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International Magazine of Theatre, Film and Media
hen Sanford Meisner gave his actors the radical admonition to cross out all the stage directions when first getting the play they were to work on, he did not make any distinctions between different types of directions. For years, disputes have raged over the extent to which the playwright�s written directions should or must be followed by directors and actors, and it is an argument that cannot be resolved very easily. Some playwrights use sparse stage directions, and either trust or require ...
Scene4 Magazine-Interviews ,Anthony Tommasini,William Salyers,Jonathan Hardy,Selena Zachai,Thespis,Paulo de Moraes, Ana Kfouri, Antonio Carlos Bernardes and more | January 2004
Scene4 Magazine-September 2007: Slow Revolutions - Lessons From A First Encounter With Hungarian Theatre
Scene4 Magazine-April 2008: Commentary - Les Marcott | C�mon Get Happy! Bubblegum Pop And Teenage Idolsl | It�s hard to believe that in the era of Vietnam, political assassination, Nixon, Watergate, and social turmoil we still had singers like David Cassidy singing songs like
Scene Magaine-November 2007: Sitting Bull - A Stone In My Heart by Carole Quattro Levine
espite the long and varied career of Augusto Boal, many people in the United States who consider themselves theatre-savvy do not know much about his work, loosely gathered under a practice he calls "Theatre of the Oppressed." That is not surprising -- Boal's approach to training and his vision of what theatre is supposed to do and be used for runs counter to the historical and aesthetic trends and production styles of American theatre. To be sure, Boal's approaches are used in some American ...
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