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Balance and Dislocation: WNO Premiers Three Short Operas

On November 21, 2014, American Opera Initiative, Washington National Opera's, program to develop and produced new American operas, presented three twenty-minute operas employing the considerable talents of Domingo-Cafritz Young Artists and other established young talent including Alexandra Christoforakis and Andrew McLaughlin. Advising the composer-librettist pairs were conductor Anne Manson, composer Jake Heggie, and librettist Mark Campbell.

The Dresser's favorite and the best defined in the category of opera is "The Investment" by composer John Liberatore and librettist Niloufar Talebi. The musical opening of this opera features the rich voice of a cello quickly joined by bass, violin, flute, and percussion.

The story of "The Investment" revolves around a work of art that isn't what the husband of a couple who buys the work expected. He and his wife learn about the inspiration of the oil painting from the painter who has been invited to their house for lunch. The painter, an Iranian American, reveals that the work is a memorial to her mother who was born in Shiraz, Iran, a city of "poets and wine, gardens and nightingales." What the Dresser particularly liked about hearing these lines sung was the music and vocal performance (by soprano Raquel González) seemed infused with the song of the nightingale.

AOI 4 - Daughters of the Bloody Duke.jpg"Daughters of the Bloody Duke" by composer Jake Runestad and Librettist David Johnston is an entertaining comic piece that is a cross between opera and music theatre. On a much smaller and less complicated scale, the story of "Daughters of the Bloody Duke" reminded the Dresser of the musical film Seven Brides for Seven Brothers, which at its roots came from the ancient Roman legend of the rape of the Sabine women. In David Johnston's libretto, the story involves revenge. A man with 40 daughters commands them to marry 40 brothers and then to kill them.

Least developed musically in the Dresser's opinion but with a compelling libretto is "An American Man" by composer Rene Orth and librettist Jason Kim. The story revolves around the death of man who was a less than perfect father to a self-made man who has become rich and is running for public office and to a daughter who stayed with their father. The Dresser found the music to be more of an accent to the libretto and vocal line than a conduit holding the work together.

The Dresser considers it exciting to witness presentation of new work and to learn about the creators as well as anticipate future work from these artists. As Judith Bowles' poem "After Hopper's The Hotel Room" concludes about Edward Hopper's painting The Hotel Room and is pertinent to the WNO American Opera Initiative productions for 2014: balance and dislocation occur simultaneously such that the elements making up the works of art create their own standards and illumination.


AFTER HOPPER'S THE HOTEL ROOM

A woman like a swimmer
at the edge of a pool
turns her back to the glare
looks toward a book,
heavy on her knees,
loose in her hands.
Her face so in shade
that only the angle
of her chin and the angle
of the book indicate
something besides its words
are on her mind.
She is nearly naked,
her full smooth legs
another kind of glow
against the white
anchored sheet.
A creamy pink chemise
wraps her torso
like another skin.
Why does it seem
something is going to happen
or has happened here?
Her dress lysing draped
across the heavy armchair,
two pieces of luggage
standing closed and tagged,
black pumps askew
on the carpet, deep green
like the chair
and the wall to the left.
A perfect kind of balance
is at play here, the dislocation
in an order of its own.
So much has gathered
in this room where colors
have their own sense of play
and relief, next to
a wide window
noisy with light.


by Judith Bowles
from The Gatherer

Copyright © 2014 Judith Bowles


Photo: Scott Suchman

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This page contains a single entry from the blog posted on November 23, 2014 2:10 PM.

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