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Like several hundred other souls, a new adaptation of It Can�t Happen Here, showed up in my email last fall. | Nathan Thomas | Scene4 Magazine-May 2017
The hallmark of live performance is the spark of the connection between actor and audience.�When that spark happens, the light illumines some part of common humanity of the actors and audience. | Nathan Thomas | Scene4 Magazine-April 2017
Acting is a behavior that�s probably inherent with inner contradictions.� We start with the fact that the #1 fear for most people in the modern world is public speaking. | Nathan Thomas | Scene4 Magazine-March 2017
The place where Star Wars wins over Star Trek is that to pilot a ship in theStar Trek universe, you have to go to an academy.. | Nathan Thomas | Scene4 Magazine-February 2017
We were scheduled to produce Behan�s The Hostage in conjunction with another theatre.� Rather than my usual duties, I was asked if I would be willing to manage the songs.� I hadn�t read the play yet � that was my first mistake. | Nathan Thomas | Scene4 Magazine-January 2017
The theatre works as an art form when risk is taken.� And risk is, by definition, unsafe.� We leave ourselves open to hurt, failure, disappointment, and harm when we take a risk. | Nathan Thomas | Scene4 Magazine-December 2016
One of the things that fascinates me is that organizations � countries and arts organizations alike � basically emerge into the world as the product of an idea. | Nathan Thomas | Scene4 Magazine-November 2016
�It�s all just political theatre.� No. No, it�s not| Nathan Thomas | Scene4 Magazine-October 2016
Different theatre for each niche of the population.�Low-brow theatre.� High-brow theatre that a majority of folks find boring or off-putting.| Nathan Thomas | Scene4 Magazine- September 2016
Freedom is a slippery question.�It only means something relative to... | Nathan Thomas | Scene4 Magazine- July 2016
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