Arthur Sze, A Brief Introduction

Gregory Luce | Scene4 Magazine

Gregory Luce

Given the ongoing turmoil around government support for the arts and humanities and the Library of Congress in particular, the announcement of Arthur Sze’s appointment as U.S. Poet Laureate is particularly welcome. Those of us who write—and read—poetry have been particularly concerned about the future of the position after the summary (and probably illegal) firing of former LOC Director Dr. Carla Hayden. Sze’s taking this position is thus very heartening for poetry lovers.

In addition to his many accomplishments in poetry, Sze is the first Asian-American to serve as Poet Laureate (formerly Poetry Consultant to the Library of Congress, Laureate was added to the title in 1986). Born in 1950 in New York City, a second generation Chinese-American, he is the author of twelve volumes of poetry and has taught in a number of institutions. In speaking of his appointment as Laureate, he expressed a particular desire to promote poetry in translation, something of a departure from previous Laureates’ focus.
https://tinyurl.com/23khm3mb
I have not read deeply in Arthur Sze’s work myself, so this introduction is as much for my own self-education as well as the edification of readers.

In “At the Equinox,” Sze pulls us immediately into the scene with both sharp images and a nod to the metaphysical:

  “The tide ebbs and reveals orange and purple sea stars.

   I have no theory of radiance,/

   but after rain evaporates

   off pine needles, the needles glisten.”
https://www.poetryfoundation.org/poems/160592/at-the-equinox

“First Snow” similarly creates a vivid picture of a winter day:

“A rabbit has stopped on the gravel driveway:// imbibing the silence,/you stare at spruce needles://

there's no sound of a leaf blower,/no sign of a black bear.”

The poem slowly transitions into a more philosophical vein still using images to lead the reader on: 

“you think you own a car, a house,/this blue-zigzagged shirt, but you just borrow these things…./you possess nothing./Snow melts into a pool of clear water;/and, in this stillness,/starlight behind daylight wherever you gaze.”
https://www.poetryfoundation.org/poems/152053/first-snow-5e0e478bd0a75

This movement from the particular to the broader implications is characteristic of Sze’s poetry, as in “Rock Paper Scissors”:

Midnight snow swirls in the courtyard—/you wake and mark the steel-gray light of dawn,// the rhythm in your/hands of scissors cutting paper;// you pull a blade against ribbon….//you consider how paper wraps rock,/scissors snips paper,//how this game embodies the evolution/of bacteria and antibiotic….”
https://poets.org/poem/rock-paper-scissors

The careful mixture of concrete and abstract imagery, often against a seasonal backdrop, has a distinctly Asian quality, unsurprising given the poet’s heritage and his experience in translating Chinese poetry. A fine example is his translation of a poem by Su Tung-Po, a poet of China’s Song era (10th century
CE), “Spring Night”:
“Spring night: one-quarter of an hour

is worth a thousand pieces of gold.

Flowers have clear fragrance;

the moon has shadow.

Songs and flutes on the upstairs terrace;

the threadlike sound is fine, fine.
A rope-swing in the still courtyard,

where night is deep, deep.”
(From The Silk Dragon;
https://www.coppercanyonpress.org/books/silk-dragon-translations-from-the-chinese-tr-arthur-sze/)
One final poem, appropriate to the season we are now moving into:
Black Box
When you open this box,

bassoons play: autumn 

light slants across cattails 

where redwing blackbirds 

nest at a pond. When you 

close the box, juniper 

crackles in a fireplace;

you try to reopen the lid, 

but this black box stays shut….

Drinking water from the tap,

you are only thirstier;

as you pivot around the space,

the triangular walls

stretch into starlight,

and you wonder what

is this box you’re now inside of.
https://www.sierraclub.org/sierra/2024-3-fall/poem/arthur-sze-black-box

As a poet and avid reader of poetry, I am thrilled by the appointment of Arthur Sze, and look forward to welcoming him to Washington. In the meantime, you can find more poems at The Poetry Foundation and The Academy of American Poets and his books can be found at Copper Canyon Press: https://www.coppercanyonpress.org/authors/arthur-sze/
Watch and listen to Sze here: https://www.pw.org/theater?tag=Arthur%20Sze

 

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Gregory Luce is a Senior Writer and columnist for Scene4.
He is the author of five books of poetry, has published widely in print and online and is the 2014 Larry Neal Award winner for adult poetry, given by the DC Commission on the Arts and Humanities. Retired from National Geographic, he is a volunteer writing tutor/mentor for 826DC, and lives in Arlington, VA.
More at: https://dctexpoet.wordpress.com/
For his other columns and articles in Scene4 check the Archives.

©2025 Gregory Luce
©2025 Publication Scene4 Magazine

 

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