February 2024


The Iliad as Foundation for
Tender Buttons?

Karren Alenier

“The Little Girl by the Fence at School”
William Stafford

It demonstrates how emotionally and philosophically rich and powerful just eight lines of poetry can be.

David Alpaugh

Gabriele Münter: Post-Break Up With Kandinsky
Beyond what is already known, there exists a late, revealing letter, of four handwritten pages, by Münter.
Jelena Hahl-Fontaine
Edited by Lissa Tyler Renaud

The Goddess as Active Listener
Part Five
 When I remember Sue Castigliano,
I think of almost naked dancers vaulting above the horns of Cretan bulls, to the sound of waves breaking in the distance

Brian George

Wasana Srisang
วาสนา สีสัง
Thai artists' contribution to society today is better, because it is no longer so high that it is out of reach
Janine Yasovant

Kinky Boots
 The Musical

Sophisticated, exuberant, tender, “Comfort Theatre” from the Before Times flying resplendent in today's context,
nerve-wracking, bedeviled Now.

reviewed by Lissa Tyler Renaud


February 2024

  Sections Cover · This Issue · inFocus · inView · inSight · Perspectives · Special Issues
  Columns Adler · Alenier · Alpaugh · Bettencourt · Jones · Luce · Marcott · Walsh 
  Information Masthead · Your Support · Prior Issues · Submissions · Archives · Books
  Connections Contact Us · Comments · Subscribe · Advertising · Privacy · Terms · Letters

|  Search Issue | Search Archives | Share Page |

Scene4 (ISSN 1932-3603), published monthly by Scene4 Magazine
of Arts and Culture. Copyright © 2000-2024 Aviar-Dka Ltd – Aviar Media Llc.

Thai Airways at Scene4 Magazine