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Lives of the Lens

There's no doubt about it, Penn was brilliant and so is Freson. I met Penn once in New York and always followed his work especially his photojournalism. I believe and still do that he edited his shots in the camera, in his eye, in his mind and didn't rely on darkroom wizardry to capture and produce the image. How far we've come from Penn's vivid and nuanced portraits to what passes for photography today: filmless, paperless and mindless. Today, the camera shoots the photo, not the photographer.

Hans Ivganz

Carla Maria Verdino-Süllwold's article: "Lives Intertwined by the Lens"

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