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Nathan Thomas | Scene4 | Tour Tales | Just now I have word from a student that he�s going on the road.� Instantly my envy starts to rise. But touring is a young person�s game.�| Scene4 Magazine-April 2012
Nathan Thomas | Scene4 | Feminism and the Method | It occurred to me that�� as a man � in accordance with some perspectives I can�t escape my gender.�In other perspectives, I�m not allowed to escape my gender.�| Scene4 Magazine-May 2012
Nathan Thomas | Scene4 | Theatre And Community | Theatre In The Community, Community In The Theatre And Community Theatre: (They Ain�t All The Same)�| Scene4 Magazine-June 2012
Where I am, women speaking frankly about sexuality is considered a little bit on the wild side. Nathan Thomas Scene4 Magazine-November 2014
What do you want?� What do you expect of your artists? Nathan Thomas Scene4 Magazine-December 2014
We were scheduled to produce Behan�s The Hostage in conjunction with another theatre.� Rather than my usual duties, I was asked if I would be willing to manage the songs.� I hadn�t read the play yet � that was my first mistake. | Nathan Thomas | Scene4 Magazine-January 2017
The place where Star Wars wins over Star Trek is that to pilot a ship in theStar Trek universe, you have to go to an academy.. | Nathan Thomas | Scene4 Magazine-February 2017
Acting is a behavior that�s probably inherent with inner contradictions.� We start with the fact that the #1 fear for most people in the modern world is public speaking. | Nathan Thomas | Scene4 Magazine-March 2017
The hallmark of live performance is the spark of the connection between actor and audience.�When that spark happens, the light illumines some part of common humanity of the actors and audience. | Nathan Thomas | Scene4 Magazine-April 2017
The theatre works as an art form when risk is taken.� And risk is, by definition, unsafe.� We leave ourselves open to hurt, failure, disappointment, and harm when we take a risk. | Nathan Thomas | Scene4 Magazine-December 2016
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