It’s Not My Town Anymore

Altenir Silva

As I was strolling down the main street near my house, I found myself memorizing all the buildings along the way. It felt like walking through an art museum because some structures reminded me of the great architects.

The first was all silver with thin blue stripes, and its forms were folded like a writer's paper thrown off the table. I nicknamed it the Frank Gehry building.

The second was a strange place, without color – or with an unidentified color – with a big tree in front. The building seemed to keep a dialogue with the tree. I had no doubt and named it Frank Lloyd Wright.

The third was all Art Deco, worn by time, but it revealed a glamorous past. I thought little and gave this building the name Raymond Hood, who served as the lead architect for the massive Rockefeller Center project in New York.

While I was walking, there was a local café where artists and intellectuals met to share critiques and discuss the eternal search for the meaning of life. The place had a resemblance to the Neo-Italian Renaissance, with symmetrical façades and rusticated stone. I had no doubt. I immediately called it Stanford White.

On the other side of the street, there was an old hotel whose facade had a dark granite-clad tower, an almost Brutalist appearance, and strong vertical lines. Eero Saarinen came to my mind, and soon I began surfing in a nostalgia for the time I had flown with TWA.

Going ahead, I would stop in front of an old building where a movie theater named Opera House operated. There I stumbled upon films like Planet of the Apes (1968), The Godfather, Star Wars, Jaws, Taxi Driver, and fell in love with Raquel Welch. Looking at the facade, two architects came to mind: Le Corbusier and Oscar Niemeyer. Maybe it was because of the geometric nuances, with their curvatures exploring beauty with a lot of modernism.

The truth is, these walks no longer exist. I’ve gone out every day and haven’t seen my buildings, the ones I had named after the architects. I couldn't see them anymore, and that hurt my mind, which was beginning to erase everything my eyes could still
reach.

Suddenly, a voice I didn’t recognize entered my head, saying something like, “What we’re seeing could be the beginning of Alzheimer’s.” Whose voice was that? Who said it? Was someone speaking to me, or was I just hearing a voice meant for someone else? I don’t know.

It seems that all my knowledge has been cast aside, because no one asks me relevant questions anymore. Only trivial things, like: "Are you cold?", "Do you want more milk?", "Do you want salad?", "Are you sleepy?" Sometimes people look familiar to me; other times, I can’t recognize them. What kind of world is this? Where is my town? My architects? Where has my life gone?

Lately, I stay inside a house I can no longer remember. I just sit on an old sofa. In front of me, a TV stays on, but it never shows anything familiar. In another corner of the room, an old woman, someone I don’t know, keeps watching me. Sometimes, she hands me a glass of milk with biscuits.

I can still recall sounds and a flood of images I can no longer name, even though I’m alive and far from dying.

End

 

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Altenir Jose Silva is a Brazilian playwright and screenwriter working in mass media and communications, including Cinema, Theater, Television and the Web. His texts and scripts - both fiction and reality-based - have been presented , produced and performed in the US, the UK, and Brazil. He is a Senior Writer for Scene4.
For more of his writings check the Archives.

©2025 Altenir Silva
©2025 Publication Scene4 Magazine

 

 

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