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Scene4 Magazine-September 2007: Stories-On The Nature of Poetry by Karren Alenier
Karren Alenier - inSight - Steiny Road To Operadom | Should the Steiny Road Poet call 2011 the year of Gertrude Stein? | Scene4 Magazine-December 2011
Karren Alenier - inSight - Steiny Road To Operadom | The Compelling Kronos Quartet | Because the Steiny Road Poet is collaborating with a composer whose music base is electronic, she is making special note of the September 16, 2011, concert she heard by Kronos Quartet at the Clarice Smith Performing Arts Center at the University of Maryland. | Scene4 Magazine-November 2011
Karren Alenier | Scene4 - Special Issue | The Obscene Critic | Whether it is stones or semen, getting one�s rocks off at the expense of someone unknown to the perpetrator is obscene. Let�s talk about critics who offend accepted standards of decency or who incite feelings that are repulsive and disgusting. | Scene4 Magazine-January/February 2012
Karren Alenier - inSight - Steiny Road To Operadom | What Was Learned in Teaching Stein | The Steiny Road Poet created and developed an opportunity to teach Gertrude Stein inside the landscape of an art exhibition that focused on this great Modernist.| Scene4 Magazine-March 2012
Karren Alenier - inSight - Steiny Road To Operadom | That Silent Pause | Why do poets stand up in public to read or recite their work? Is it for applause? Did their publishers say it�s the only way to sell books? | Scene4 Magazine-April 2012
reView - WRITING | An Invitation to Gertrude Stein's Tea Party | What kind of Jew was Stein? She was an assimilated American Jew, born in Pennsylvania | Karren Alenier | Scene4 Magazine-November 2011
reView - OPERA | New Operas for 2011-2012 | Given the state of the American economy and wealth moving more heavily to those who always had money, there is no surprise that opera companies like New York City Opera are drastically scaling back.� | Karren Alenier | Scene4 Magazine-September 2011
Karren Alenier - inSight - Steiny Road To Operadom |
reView - THEATRE | Scene 4 |
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