2018
Audiences in the Light. | Lissa Tyler Renaud | Scene4 Magazine-March 2018
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