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Foul Ball - An American Soap Opera

Altenir Silva

Epilogue

 

In the darkness, we hear the sound of an airplane flying.

 

The lights come up on the boat with our three men from chapter one: MARTIN, LOMAR and HALL.

 

HALL

(Glancing up. Waving.)

Hey! Hey!

 

LOMAR

(Excited.)

I'm seeing the plane! I'm seeing it.

 

MARTIN

What the fuck, man? Where?

 

HALL

(Pointing up.)

Look there!

 

MARTIN

Wow! Oh my God! It's a plane!

 

HALL

(To Martin.)

Of course it is!

 

(They start crying out.)

 

MARTIN

We are here! Here! Help! Help!

 

LOMAR

Please!

 

MARTIN

Here! Here! Here!

 

LOMAR

We're here!

 

HALL

Look down, asshole.

 

MARTIN

Save us!

 

HALL

Motherfucker! Here! We're here!

 

LOMAR

Here! Please!

 

MARTIN

Look here!

 

(The sound of the airplane is diminishing.)

 

LOMAR

Not, please, not.

 

MARTIN

Don't go. I beg you, stay, man!

 

LOMAR

Look for us.

 

(The sound of the plane fades away until silence fills the place.)

 

LOMAR

C'mon!

 

HALL

Damn it!

 

MARTIN

They left!

 

LOMAR

For heaven's sake!

 

MARTIN

We'll never get out of this boat… It's the end.

 

HALL

(To Martin)

Shut up!

 

LOMAR

He's right, cowboy. Martin is right, you know, it's like a foul ball, sometimes it seems to be the solution, but it gets nothing.

 

HALL

Stop this shit. I'm sick of you two.

 

LOMAR

The plane went away. But the island's still there!

 

MARTIN

(Gazing over.)

Man... I-I... I can't see the island anymore.

 

LOMAR

What?

 

MARTIN

Oh my God, I don't get to see—

 

LOMAR

It means that you lost your faith.

 

MARTIN

I don't know… I don't know…

 

HALL

You two are acting like morons.

 

MARTIN

Only God is my judge.

 

HALL

That's ridiculous! Stop that shit!

 

(Martin falls to his knees, raises his arms and closes his eyes.)

 

MARTIN

Oh my God! Where's the island?

 

(A moment.)

 

MARTIN

(Opens his eyes. Emotional.)

I got it. 

 

LOMAR

Are you seeing it again?

 

MARTIN

Yes, yes… I see the beautiful island!

 

LOMAR

It's a miracle, Martin! You've got your faith.

 

HALL

Oh boy! Here we go!

 

MARTIN

(Arms raised.)

Thanks God!

 

HALL

(Mocking.)

Wow! A miracle!

 

LOMAR

Yeah, it's a miracle of Lord.

 

HALL

Bullshit.

 

MARTIN

(Getting up)

Don't do that, cowboy!

 

LOMAR

You're making fun of us.

 

HALL

Where's your sense of humour? Gimme a break, assholes!

 

LOMAR

If we weren't on this boat, I'd hit you.

 

HALL

I'm not afraid of you.

 

MARTIN

Easy, guys!

 

(Lomar and Hall stare at each other for a moment. Then...)

 

LOMAR

All right! All right! You know, if I hit you, you will fall into the sea, and the shark will eat you. It's like a murder, and I'm not a killer.

 

HALL

You could try it, big boy.

 

MARTIN

Stop it! Please? Stop it. We have to think about what we're going to do now, right?

 

LOMAR

We need to get on the island.

 

HALL

You know that island doesn't exist.

 

MARTIN

Hall, shut up!

 

HALL

We will never get there.

 

(They sit while the boat drifts.)

 

HALL

Never!

 

(A moment of silence, then…)

 

LOMAR

I wanna eat my bread.

 

MARTIN

Hey... What did we talk about?

 

LOMAR

We must eat our bread at the same time.

 

MARTIN

I'm not hungry.

 

HALL

And neither am I.

 

LOMAR

I need to eat... right now...

 

MARTIN

Lomar... we've just one bread... the last one.

 

LOMAR

Gimme my chunk, please? Will you?

 

MARTIN

What do you think, Hall?

 

HALL

I don't know... if he wants to eat his piece... alright… that's okay for me.

 

MARTIN

And when we have to eat ours, what will he do?

 

HALL

He'll be just looking.

 

LOMAR

I swear that I'll be quiet.

 

MARTIN

Lomar... let's eat it tomorrow, huh?

 

LOMAR

No. I'm hungry. I need to eat this right now...

 

HALL

Give the bread. It could be the last meal.

 

MARTIN

What?

 

HALL

Maybe we're stuck on this boat forever…

 

LOMAR

Give me my bread!

 

MARTIN

Alright. If you two want it, that's okay, I'm a democratic man.

 

(Martin shares the bread to Lomar.)

 

LOMAR

Thank you.

 

MARTIN

And you, Hall? Do you want?

 

HALL

No.

 

MARTIN

What? It's not fair. You have to get your piece.

 

HALL

I'm okay... it's for you two.

 

LOMAR

You're saying that the bread is just for us?

 

HALL

Yeah.

 

MARTIN

Hall, what do you want to prove?

 

HALL

Nothing! I just don't want the bread.

 

LOMAR

Martin, if he doesn't want—

 

MARTIN

Don't you see what's going on here? This asshole is saying that he is better than us.

 

HALL

You're a sick man.

 

LOMAR

Stop it! Let's eat. I need—

 

MARTIN

Lomar, give the bread to him.

 

LOMAR

What?

 

MARTIN

We should give the pieces to him...

 

HALL

Man, I don't want it…

 

MARTIN

My God! How can you do that? You're an atheist, and now you want to repeat what Jesus Christ did for us.

 

HALL

Man, stop it. I just don't want this bread. Gimme a break.

 

LOMAR

(Holding the bread.)

Martin, let's do it.

 

HALL

You should get it. By the way, we're gonna die on this boat.

 

MARTIN

No way. We will be saved.

 

HALL

Whatever.

 

(Fade out/in.)

 

(Martin and Lomar are eating their bread while Hall is looking out to sea.)

 

(We hear "Clair de Lune" by Claude Debussy while the boat drifts, floating aimlessly, maybe in an eternal voyage to nothing.)

 

(Curtain)

 

 

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Altenir Silva | Scene4 Magazine

Altenir Silva is a Brazilian playwright and screenwriter. In 2019, he won the Best Feature Screenplay at Prisma International Film Awards in Rome with The Sunrise Man (co-written with Ben Fiore, based on a story by director Werner Schumann). This screenplay was also nominated as a Top Finalist, 2017, Hollywood Hills Screenplay Awards, CA, US. In 2017 his short-play "Friendship" was published in "One Minute Plays: A Practical Guide to Tiny Theatre" (Routledge UK). In 2014 he received the Award of Excellence from Shakespeare at The Burg Theatre Festival (Middleburg, VA) for the play "The Idea". In Brazil, he worked as a scriptwriter for several TV shows at Globo TV, Record TV, CNT TV. He also wrote the feature films "Belarmino & Gabriela" (2007), "The Salt of the Earth" (2008), "Japan Connection" (2008), "Curitiba Zero Degrees" (2010) and "Moses and The Ten Commandments" (2015). For more of his writings in Scene4, check the Archives.

©2021 Altenir Silva
©2021 Publication Scene4 Magazine

 

 

 

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