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The hallmark of live performance is the spark of the connection between actor and audience.�When that spark happens, the light illumines some part of common humanity of the actors and audience. | Nathan Thomas | Scene4 Magazine-April 2017
Acting is a behavior that�s probably inherent with inner contradictions.� We start with the fact that the #1 fear for most people in the modern world is public speaking. | Nathan Thomas | Scene4 Magazine-March 2017
The theatre works as an art form when risk is taken.� And risk is, by definition, unsafe.� We leave ourselves open to hurt, failure, disappointment, and harm when we take a risk. | Nathan Thomas | Scene4 Magazine-December 2016
We were scheduled to produce Behan�s The Hostage in conjunction with another theatre.� Rather than my usual duties, I was asked if I would be willing to manage the songs.� I hadn�t read the play yet � that was my first mistake. | Nathan Thomas | Scene4 Magazine-January 2017
The place where Star Wars wins over Star Trek is that to pilot a ship in theStar Trek universe, you have to go to an academy.. | Nathan Thomas | Scene4 Magazine-February 2017
Some nights if they wanted to clap, I shut them down pretty quickly.� Some nights I let them go.� I still don�t know which was best. | Nathan Thomas | Scene4 Magazine-September 2017
I have a powerful urge to communicate with you, but I find the distance between us insurmountable. | Nathan Thomas | Scene4 Magazine-October 2017
In the mid-1980s, I worked with a Polish director who had worked with Grotowski and was interested in answering questions about this theatre genius. | Nathan Thomas | Scene4 Magazine-April 2018
The teacher had no therapeutic training.� This particular session taught me a very useful lesson.��Don�t mind-fuck the student.� | Nathan Thomas | Scene4 Magazine-May 2018
Upon leaving the big university without a degree, I had a summer job lined up as an actor.� After that?� Nothing other than the rest of my life. | Nathan Thomas | Scene4 Magazine-June 2018
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