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Nathan Thomas | Scene4 |

Nathan Thomas | Scene4 | Why Don't You Speak Better? | in America, we haven�t quite found a way to embrace the various dialects of American English.� We hold out as a model a region-less, dialect-less speech.� This kind of speech is very American � �I come from nowhere and will disappear ultimately like the will o� the wisp.��We do not use the dialects of our country.� And some dialects we actively dislike.�| Scene4 Magazine-December 2011

Nathan Thomas | Scene4 - Special Issue | It's Obscene | Childhood hunger is obscene.� Childhood poverty is obscene.� Nations ravaged by disease in Africa � like AIDS and malaria � is obscene.�That, in the face of these obscenities, the U.S.A. spends more money on defense than most of the world combined�is obscene.�| Scene4 Magazine-January/February 2012

Nathan Thomas | Scene4 | Why Do They Muck Around With Shakespeare? | I sympathize with theatre critics who write for dead-tree publications.�Where the dead-tree critic has the discipline of precise column inches, I have the pleasure of writing as little or as much as I need.�| Scene4 Magazine-July 2012

Nathan Thomas | Scene4 | Lies and Damn Lies | My summer has been typified by a night a few weeks ago in which my beautiful daughter was visited by the Dark Angel of the Projectile Vomit that made Sir Ian Holmes� explosive scene in Alien look mild by comparison.�| Scene4 Magazine-September 2012

Nathan Thomas | Scene4 | Motivation | We need to attract the brightest and best to the teaching profession.�But we�re not to use money or the promise of job stability to attract the brightest and best.�| Scene4 Magazine-October 2012

Nathan Thomas | Scene4 | Endings | To be an American as I write feels like being at the end of a long marathon.�At the end one man left standing.�Our election season lurches to a close.�| Scene4 Magazine-November 2012

Nathan Thomas | Scene4 | The Richness of What We Do | A young man sits on a wooden bench 2,500 years ago or in dim light today and sees a king who rips out his own eyes� at the horror of killing his own father and marrying his own mother.�| Scene4 Magazine-July 2012

Nathan Thomas | Scene4 | Theatre And Community | Theatre In The Community, Community In The Theatre And Community Theatre: (They Ain�t All The Same)�| Scene4 Magazine-June 2012

Nathan Thomas | Scene4 | Letter to Ashley | Dear Ashley: Your question has been on my mind often over the past few months. I have to admit that years ago I might have asked the same question.�| Scene4 Magazine-March 2012

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The Steiny Road to OperadomScene4 Magazine - Karren Alenier - The Steiny Road To Operadom |
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