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Some young performers can act, but those skills aren�t prized. Nathan Thomas Scene4 Magazine-June 2014
Nathan Thomas | Scene4 | On Turning 50 | I don�t know why it�s such a big deal.� Thirty-seven was bigger than forty.� Forty-nine was nothing.� But hitting the big �five-oh� this month looms large. | Scene4 Magazine-April 2013
Nathan Thomas | Scene4 | I Like The Quiet | On a Thursday I taught three courses and then rehearsed the Storm Scene from King Lear that evening.� I could barely croak by the end.� I�ve had laryngitis before, but not like this.� It felt different. | Scene4 Magazine-March 2013
Nathan Thomas | Scene4 | OK! I wrote them | Landmark The essence of most of the arguments against Shakespeare as a playwright boils down to snobbery.� Some people simply seem to believe an education in some formal academic setting is necessary to produce greatness.� Such an argument, though, ignores the reality of genius without the assistance of formal schooling.� In the American experience, we can point to the example of Abraham Lincoln.�| Scene4 Magazine-November 2011
Nathan Thomas | Scene4 | Why Don't You Speak Better? | in America, we haven�t quite found a way to embrace the various dialects of American English.� We hold out as a model a region-less, dialect-less speech.� This kind of speech is very American � �I come from nowhere and will disappear ultimately like the will o� the wisp.��We do not use the dialects of our country.� And some dialects we actively dislike.�| Scene4 Magazine-December 2011
Nathan Thomas | Scene4 - Special Issue | It's Obscene | Childhood hunger is obscene.� Childhood poverty is obscene.� Nations ravaged by disease in Africa � like AIDS and malaria � is obscene.�That, in the face of these obscenities, the U.S.A. spends more money on defense than most of the world combined�is obscene.�| Scene4 Magazine-January/February 2012
Nathan Thomas | Scene4 | Letter to Ashley | Dear Ashley: Your question has been on my mind often over the past few months. I have to admit that years ago I might have asked the same question.�| Scene4 Magazine-March 2012
Nathan Thomas | Scene4 | Great Performances | Landmark Performances that were powerful enough to change the craft of acting. Here�s my list.� Essentially five performances that I�d argue had a lasting impact on the last century of acting. Who did I leave out?� Who would you add to the list?�| Scene4 Magazine-October 2011
Nathan Thomas | Scene4 | Pure Imagination | People can talk the game about creativity all day long.� But being actually inventive, to actually think something new is hugely difficult.� I had a teacher many years ago who confessed that he never had a new idea in his life.�All he thought about, he confessed, was a re-ordering of ideas he�d gotten from other people.�| Scene4 Magazine-September 2011
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