www.scene4.com

January 2023

inSight

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The Hours—Choosing Life Over Suicide
'How to be in the world' is the subject of a new opera in a simulcast of a live Metropolitan Opera performance.
Karren Alenier

Baum Ahead of His Time

The Media's all in a sweat about robots taking over. But if built like Baum's Tik Tok—no need to fuss. He's gentle, loyal, caring, helpful to everyone in OZ. (And a hell of a lot less dangerous than most of us!)
David Alpaugh

The Stranger Face of the Friend
 Then, with no warning that anything unusual might occur, I experienced an outpouring of creative energy, as explosive as a pyroclastic flow.

Brian George

Matisse in the 1930s
The pleasure of seeing works by Matisse.
Karren Alenier

Kandinsky Anew | Lissa Tyler Renaud | Scene4 Magazine | www.scene4.com

An Intimate Memorial Account of Kandinsky: Thomas de Hartmann
This man was loved by all who knew him, and for whom he has not died.
Jelena Hahl-Fontaine and Lissa Tyler Renaud

Letter to John Rueschhoff
Martes Gordo [Carnaval] is over but there is always a carnival in Vera Cruz, a Coney Island of the mind if nothing else. 
We are living on another planet here.

David Wiley

 

www.scene4.com

January 2023

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Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine
of Arts and Culture. Copyright © 2000-2023 Aviar-Dka Ltd – Aviar Media Llc.

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