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The name Camille Claudel arouses great passion in France. Catherine Conway Honig Scene4 Magazine-December 2013
The Ephemeral On Film - San Francisco Dance Film Festival celebrates dance films and videos. Three-D technology could be the single greatest innovation in the history of dance documentation. Catherine Conway Honig | Scene4 Magazine-October 2013
reView - DANCE | Scene 4 | San Francisco Ballet's
reView - DANCE | Scene 4 | John Neumeier's
reView - DANCE | Scene 4 | Manipulating the Masses | Celebrating 30 years of choreography at the Festival d�Automne � Paris. The audience in Paris responded to Maguy Marin's
reView - THEATRE | Scene 4 | Rampant Paranoia -
reView - THEATRE | Scene 4 | Emilie, La Marquise du Ch�taletDefends Her Life Tonight | She was an 18th century philosopher, physicist, mathematician, author, translator of Newton, mother of four, lover of Voltaire among others and wife of a high-ranking military nobleman. | Catherine Conway Honig | Scene4 Magazine-August 2012
reView - THEATRE | Scene 4 | The White Snake - Ashland in Full Bloom | Mary Zimmerman sssssstrikes again with The White Snake at Ashland�s Oregon Shakespeare Festival which also features plenty of Shakespeare but also commissioned world premieres, revivals or reconstructions of obscure plays and beautifully produced classic favorites. | Catherine Conway Honig | Scene4 Magazine-July 2012
reView - DANCE | Scene 4 | Balanchine at San Francisco Ballet | The rhythm of their jumps, the weight of their landings and the silence when they were suspended in the air was the music he needed to hear. San Francisco Ballet�s recent all-Balanchine program featured two masterpieces that provided the audience with the opportunity to appreciate the subtlety of these sounds. | Catherine Conway Honig | Scene4 Magazine-May 2012
reView - DANCE | Scene 4 | Hope Mohr Dance and Du�an T�nek Dance Theatre | Du�an T�nek and Hope Mohr shared the common experience of years of training at the Merce Cunningham Studio and their devotion to this demanding and detailed technique is clear in both their work.. | Catherine Conway Honig | Scene4 Magazine-April 2012
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