JOHN HUGHES IS IN THE HOUSE!
A “Quentin TeenRantino” kind of show.

Altenir Silva

Review of EUPHORIAS3E1

silva0626-1

Photo: HBO Max

Episode 1 of Season 3, titled “ Ándale ” from Euphoria (2019) aired in April 2026 on HBO Max. In this opening episode, Rue Bennett, an outsider out-of-out from everything, drives her Jeep toward the border between Mexico and Texas, carrying drugs; she is played by the Gen Z phenomenon Zendaya. The problem is that she encounters a section of the border wall fitted with a makeshift ramp. She tries to cross, but the car gets stuck on top of a steel beam, balancing like a seesaw, completely useless. Then Rue abandons her car and continues on foot, carrying a duffel bag filled with narcotics as she heads toward Texas.

We follow her walking like a lone wolf through the Texan landscape, to the sound of music that evokes the spaghetti westerns of the three Sergios: Leone, Corbucci, and Sollima. Rue is a mix of Clint Eastwood and Kwai-Chang Caine (played by David Carradine), the protagonist of television series Kung Fu (1972–1975). She walks with a destiny already set: chaos. There is nothing more Quentin Tarantino in contemporary Cinema and TV than this blend of outsiders and Italian westerns, rendered in a distinctly pop-culture style.

Contrary to most viewers, I watched S3E1 of Euphoria and really liked it. Gen Z drifts aimlessly, chasing nothing, no dreams, no life plans, just moving through the present.

Where does John Hughes come in?

Simple. Sam Levinson uncovers an existential canvas, revealing contemporary teenage life, much like John Hughes did when he showed the world what was going on inside the minds of young people in the 1980s.

In Ferris Bueller’s Day Off, by John Hughes, the character simply wants to enjoy a day off from school, visiting famous spots in Chicago without worrying about the future. Perhaps he already senses that his life will mirror his parents’: a good job, a wife, kids , a European vacation, games at Wrigley Field, a Super Bowl on TV with the family, and everything the comfortable American life has to offer.

But with Rue, what should she expect from her life? To keep her job as a handywoman at a whorehouse? Or, if she gets lucky, maybe a gig as a janitor at Mickey D’s or another fast-food chain until she retires? As her real world, like that of many others
today, is trapped in a virtual one, maybe she will see Europe only through photos posted by her friends on Instagram Stories.

Rue knows that her future is already dead. All her dreams ended when she left that state of mind and opened the door to reality. It’s cruel, but full of truth. While the John Hughes film is great for its sweetness, Euphoria is just as good for its harshness. Both works are necessary: fiction is comforting, but reality is the
villain.

EUPHORIA - available on HBO Max .

Creator: Sam Levinson, who also serves as the primary writer and director.

Based on: An Israeli series of the same name created by Ron Leshem and Daphna Levin.

Executive Producers: Sam Levinson, Zendaya, Drake, Adel "Future" Nur, Ravi Nandan, Kevin Turen, and Ron Leshem, among others.

Main Cast (Starring)

Zendaya as Ruby "Rue" Bennett.

Hunter Schafer as Jules Vaughn.

Sydney Sweeney as Cassie Howard.

Jacob Elordi as Nate Jacobs.

Maude Apatow as Lexi Howard.

Alexa Demie as Maddy Perez.

Angus Cloud as Fezco "Fez" O'Neill.

Eric Dane as Cal Jacobs.

Barbie Ferreira as Kat Hernandez.

Colman Domingo as Ali Muhammad.

Storm Reid as Gia Bennett.

Nika King as Leslie Bennett.

Dominic Fike as Elliot.

Javon "Wanna" Walton as Ashtray.

Technical Crew

Cinematography: Marcell Rév, known for the show’s distinctive "dream-like" visual aesthetic.

Music/Composer: Labrinth created the original score and songs.

Costume Design: Heidi Bivens.

Supervising Editor: Julio C. Perez IV.

Makeup: Doniella Davy (Head of Makeup Department).

 

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Altenir Jose Silva is a Brazilian playwright and screenwriter working in mass media and communications, including Cinema, Theater, Television and the Web. His texts and scripts - both fiction and reality-based - have been presented , produced and performed in the US, the UK, and Brazil. He is a Senior Writer for Scene4.
For more of his writings in Scene4, check the Archives.

©2026 Altenir Silva
©2026 Publication Scene4 Magazine

 

 

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June 2026